327 shellac records · mostly British pressings, 1900s–1950s
327 records matching · page 4 of 7
Venus 329 Music Hall
Billy Williams performing *Save a Little One for Me* and *Serves You Right* on Ven, a small British label. These are typical novelty numbers from Williams's prolific recording career.AI summary
Venus 351 Music Hall
Billy Williams, the Australian-born music hall singer, with Wait Till I'm as Old as Father and Where Does Daddy Go on Venus 898.AI summary
Venus 898 Music Hall
Billy Williams, a prolific British music-hall and popular singer of the early 20th century, with *You're the One* and *Why Do You Think I Look So Gay* on Pathé. Williams recorded extensively and these are typical novelty songs of the period.AI summary
Pathé 1098 Music Hall
Billy Williams recorded 'Serves You Right' and 'Postcards' for Diamond, a British budget label, catalogue 225. Williams was an American singer of the early 1900s, prolific in novelty and ragtime numbers.AI summary
Diamond 225 Music Hall
Billy Williams on Argo 1883, performing 'Tickle Me Timothy' and another untitled side. Williams was an American R&B and novelty singer of the 1950s. Argo was an American independent label.AI summary
Ariel 1883 Voice
Billy Williams, a music-hall singer and comedian, recorded these early novelty songs for Columbia's 1566 catalogue, an issue from the acoustic era or early electrical period.AI summary
Columbia 1566 Music Hall
Billy Williams was a British Music Hall singer and comedian; this Columbia side offers two novelty comedy songs typical of the genre.AI summary
Columbia 2102 Music Hall
Billy Williams in 'The Ragtime Wedding' and 'The Worst of It Is I Like It' on Columbia (catalogue 2103) — comic ragtime numbers typical of the British music-hall singer's repertoire.AI summary
Columbia 2103 Music Hall
Columbia A1184 Music Hall
Billy Williams, a British comedic vocalist, recorded for Scala; 'The Land where the Women wear the Trousers' and 'Bobbing about in the Briny' are novelty and comic songs.AI summary
Scala 1272 Music Hall
Billy Williams on Scala 1296, same artist as id 9366. Scala was a small British label of the 1930s; Williams is not documented as a major recording artist.AI summary
Scala 1296 Music Hall
Billy Williams on Scala 1298, a British dance or vocal side from the early 1930s.AI summary
Scala 1298 Voice
Billy Williams on Scala 1301. Scala was a small British label of the 1930s; Williams is not a major-label artist in surviving discographies.AI summary
Scala 1301 Music Hall
Billy Williams, the British music-hall comedian, in two comic novelty songs on Scala — 'I Never Heard Father Laugh So Much Before' and 'I Wish It Were Sunday Night' — likely from the 1920s–early 1930s.AI summary
Scala 1304 Music Hall
Billy Williams performs 'The Old Armchair' and 'It's a Grand Old Song is Home Sweet Home' on Scala. Both are sentimental domestic songs typical of Williams' Scottish music hall repertoire.AI summary
Scala 1335 Music Hall
Billy Williams performing two comic novelty songs, 'Cock-a-Doodle-Doo' and 'Poodle Dog', on Scala, catalogue 1336. Scala was a budget British label.AI summary
Scala 1336 Music Hall
Billy Williams was a British performer active in the music-hall and comic-song tradition. 'Too-ral-addie' and 'Why do you think I look so gay?' are recorded on Scala 1337, a small British label.AI summary
Scala 1337 Music Hall
Billy Williams, the prolific British comedian and singer, recorded two comic songs on Scala, a small British label. Williams' material was widely recorded across multiple labels and catalogue numbers.AI summary
Scala 1345 Music Hall
Billy Williams, a Scottish music hall singer of the early 20th century, performs 'Boys and Girls' and 'Tickle me Timothy' on Scala, a minor British label of the 1920s–30s.AI summary
Scala 326 Music Hall
Billy Williams, a prolific British comic and music-hall singer, recorded 'It's a Wonder What Little Things Lead To' and 'It's Mine When You've Done With It' on Scala 327. Williams had a long recording career spanning multiple decades and labels.AI summary
Scala 327 Comic
Billy Williams, a prolific British music-hall and comic singer, recorded 'Let's All Go Mad' and 'I Don't Care' for Scala, a minor British label, in the 1910s or early 1920s.AI summary
Scala 341 Music Hall
Billy Williams performing 'Take me back to USA' and 'Let's all go mad' on Homophone 1021. An early entertainment recording on a British budget label.AI summary
Hom 1021 Voice
Billy Williams performing 'I Wish I Were a Ladies' Man' and 'I Don't Care' on Hom (Home), a British label.AI summary
Hom 1022 Voice
Billy Williams performing two novelty songs on Homophone (Hom) 1199, a British label of the 1920s–30s.AI summary
Hom 1199 Music Hall
Billy Williams, a prolific American singer of the early 1900s, recorded 'Oh that Ragtime Waltz' and 'Ragtime Wedding' for Hom, a budget British label of the period. Williams was known for comedic and novelty numbers in the ragtime era.AI summary
Hom 1229 Dance
Billy Williams was a British entertainer and comedian known for novelty and comic songs in the early 20th century. 'There must be something nice about the Isle of Man' and 'Jean loves all the Jockeys' are typical topical comedy numbers. This Hom label pressing is from an obscure British marque.AI summary
Hom 1243 Music Hall
Hom 638 Music Hall
Billy Williams was a British performer active in the music-hall and comic-song tradition. 'St Kilda' and 'Too-ral-addie' are recorded on Hom 772, a small British label.AI summary
Hom 772 Music Hall
Billy Williams, the British music-hall comedian, in two novelty songs on Hom — 'That's a Jolly Fine Song' and 'She's Coming Home Tonight' — likely from the 1920s.AI summary
Hom 795 Music Hall
Billy Williams, the British music-hall comedian, in two novelty songs on Hom — 'Let's Go Where All the Crowd Goes' and 'The Man Who Buried Flanagan' — likely from the 1920s.AI summary
Hom 881 Music Hall
Billy Williams, the prolific early British tenor, recorded 'Mrs B' and 'I'll lend you my best Girl' for Hom, an unidentified label, catalogue 928.AI summary
Hom 928 Voice
Billy Williams performing 'Don't Go Out with Him Tonight' and 'You're the One' on Hom 931, a small British label.AI summary
Hom 931 Voice
Billy Williams performing 'Sing me an Irish Song' and 'My Sweet Rosetta' on Hom label catalogue 942.AI summary
Hom 942 Music Hall
Billy Williams performing two comic songs, 'Willie's Woodbines' and 'Put a Bit of Powder on It Father', on Scala, catalogue 1258. Scala was a budget British label of the 1920s–30s.AI summary
Scala 1258 Music Hall
Billy Williams recorded these novelty blues-inflected numbers on the Scala label. Williams was a prolific recording artist throughout the 1920s–1930s who recorded for numerous small and major labels.AI summary
Scala 1259 Comic
Billy Williams on Scala 1261, performing 'Silvery Moon' and 'We're all waiting for a girl'. Billy Williams was a long-lived British music-hall entertainer and recording artist. Scala was a minor British label of the 1920s-1930s.AI summary
Scala 1261 Voice
Billy Williams recorded two comic songs, 'She Does Like a Little Drop of Scotch' and 'St Kilda', on Scala, catalogue 1271. Scala was a budget British label of the 1920s–30s.AI summary
Scala 1271 Music Hall
Billy Williams performs 'Wait Till I'm as Old as Father' and 'Where Does Daddy Go?' on Scala. Both are comic domestic songs typical of Williams' Scottish music hall repertoire.AI summary
Scala 1329 Music Hall
Billy Williams performing 'It Serves You Right' and 'Tickle Me Timothy' on Scala, a cheap British label of the 1930s. Williams was a popular light comedian and singer of the period.AI summary
Scala 439 Comic
Billy Williams, the prolific British character singer and comedian, recorded two comic songs on Scala, a small British label of the 1920s–1930s. This is one of many label pressings of Williams' most familiar material.AI summary
Scala 533 Music Hall
Billy Williams, a popular British music-hall singer and comedian, performing 'When Mother Backed the Winner of the Derby' and 'They Can All Do As They Like With Me' on Scala Records. Williams was a prolific recording artist in the early 1900s–1920s, known for comic and sentimental songs.AI summary
Scala 643 Music Hall
Billy Williams, the prolific British music hall comedian, on Scala Records with two comic novelty songs; Scala was a budget British label of the 1920s-1930s with smaller pressings than the major houses.AI summary
Scala 699 Music Hall
Billy Williams, the Australian-born music hall singer, with Molly McIntyre and Oh for Another Day at Margate on Favorite 67379.AI summary
Favorite 67379 Music Hall
Billy Williams recorded for Scala, a British imprint of the 1920s–30s; this pressing of 'You're the One' and 'Let's all go mad' continues his comic-song output.AI summary
Scala 232 Music Hall
Billy Williams performing 'Father Papered the Parlour' and 'Save a little One for Me' on Scala 234, a small British label of the 1920s–30s. (A different pairing from Scala 333, same artist.)AI summary
Scala 234 Music Hall
Billy Williams on Scala Records 268: 'Save a Little One for Me' and 'I Must Go Home Tonight' (B. Milton). Williams was a prolific British music-hall performer of the early 1900s–1920s.AI summary
Scala 268 Music Hall
Billy Williams performing 'Save a little One for Me' and 'When Father papered the Parlour' on Scala, a small British label of the 1920s–30s.AI summary
Scala 333 Music Hall