7 shellac records · mostly British pressings, 1900s–1950s
7 records matching
Conchita Supervia (1895–1936) was a celebrated Spanish mezzo-soprano, recorded here in two art songs, "La Paloma" and "De la Serrania", for Parlophone; her early death and distinguished career make her recordings highly collectable.AI summary
Parlophone RO20129 Opera
Conchita Supervia, the celebrated Spanish mezzo-soprano (1895–1936), recorded for Parlophone and other labels; 'Tonadillas' (Spanish art songs), parts 1 and 2, showcase her distinctive voice and intimate style during the electrical era.AI summary
Parlophone PO161 Opera
Conchita Supervía, the Spanish mezzo-soprano, sings from Falla's 'El amor brujo' on Historic Masters, a society label issuing limited pressings from original Gramophone Company matrices.AI summary
Historic Masters HMB54 Classical
Conchita Supervia was a celebrated Spanish mezzo-soprano of the 1920s and 1930s, renowned for her warmth and dramatic intensity; this Parlophone side captures her in operatic repertoire with 'Flor y luz' and the 'Ave Maria'.AI summary
Parlophone PO51 Opera
Conchita Supervia, a celebrated Spanish mezzo-soprano, recorded 'A Lesson with the Fan' and 'Should He Upbraid' for Parlophone, catalogue RO20186, likely 1920s–30s.AI summary
Parlophone RO20186 Opera
Conchita Supervia, the Spanish mezzo-soprano and opera star, recorded two Spanish songs for Parlophone, including a spiritual arrangement.AI summary
Parlophone PO51 Opera
Parlophone RO20117 Voice