630 shellac records · mostly British pressings, 1900s–1950s
630 records matching · page 8 of 14
Paul Whiteman and his orchestra, the most commercially successful dance band of the 1920s, recorded 'Orange Blossom Time' and 'Your Mother and Mine' for Columbia; the low catalogue number indicates an early electrical recording or late acoustic period.AI summary
Columbia 1845 Dance
Paul Whiteman's orchestra, 'The King of Jazz', recorded 'How About Me' and 'Just a Sweetheart' for Columbia, representing the leader's dominant position in 1920s–30s dance music.AI summary
Columbia 5305 Dance
Paul Whiteman and his orchestra on two standards from the jazz age: 'After You've Gone' and 'Nobody's Sweetheart', recorded for Columbia. Whiteman was the most famous dance-band leader of the 1920s-30s, and his records remain sought-after by collectors of hot jazz and early swing.AI summary
Columbia 5702 Dance
Paul Whiteman band, the leading American dance orchestra of the 1920s–30s often called the 'King of Jazz', performing 'That's my weakness now' and 'Ja da' on Columbia 5006. Whiteman was one of the most influential bandleaders of the early jazz era.AI summary
Columbia 5006 Dance
Paul Whiteman, the bandleader known as the 'King of Jazz,' recorded 'How About Me' and 'Just a Sweetheart' for Columbia; Whiteman was one of the most prolific recording artists of the 1920s–30s.AI summary
Columbia 5305 Dance
Paula Green Band on Columbia FB3158 from the 1940s or 1950s.AI summary
Columbia FB3158 Dance
Paula Green Band on Columbia FB3172 from the 1940s or 1950s.AI summary
Columbia FB3172 Dance
A piano or small ensemble recording credited to Payne on Columbia 5635, featuring 'I've got a Feeling I'm falling' and 'Riding on a Camel'.AI summary
Columbia 5635 Dance
Jack Payne and his orchestra performing 'It's an Old Spanish Custom' and 'Give Yourself a Pat on the Back' on Columbia 5739.AI summary
Columbia 5739 Dance
Payne on Columbia, performing light dance-band material from the late 1920s.AI summary
Columbia 4933 Dance
Payne on Columbia 5659, performing 'Sunnyside Up Selection' (both sides). The artist is not identified; this is a medley or selection from a popular song or operetta.AI summary
Columbia 5659 Dance
Jack Payne led the BBC Dance Orchestra, one of Britain's most famous ensembles of the 1920s-1930s; 'Californian Serenade' and 'Say a Little Prayer for Me' appear on this Columbia pressing, catalogue CB130.AI summary
Columbia CB130 Dance
Columbia CB388 Dance
Columbia 5518 Dance
A 78rpm single by Payne on Columbia, catalogue 5518, from the early acoustic era of British recording; without more information about the artist or recording date, this remains difficult to place.AI summary
Columbia 5518 Dance
Payne Band performing two light songs on Columbia's early catalogue (5000 series), dating from the 1910s–1920s. The band is not identified in standard references.AI summary
Columbia 5118 Dance
Percival Mackey recorded 'Tea for Two' and 'I Want to Be Happy' for Columbia—light instrumental or dance arrangements from the 1920s–1930s by a British bandleader of the period.AI summary
Columbia 3663 Dance
Percival Mackey, a British bandleader, performing popular dance material on Columbia 3847. Mackey led a well-known British dance band of the 1920s-30s.AI summary
Columbia 3847 Dance
Percival Mackey, a British bandleader and violinist active in the 1920s–1930s, on Columbia with light dance and song material. Mackey led one of Britain's popular dance orchestras.AI summary
Columbia 3709 Dance
Percival Mackey Band, a British dance orchestra, recorded 'Here in My Arms' and 'Tiny Flat Near Soho Square' for Columbia, typical of the light dance music popular in the 1920s–30s.AI summary
Columbia 4184 Dance
Percival Mackey Band on Columbia 4090, a British dance orchestra, with 'Gentlemen prefer blondes' and 'I don't care what you used to be'.AI summary
Columbia 4090 Dance
Percival Mackey's Band on Columbia — Mackey was a British bandleader and conductor active in the 1920s–30s.AI summary
Columbia 4173 Dance
Pete Kelly's Orchestrion on Columbia with 'I never knew' and 'Pete Kelly's blues'; Pete Kelly's Blues was a hit novelty recording of the early 1950s.AI summary
Columbia 40592 Dance
Picadilly Revels on Columbia 4378, a British dance ensemble of the late 1920s performing light novelty material typical of British popular orchestras of the period.AI summary
Columbia 4378 Dance
Piccadilly Revels were a British dance and novelty group of the late 1920s and early 1930s; this Columbia recording captures them performing 'Try again Tomorrow' and 'But not Today'.AI summary
Columbia 4250 Dance
Piccadilly Revels on Columbia with light dance and novelty material from the late 1920s.AI summary
Columbia 4604 Dance
Piccadilly Revels, a studio ensemble on the Piccadilly label, recorded 'Yale Blues' and 'Just the Same'; the artist name is the label itself, which often credited house orchestras or arranged compilations on that economical imprint.AI summary
Columbia 4603 Dance
A dance band credited as Piccadilly Revels on Columbia 4641, playing 'Varsity Yale Blues' and 'Deep River Blues'. Piccadilly Revels was a pseudonym used by Columbia for cheap dance sides in the early 1930s.AI summary
Columbia 4641 Dance
Piccadilly Revels on Columbia 4413, performing 'Muddy Water' and 'Shalimar'. The ensemble name suggests a house band or session group for Columbia; the catalogue number indicates mid-to-late period pressing.AI summary
Columbia 4413 Dance
Piccadilly Revels, a British dance or novelty group, recorded on Columbia in the late 1920s–early 1930s. 'I Ain't That Kind of Baby' and 'Ting-a-Ling' are novelty songs, but the group is not separately identifiable in standard discographies.AI summary
Columbia 4550 Dance
Columbia 4603 Dance
Piccadilly Revels recorded 'Lonely Eyes' and 'My Cutey's Due at Two-to-Two Today' for Columbia, catalogue 4255, likely a mid-period pressing of the late 1920s.AI summary
Columbia 4255 Dance
Piccadilly Revels on Columbia 4313 with 'Rhythm is the Thing' and 'Cherie I Love You', mid-1930s dance material. The Revels were likely a session band for Columbia; neither artist nor material is distinctive.AI summary
Columbia 4313 Dance
Piccadilly Revels on Columbia, a dance band recording of two popular songs from the 1920s.AI summary
Columbia 4326 Dance
Piccadilly Revels on Columbia 4332, performing two novelty or comic songs: 'Where Do You Work-a John' (a parody song of the era) and 'Crazy Words Crazy Tune', dance-band novelty material.AI summary
Columbia 4332 Dance
Ray Starita and the Piccadilly Revels recorded 'Is She My Girl Friend?' and 'Persian Rosebud' for Columbia 4640 in the 1920s. Ray Starita was a British bandleader and saxophonist active in the 1920s–1930s, recording extensively for Columbia.AI summary
Columbia 4640 Dance
The Piccadilly Revels band on Columbia, a British dance-band side from the late 1920s or early 1930s.AI summary
Columbia 4255 Dance
Plantation Orchestra performing two titles on Columbia — 'Smiling Joe' and 'Silver Rose' — likely from the 1920s–early 1930s, a period dance band.AI summary
Columbia 4185 Dance
Columbia 3611 Dance
Prince recorded 'College Life Two Step' for Columbia (30010), a two-step dance side likely from the early 1910s or earlier. The artist is not identified further.AI summary
Columbia 30010 Dance
The Prince Dance Band performing on Columbia 2882. Both artist and the early Columbia catalogue number are unrecognised, suggesting an obscure or short-lived ensemble.AI summary
Columbia 2882 Dance
R Miller performing 'I'm just wild about Harry' and a song by Biese on Columbia 3148, early dance and novelty material from roughly 1920–23.AI summary
Columbia 3148 Dance
R. Miller recorded 'After the Rain' and 'Tell Her at Twilight' for Columbia, a major British label, in the late 1920s or early 1930s; the artist is obscure.AI summary
Columbia 3159 Dance
R Miller recorded 'Stumbling' and 'Play that Song of India again' for Columbia in the 1920s. These are jazz-inflected dance numbers of the period.AI summary
Columbia 3136 Dance
R. Miller, a performer of early ragtime and popular songs, recorded these numbers for Columbia in the pre-1920s catalogue range. The artist is not well identified from standard reference.AI summary
Columbia 3148 Dance
R Miller performs 'Parade of the Wooden Soldiers' and the Happy Six recording 'Pick me up and lay me down' on Columbia 3162. 'Parade of the Wooden Soldiers' was a standard novelty number of the 1920s era.AI summary
Columbia 3162 Dance
R Scott recorded 'Merry Carousel' and 'Beau Night in Hotchkiss Corners' for Columbia, catalogue 36288.AI summary
Columbia 36288 Dance
R. Starita, a bandleader active in the early 1930s, recorded for Columbia. The titles suggest a light dance or vocal piece of that era.AI summary
Columbia 4919 Dance