630 shellac records · mostly British pressings, 1900s–1950s
630 records matching · page 7 of 14
Lewis on Columbia CB5, performing 'In the Land of Jazz' and 'My little Dream Boat'. Columbia CB5 is an extremely early catalogue number.AI summary
Columbia CB5 Dance
Lewis recorded for Columbia; 'Somebody stole my Gal' and 'Tiger Rag' are well-known standards of the 1920s, the latter a fast jazz instrumental. Columbia 36301 suggests a 1920s pressing.AI summary
Columbia 36301 Dance
A Columbia record by Lewis, catalogue 4099, with 'That certain Party' and a Ralton composition 'Always' on the B-side; artist identity and recording date are unclear from the label information alone.AI summary
Columbia 4099 Dance
An artist credited as Lewis on Columbia FB2820 with 'Dallas Blues' and 'Royal Garden Blues', both classic early jazz standards, on Columbia's budget series.AI summary
Columbia FB2820 Dance
Guy Lombardo's Royal Canadians, one of the most famous and prolific dance bands of the 1920s–1950s, recorded for Columbia CB-series. Lombardo's sweet, smooth orchestra was hugely popular and defined ballroom dancing of the era.AI summary
Columbia CB15 Dance
Guy Lombardo and His Royal Canadians performing 'My Love for You' and 'Under the Roofs of Paris' on Columbia CB218, from the late 1920s.AI summary
Columbia CB218 Dance
Guy Lombardo's orchestra, a commercially successful Canadian dance band of the 1930s, performing two popular songs of the period on Columbia's British label.AI summary
Columbia CB45 Dance
Lombardo (likely Guy Lombardo's Royal Canadians) recorded 'Unchained Melody' and 'Danger Heartbreak Ahead' for Columbia, likely in the mid-1950s.AI summary
Columbia POPD5029 Dance
Guy Lombardo's Royal Canadians, one of the most commercially successful orchestras of the 1920s and 1930s, performing 'That's how I feel about you' and 'Someday Somewhere' on Columbia 5284.AI summary
Columbia 5284 Dance
The Lombardo Band, likely Guy Lombardo or a related ensemble, recording dance material for Columbia 5329 with the Columbians. Probably mid-to-late 1920s.AI summary
Columbia 5329 Dance
The London Dance Orchestra, performing two dance numbers on a Columbia 700-series disc, likely from the late 1920s or early 1930s.AI summary
Columbia 763 Dance
Columbia 4701 Dance
Lopez — identity uncertain, possibly a pseudonym or session musician — recorded the novelty piece 'Palesteena' and a light piece called 'Caresses' for Columbia in the early 1920s.AI summary
Columbia A3349 Dance
Lorenzi, recorded 'After You've Gone' and 'Some of These Days' for Columbia FB1168: a singer or musician untraced in major discographies.AI summary
Columbia FB1168 Dance
Lou Preager's band, a sophisticated British dance orchestra, on Columbia FB3486 performing two comic novelty numbers from the swing era.AI summary
Columbia FB3486 Dance
Louis Levy and his band recorded "I Haven't Time to Be a Millionaire" and "Meet the Sun Half Way" for Columbia in the late 1930s. Levy was a British bandleader and composer.AI summary
Columbia FB2477 Dance
Lud Gluskin band performing 'I love you very much madame' and 'Continental' on Columbia CB808. Gluskin was an American conductor and bandleader of the 1920s–30s.AI summary
Columbia CB808 Dance
Mackey recorded 'Looking for a Boy' and 'When do we dance' for Columbia, likely mid-to-late 1920s based on the catalogue number.AI summary
Columbia 4064 Dance
Mackey on Columbia, performing 'Babyin' You' and 'Every Little Maid', likely early 1930s dance or novelty material.AI summary
Columbia 4173 Dance
Mackey on Columbia 3680, an early Columbia acoustic catalogue number; the titles suggest popular dance or sentimental ballad material from the 1920s.AI summary
Columbia 3680 Dance
Mackey, a dance-band or novelty artist, performing two popular songs on Columbia: 'I'm a Little Bit Fonder of You' and 'Tie a String Around Your Finger'.AI summary
Columbia 3761 Dance
Credited to Mackey on Columbia, this early 1930s recording couples two novelty or sentimental numbers, 'Thanks for the Buggy Ride' and 'Barcelona'. The artist is not prominently documented.AI summary
Columbia 3963 Dance
A performance by Mackey on Columbia's 3000 series, featuring two dance numbers from the mid-1920s: 'I'd Rather Charleston with You' and 'Half of It Dearie'.AI summary
Columbia 3964 Dance
Credited to Mackey on Columbia 4044, performing dance sides 'Slippery Fingers' and 'When it's June down there'.AI summary
Columbia 4044 Dance
A dance number by Mackey on Columbia 4213, a popular British label of the 1920s–30s.AI summary
Columbia 4213 Dance
The Mackey Band with a Columbia recording pairing 'Mercenary Mary' with the Columbians' 'Honey I'm in Love with You'. These are light dance and novelty numbers typical of mid-to-late 1920s Columbia output.AI summary
Columbia 3742 Dance
Columbia FB2136 Dance
Martinas and His Music recorded 'Cha cha Momma Brown' and 'My Bonnie lies over the Ocean' for Columbia. The 'Cha cha' title suggests a recording from the 1950s when Latin dances were fashionable, though the artist is not established in major discographies.AI summary
Columbia DB4223 Dance
Messenger Boys, recorded for Columbia FB1111, 'Nobody's Sweetheart' and 'You'll Still Belong to Me', are likely a vocal group or novelty side from the late 1920s or early 1930s; no artist information survives.AI summary
Columbia FB1111 Dance
Columbia CB34 Dance
The Meyer Davis band was a celebrated American society and ballroom orchestra popular in the 1920s; this Columbia coupling features two popular dance numbers, "Heat Wave" and "Lonely Heart".AI summary
Columbia 2821D Dance
Miller performing 'Blue Hoosier Blues' and 'March of the Mannikins' on Columbia A3926, a dance and novelty recording from the 1920s–30s.AI summary
Columbia A3926 Dance
Miller performing 'I Want You' and 'In Bluebird Land' on Columbia A3610 — early Columbia pressings from the 1910s–1920s.AI summary
Columbia A3610 Dance
Milt Shaw's dance band recorded for Columbia in the late 1920s or early 1930s; an unidentified orchestra in the hot-jazz dance-band idiom.AI summary
Columbia 5426 Dance
Morse Code (artist or group unknown) on 'Miscellaneous Matter part 5' and 'part 6', from Columbia 3264. The title and catalogue suggest a descriptive or narrative recording, possibly from the 1920s. The artist name or group is unverified.AI summary
Columbia 3264 Dance
A novelty recording by N Nishimoto and G Shimabukuro of 'Japanese Rumba' and 'Song of the Arirang' (Amemiya) for Columbia, likely from the 1930s-40s.AI summary
Columbia A1228 Dance
N Nishimoto and G Shimabukuro, Japanese performers, recorded 'Japanese Rumba' and 'Song of the Arirang' (arranged by G Amemiya) for Columbia, catalogue A1228. These are likely dance or novelty numbers with East Asian themes recorded in the 1920s-1930s.AI summary
Columbia A1228 Dance
Nat Gonella, the British trumpet player and singer, recorded 'Yes My Darling Daughter' and 'Johnson Rag' for Columbia FB2638. Gonella was a fixture of British hot-dance dance bands in the 1930s-1940s and remains popular with collectors of the period.AI summary
Columbia FB2638 Dance
Natzy and his Baltimore Orchestra, an unidentified American dance band, recorded 'Moonlight' and 'Pucker Up and Whistle' for Columbia's budget series in the early 1930s.AI summary
Columbia is1416 Dance
Columbia FB2024 Dance
A pair of novelty or comedy songs, 'Friday Night at the Hartys' and 'Saturday Night at the Nobles', credited to Noble on Columbia's dance catalogue.AI summary
Columbia DO2356 Dance
Ray Noble, the distinguished British dance-band leader and composer, recorded for Columbia; 'Sierra Madre' and 'I wish I knew the Name' are from his prolific 1930s output.AI summary
Columbia FB3482 Dance
An orchestra performing 'University Club Lancers Figure 3' on Columbia 234/C, a dance recording from the acoustic era.AI summary
Columbia 234/C Dance
Orchestra Fucilli recorded 'Boogie Woogie' and 'The Kiss Polka' for Columbia, dance and novelty orchestral sides, likely from the 1930s-40s.AI summary
Columbia D13196 Dance
P. Monkman and L. Henson performing 'If I Were You' and 'Syncopated City' for Columbia, catalogue 4342, from the early-to-mid 1920s.AI summary
Columbia 4342 Dance
Percival Mackey's band recorded 'Bouquet' and 'Who Takes Care of the Caretaker's Daughter' for Columbia 3687. Mackey was a British bandleader and composer of the 1920s-1930s.AI summary
Columbia 3687 Dance
Paul Ash, a British conductor and pianist, performing two popular songs on Columbia—'My Pet' and 'Dolores'. Ash was a well-known dance bandleader and composer of the 1920s–30s.AI summary
Columbia 4936 Dance
Columbia A3863 Dance