630 shellac records · mostly British pressings, 1900s–1950s
630 records matching · page 13 of 14
Ted Wallace led a dance orchestra and recorded 'Telling It to the Daisies' and 'Stein Song' for Columbia in the late 1920s, as the low catalogue number indicates. The Stein Song was a popular novelty of the period.AI summary
Columbia 2151D Dance
The Ted Wallace band recorded 'Absence Makes the Heart Grow Fonder' and 'Little White Lies' for Columbia; Wallace was a British or American bandleader active in the dance-band era.AI summary
Columbia CB137 Dance
Tedd Wallace's orchestra is little documented. This Columbia CB-series coupling of 'Little white lies' and 'Absence makes the heart grow fonder' represents typical light orchestral material of the early 1930s, pressed on a budget British label.AI summary
Columbia CB137 Dance
Columbia 3537 Dance
The Georgians recorded dance numbers for Columbia in the early 1920s; this coupling pairs a popular song with a novelty dance instruction number.AI summary
Columbia 11D Dance
The Georgians were a prolific dance orchestra of the 1920s, and this Columbia 142D release captures their jaunty instrumental style in early numerical catalogue pressings.AI summary
Columbia 142D Dance
The Two Bobs performing 'Alexander's Ragtime Band' and 'Baby Rose' on Columbia, early ragtime-era novelty or dance material.AI summary
Columbia 1971 Dance
Tom Kennedy recorded a novelty number, 'Laughing Ben', coupled with a polka, for Columbia in what appears to be the 1910s-1920s, based on the catalogue numbering; these are minor comic or folk-adjacent pieces from the era.AI summary
Columbia 1570 Dance
Toralf Tollefsen recorded 'Promenading Rhythm' and the folk song 'Hejre Kati' for Columbia—likely a Scandinavian musician blending folk material with dance-band arrangement, recorded in the 1930s–1940s.AI summary
Columbia FB3513 Dance
The Trix Sisters, an American vocal group of the 1920s, perform two novelty dance numbers—'The Georgia Weddin'' and 'In Honeysuckle Time'—on Columbia 3601.AI summary
Columbia 3601 Dance
Tromp van Diggelen performing instructional or novelty material on Columbia 5025. Artist and label are unrecognised.AI summary
Columbia 5025 Dance
Columbia 36490 Dance
The Two Bobs recorded two popular songs for Columbia's early numbered series (circa 1910–1915): "Way Down South" and "Wedding Glide".AI summary
Columbia 383 Dance
Van Phillips, a British pianist and bandleader, recorded the popular standards 'Aren't We All' and 'If I Had a Talking Picture of You' for Columbia.AI summary
Columbia 5512 Dance
Columbia 5245 Dance
van Phillips recorded 'Through' and 'S'Posin'' for Columbia, dance songs of the late 1920s.AI summary
Columbia 5657 Dance
Van Phillips, a British dance-band vocalist and entertainer of the 1930s, recorded 'I'm Like a Sailor' and 'High and Low' for Columbia, catalogue CB6. The CB prefix indicates a cheaper budget series.AI summary
Columbia CB6 Dance
Van Phillips, a British dance-band pianist and composer of the 1920s-30s, performing 'Aren't we all' and 'If I had a Talking Picture of you' on Columbia, catalogue 5512.AI summary
Columbia 5512 Dance
Van Phillips, a British bandleader and pianist, recorded two sentimental ballads for Columbia in the 1930s.AI summary
Columbia CB146 Dance
Van Phillips, a British pianist and bandleader active in the 1930s, recorded 'Why am I so romantic' and 'It's for you' for Columbia CB161. Phillips led a successful British dance band and is a minor figure in British jazz and dance music of the period.AI summary
Columbia CB161 Dance
Van Phillips, the British pianist and bandleader, recorded 'Beyond the blue Horizon' and 'Always in all Ways' for Columbia CB162, continuing his series of recordings for the label in the 1930s.AI summary
Columbia CB162 Dance
Van Phillips Band performing 'Little Russian rose' and 'Oh Donna Clara' on Columbia (CB159); Van Phillips was a prominent British pianist and bandleader of the 1920s–1930s.AI summary
Columbia CB159 Dance
Victor Silvester and his Ballroom Orchestra on Columbia DB4123 performing two Richard Rodgers songs from the film *My Fair Lady*—recorded in the popular ballroom-dance style.AI summary
Columbia DB4123 Dance
Columbia DB3762 Dance
Columbia DB3713 Dance
Victor Silvester and his Ballroom Orchestra recorded 'Brahms Lullaby' and 'Chopin Nocturne' for Columbia—classical arrangements for ballroom dancing, from the bandleader famous for his strict-tempo dance records.AI summary
Columbia FB3458 Dance
Vivian Foster performing 'Parson & the Charleston' on Columbia, a novelty dance number from the early jazz age. Columbia 4265 is a mid-1920s British pressing.AI summary
Columbia 4265 Dance
A performance by Vorhees on Columbia's 4000 series, featuring two dance songs: 'When the Morning Glories Wake Up in the Morning' and 'Highways Are Happy Ways'.AI summary
Columbia 4683 Dance
Vorhees recorded 'My Blue Heaven' and 'Rain' for Columbia, popular songs of the mid-to-late 1920s.AI summary
Columbia 4684 Dance
The Waldorf Astoria Orchestra was a popular British dance orchestra. 'Tell Me' and 'Synco Breeze' are dance standards from the early 1920s. This Columbia A2783 pressing is from the earliest Columbia numerical series in Britain.AI summary
Columbia A2783 Dance
Columbia CB166 Dance
Warner's 7 Aces, a dance band performing novelty jazz on early Columbia: 'So Is Your Old Lady' and 'I'm Walking Around in Circles' (credited to Radiolites). The 4000 series is an early Columbia issue from the mid-1920s.AI summary
Columbia 4068 Dance
Warner's 7 Aces, a dance band of the 1920s, recorded these two jazz-inflected pop songs for Columbia's 305D series, a numerical catalogue issue from the height of the dance-band era.AI summary
Columbia 305D Dance
A dance recording credited to Whidden on Columbia's early 4000-series catalogue, performing "For My Sweetheart" and "Moonlight and Roses".AI summary
Columbia 4240 Dance
Paul Whiteman's 'My Angeline' and 'Coquette' on Columbia 5388; Whiteman was a major dance bandleader of the 1920s and 1930s, and his recordings remain widely collected.AI summary
Columbia 5388 Dance
Paul Whiteman and his orchestra on Columbia 5377, performing selections from 'The New Moon' operetta. Whiteman was the most famous bandleader of the 1920s and early 1930s and his recordings were widely distributed; this catalogue number suggests a common issue.AI summary
Columbia 5377 Dance
A band recording credited to Whiteman on Columbia 5544, with two popular ballads.AI summary
Columbia 5544 Dance
Paul Whiteman, the 'King of Jazz' and a dominant dance-band leader of the 1920s, on Columbia catalogue 1465D, performing 'I'm on the Crest of a Wave' and 'What d'ya say'. Two popular sides from Whiteman's prolific recording career.AI summary
Columbia 1465D Dance
Columbia 2163D Dance
Paul Whiteman's orchestra recorded "Get Out and Get Under the Moon" and "Roses of Yesterday" for Columbia catalogue 5161. A mainstream dance side from Whiteman's most prolific recording period.AI summary
Columbia 5161 Dance
Paul Whiteman and his orchestra recorded 'I'm on the Crest of a Wave' and 'What d'ya Say' on Columbia 5241. Whiteman was the best-selling bandleader of the 1920s and his records are among the most common dance band recordings of the era.AI summary
Columbia 5241 Dance
Whiteman performing Cole Porter's 'Let's do it let's fall in love' and 'If you don't love me' on Columbia. This is likely bandleader Paul Whiteman's orchestra or a similar group.AI summary
Columbia 5331 Dance
Paul Whiteman, the 'King of Jazz', led one of the most successful orchestras of the 1920s-1930s and made numerous recordings for major labels; 'Cradle of Love' and 'Nola' appear on this Columbia pressing, catalogue 5411.AI summary
Columbia 5411 Dance
Whiteman performing 'Louise' and 'Blue Hawaii' on Columbia 5456 — likely Paul Whiteman, the 'King of Jazz', or a related 1920s–30s dance band recording.AI summary
Columbia 5456 Dance
Paul Whiteman's orchestra recorded "Taint So Honey Taint So" and "Chiquita" for Columbia catalogue 4981. A mainstream dance and popular record from Whiteman's peak commercial period.AI summary
Columbia 4981 Dance
Whiteman — likely Frankie Whiteman or another member of the Whiteman dance-band circle — recorded for Columbia; 'S'posin'' and 'Laughing Marionette' are light dance-novelty titles of the 1920s–30s.AI summary
Columbia 5520 Dance
Will Bradley leading his orchestra on "Think of Me" and "Tea for Two" (the McKinley arrangement) for Columbia 36101. Bradley was an important big-band and swing trombonist and leader in the 1930s–1940s.AI summary
Columbia 36101 Dance
Will Osborne's orchestra performing dance standards on Columbia; Osborne was a bandleader active in the 1920s–1930s.AI summary
Columbia 1988D Dance