24 shellac records · mostly British pressings, 1900s–1950s
24 records matching
Olly Oakley on Zonophone, performing character or novelty material; the catalogue number is low, suggesting a recording from the 1910s-20s.AI summary
Zonophone 1174 Music Hall
Credited to Olly Oakley on Zonophone, with the intriguing titles 'Queen of Burlesque' and 'Insurgents Patrol'.AI summary
Zonophone 1015 Personalities (Prs)
Olly Oakley on Zonophone 1237 recorded 'Devil May Care' and 'Sunflower Dance'; Zonophone was a significant British label of the 1900s–1930s.AI summary
Zonophone 1237 Dance
Olly Oakley on Aco, catalogue 15018, performing traditional dance material ('Toronto jig', 'Coloured major march'). Oakley is an unrecognised artist on an obscure British label.AI summary
Aco G15018 Instrumental
Olly Oakley, a performer in the music-hall tradition, recorded these two comic pieces—Darkey's Awakening and a circus galop—for His Master's Voice in the early acoustic era.AI summary
His Master's Voice B1566 Music Hall
Ludgate 6337 Misc.
Olly Oakley recorded 'A Black Coquette' and 'Lancashire Clogs' for His Master's Voice, catalogue C286, likely 1910s–20s.AI summary
His Master's Voice C286 Music Hall
Olly Oakley on HMV B1566, performing 'Darkey's awakening' and M E Flynn's 'Circus Galop', both presumably piano or instrumental pieces. The artist is not documented in standard references.AI summary
His Master's Voice B1566 Instrumental
Olly Oakley on Broadcast 486, a small British label of the early 1930s, performing novelty and music hall material.AI summary
Broadcast 486 Music Hall
Olly Oakley recorded 'The Drum March' and 'The Red Cockade' for Regal, a budget British label. Both are marches or patriotic/traditional titles, likely 1920s–30s.AI summary
Regal 6203 Instrumental
Olly Oakley performing novelty folk or hillbilly songs on Fav, an unidentified label.AI summary
Favorite 64086
Olly Oakley recorded 'Banjoland' and a historical title on DuoM 141, a minor British label, likely banjo novelty or comic songs from the 1920s–30s.AI summary
Duophone M141 Music Hall
Winner 3135
Olly Oakley on Zonophone 948, recorded in the early acoustic era. The titles indicate popular vocal material of the 1910s-1920s period, but the artist is unrecorded in standard discographies.AI summary
Zonophone 948
G&T 6355
Olly Oakley recorded 'Banjoland' and 'Niggertown' for DuoM, catalogue 141, an early electrical or late acoustic pressing from a small British label.AI summary
Duophone M141
Olly Oakley on Melotone Records with 'Poppies & Wheat' and 'A Drop of Scotch'. Melotone was a minor British label of the late 1920s-30s.AI summary
Meloto 1061 Voice
Olly Oakley recorded 'Drum major' and 'Red cockade' for Regal G6203, likely music-hall novelty or instrumental material from the 1920s–30s.AI summary
Regal G6203 Music Hall
Olly Oakley on the obscure Sound label, catalogue 138, performing two instrumental pieces: 'Lancashire Clogs' and 'Banjo Oddity'.AI summary
Soundwave 138 Instrumental
Olly Oakley performing instrumental selections on Tri 429, a marginal British label. The catalogue number suggests a late 1920s or early 1930s recording.AI summary
Triumph 429 Instrumental
Olly Oakley performing 'Poppies and Wheat' and 'Sweet Jessamine' on Winner 2046, a small British label of the 1920s-1930s.AI summary
Winner 2046 Voice
Olly Oakley on Winner catalogue 3141, featuring two light vocal or orchestral numbers. Winner was a prolific British budget label active from the 1920s.AI summary
Winner 3141 Voice
Olly Oakley on Winner 2282, performing 'Nigger in a Pit' and 'Camptown Carnival'. Winner was a cheap British budget label of the 1920s–30s. Oakley's recording career is not well documented.AI summary
Winner 2282
Olly Oakley, the most prolific English banjo soloist of the early gramophone era, plays 'The Gay Gossoon' and the 'Oakleigh Quickstep' on Homochord, the British Homophone Company's label.AI summary
Homochord H154 Instrumental