630 shellac records · mostly British pressings, 1900s–1950s
630 records matching · page 6 of 14
Jimmy Dorsey's hot-dance orchestra on "Rag Mop" and "That's a Plenty", recorded for Columbia in the late 1940s. Dorsey was a leading clarinet and alto saxophone player, and these sides represent the swing repertoire that made him a bandleader of note.AI summary
Columbia 38710 Dance
Joe Green's Orchestra recorded dance and light orchestral music for Columbia in the 1920s–1930s. This CB-series pressing, with both sides identical, may be a dance variant or test pressing, making its status unclear.AI summary
Columbia CB605 Dance
Joe Green Orchestra recorded "Love Songs of the Nile" and "Stay Out of My Dreams" for Columbia DB1151 in the late 1940s or early 1950s.AI summary
Columbia DB1151 Dance
Jones on Columbia DB5008, with 'Take It Easy' and 'Tormented'. Artist unidentified; DB series was Columbia's popular dance/jazz outlet in the 1930s–1940s.AI summary
Columbia DB5008 Dance
Josephine Baker, the American-born Paris cabaret star of the 1920s, performing two dance numbers on Columbia electrical recording. Baker was a major international celebrity, and her recordings are sought after by jazz and dance collectors.AI summary
Columbia BF30 Dance
June (surname not given) performing two songs including a number with Jack Hulbert, a British stage star, on Columbia; catalogue 4715 places this in the mid-to-late 1920s.AI summary
Columbia 4715 Dance
Dick Jurgens and his American dance orchestra perform 'You'd Be So Nice to Come Home To' and 'I'm So in Love with You' on Columbia.AI summary
Columbia 36669 Dance
An artist named Jurgens recorded these two numbers for Columbia's 38500 series. The titles suggest a dance recording from the 1940s–1950s era.AI summary
Columbia 38510 Dance
Kaley on Columbia 4607, a dance-era novelty song from the mid-1920s.AI summary
Columbia 4607 Dance
Kay Kyser and his orchestra, the 'Ol' Professor', performing 'On a Slow Boat to China' and 'Horses Don't Bet on People' for Columbia, the bandleader known for novelty and comedy recordings.AI summary
Columbia FB3450 Dance
Kemp vocal on Columbia 3426, a British dance-vocal side from the 1920s–30s.AI summary
Columbia 3426 Dance
Kemp's orchestra performing 'Red Hot Mamma' and 'June Night' (attributed to Lewis) on Columbia 3446, a dance record from the early 1920s.AI summary
Columbia 3446 Dance
Kit-Kat, a vocal group or entertainment act, on Columbia 4399, performing light popular material of the late 1920s.AI summary
Columbia 4399 Dance
Columbia 4703 Dance
Knickerbockers Band performing two novelty dance numbers on Columbia, one credited to the Cavaliers. This is an early 1920s dance recording from an unidentified or house orchestra.AI summary
Columbia 5402 Dance
The Knickerbockers Band, a light dance ensemble, recorded two popular songs on Columbia's cheap 5000 series, likely early 1930s.AI summary
Columbia 5402 Dance
Kunz recorded waltzes 'Two Lips' and 'Twelve o'clock Waltz' for Columbia 5077, likely from the 1920s or early 1930s. The artist's identity and nationality are unclear.AI summary
Columbia 5077 Dance
Lanin, a prolific American dance-orchestra leader, recorded 'Sweet Child' and 'My Castle in Spain' for Columbia, catalogue 548D. Lanin was an important early 1920s dance-band leader, and his sides were extensively recorded and pressed both in the US and UK.AI summary
Columbia 548D Dance
Lanin's orchestra recorded two popular dance tunes for Columbia in the late 1920s or early 1930s.AI summary
Columbia CB341 Dance
Lanin, likely Sam Lanin or his orchestra (a prolific American dance bandleader of the 1920s), performs 'Oh by Jingo' and 'La Veeda' on Columbia.AI summary
Columbia 2982 Dance
Lanin's orchestra performing 'When the Red Red Robin' and 'For Heaven's Sake' on Columbia, a popular dance recording from the mid-1920s.AI summary
Columbia 4049 Dance
Lanin's orchestra recorded 'Baby Face' and 'Blue Bonnet' for Columbia, one of the major British labels, in the late 1920s—two jazz-age standards that were widely recorded.AI summary
Columbia 4098 Dance
Lanin, the prolific dance bandleader, in two pieces on Columbia: "Give me a Night in June" and "There must be Somebody Else", from the early 1930s.AI summary
Columbia 4874 Dance
Sam Lanin, a prolific New York bandleader and recording director of the 1920s, recorded two standards for Columbia in the early dance-band era.AI summary
Columbia 5107 Dance
Lanin's orchestra, a prolific American dance band of the 1920s, on Columbia. 'Gloriana' and 'Sally of My Dreams' are typical light dance repertoire from their extensive discography.AI summary
Columbia 5243 Dance
Sam Lanin was a prolific American bandleader and recording artist for Columbia; these mid-to-late 1920s sides, 'Deep Night' and 'Weary River', are typical orchestral dance music from his extensive catalogue.AI summary
Columbia 5373 Dance
Lanin (likely Sam Lanin or a member of his orchestra), recorded 'My sweeter than sweet' and 'My strongest weakness is you' for Columbia 2006D, a UK pressing from the late 1920s. The Lanin orchestras were prolific dance-band recording units.AI summary
Columbia 2006D Dance
Lanin's orchestra on Columbia, recording 'Hang On to Me' and 'Just You Just Me'. A typical dance-band side from Lanin's prolific 1920s recording career.AI summary
Columbia 5633 Dance
Credited to Lanin (likely Sam Lanin, the prolific bandleader), this Columbia CB series release pairs 'Promises' with 'Dancing with Tears in my Eyes', featuring Ruth Etting on vocals—credited here to Selvin.AI summary
Columbia CB119 Dance
Sam Lanin's orchestra recorded 'Cooking Breakfast for the One I Love' and 'Kickin a Hole in the Sky' for Columbia CB72, the Columbia budget series with very low catalogue numbers.AI summary
Columbia CB72 Dance
Lanin (likely Paul Lanin, a dance-band leader of the 1920s-1930s) on 'You didn't know the Music' and a Lombardo number, from Columbia CB415. Both Lanin and Guy Lombardo were major recording artists of the dance-band era; these are typical popular dance sides.AI summary
Columbia CB415 Dance
Lanin recorded 'On the Beach with You' and 'Many Happy Returns of the Day' for Columbia, catalogue CB341. This is an early dance-band recording from the Edwardian or 1920s era.AI summary
Columbia CB341 Dance
Lanin led a popular American dance orchestra of the 1920s-1930s; this Columbia recording, catalogue CB119, features 'Promises' and 'Dancing with Tears in My Eyes' (with vocalist Ruth Etting and the Selvin orchestra).AI summary
Columbia CB119 Dance
Lecuona Cuban Boys, a well-known Cuban dance band, perform two Latin standards: 'Amapola' and 'Tabou'. This is a Columbia Records UK pressing, and the group's recordings remain sought by Latin music and dance collectors.AI summary
Columbia FB1273 Dance
Len Fillis, a British dance-band saxophonist, recorded these three titles for Columbia around the early 1930s. The medley format and saxophone-feature arrangement are typical of the period's popular dance music.AI summary
Columbia 4161 Dance
Len Fillis and Sid Bright, British musicians, recorded for Columbia with light dance and novelty material from the late 1920s or early 1930s.AI summary
Columbia 4920 Dance
Leo Reisman and his orchestra on Columbia with 'The Wedding of the Painted Doll' and 'Kiddies Kabaret'—dance and novelty pieces from the late 1920s.AI summary
Columbia 01497 Dance
Leo Reisman and his orchestra performing 'Love Tale of Alsace Lorraine' and 'Along Came Sweetness' on Columbia 1682D. Reisman was a popular orchestral bandleader of the 1920s and 1930s, known for refined dance music.AI summary
Columbia 1682D Dance
Leo Reisman's band on Columbia 1112-D, performing 'Waters of the Perkionen' and 'Cheerie Beerie Be'. Reisman led one of the most sophisticated and popular American dance orchestras of the 1920s–30s, known for refined, subtly arranged popular and novelty music.AI summary
Columbia 1112-D Dance
Leo Reisman's orchestra, a prominent American ballroom and popular dance band of the late 1920s-30s, recorded two romantic selections on Columbia's early electrical series.AI summary
Columbia 3713 Dance
Columbia FB1322 Dance
Levy recorded 'Empire Builders' and 'Music from the Movies' for Columbia, catalogue FB1607; details about the artist and the nature of these pieces are unclear from the label information alone.AI summary
Columbia FB1607 Dance
A selection of music from the film Swing Time on Columbia, credited to Levy; likely a dance band arrangement from the late 1930s.AI summary
Columbia FB1531 Dance
A performer named Lewis recorded dance sides 'Everybody Step' and 'Dapper Dan' for Columbia, a major British label, in the late 1920s.AI summary
Columbia 3096 Dance
Lewis recorded 'Bam-Bam-Bamy Shore' and 'The Camel Walk' for Columbia, catalogue 3829, in the mid-1920s.AI summary
Columbia 3829 Dance
Lewis performing 'The new St. Louis Blues' and 'My Mamma's in Town' on Columbia 4088, likely from the 1920s-1930s.AI summary
Columbia 4088 Dance
Lewis performing 'King for a Day' on Columbia 5353, side A unrecorded.AI summary
Columbia 5353 Dance
Lewis on Columbia 5656, artist not further identified. The catalogue number and label suggest a 1930s popular or dance record of unknown personnel.AI summary
Columbia 5656 Dance