581 shellac records · mostly British pressings, 1900s–1950s
581 records matching · page 2 of 13
An orchestra conducted by Arnheim recorded these dance-band numbers for His Master's Voice. The B-side title is credited to Weems, suggesting arrangement or composition involvement. This is typical dance-band material of the late 1920s.AI summary
His Master's Voice B6047 Dance
Don Azpiazu and his Havana Casino Orchestra, a prominent Latin dance ensemble of the late 1920s and 1930s, recorded here on His Master's Voice performing 'A Penny for Your Thoughts'.AI summary
His Master's Voice B6185 Dance
Azpiazu performing 'La Cachimba' and 'La Mulata Rumbera' on His Master's Voice B6329. Azpiazu was a Cuban bandleader known for recordings of Latin and rumba music, with recordings issued in the UK.AI summary
His Master's Voice B6329 Dance
Bennett and Whelan on a His Master's Voice dance side, catalogue B3925.AI summary
His Master's Voice B3925 Dance
A band performs 'Tickling Love Taps' and 'By Heck' on His Master's Voice C602. HMV's C-series suggests an acoustic recording from around 1912–1918.AI summary
His Master's Voice C602 Dance
An unidentified band recorded 'Chin Chin' and 'Tonight's the Night Waltz' for His Master's Voice C604, an acoustic-era dance side.AI summary
His Master's Voice C604 Dance
An unidentified band recorded 'Have a Heart' and '(McKee) Riverside Bells' for His Master's Voice C875, a catalogue number from the acoustic era.AI summary
His Master's Voice C875 Dance
Band performing 'On the Level you're a little Devil' and 'Hindustan' on His Master's Voice C921, a very early HMV catalogue number suggesting an acoustic-era recording from around 1920 or earlier.AI summary
His Master's Voice C921 Dance
A dance band recording 'Yankyana' and 'Chong he came from Hong Kong' on His Master's Voice. The titles suggest early-to-mid 1920s dance novelties.AI summary
His Master's Voice C941 Dance
His Master's Voice Souvenir Dance
A band disc on HMV with the unusual catalogue designation 'souvenir', containing a 'Splinters' selection across two sides. The 'souvenir' catalogue is not a standard HMV commercial series and may indicate a promotional or limited pressing; physical examination is required.AI summary
His Master's Voice souvenir Dance
An unidentified band performing 'Give me a Tune to set me Dancin'' and 'Sentimental Baby', typical 1920s dance-band novelty and sentimental numbers. This HMV B5505 pressing is from the mainstream catalogue.AI summary
His Master's Voice B5505 Dance
A credited band performing 'Sunny Side up' and '(Busse) Like a Breath of Springtime' for His Master's Voice, typical 1920s–30s ballroom dance material.AI summary
His Master's Voice B5751 Dance
An unidentified band performing 'Poppy Time selection part 1' and part 2 on His Master's Voice C1178, a medley recording from the dance-band era.AI summary
His Master's Voice C1178 Dance
An unidentified band recorded 'Kelly's Come Back' for HMV's C-series (C918), a series used for dance and novelty records in the late 1920s. The artist and band name are not given.AI summary
His Master's Voice C918 Dance
A dance-band selection from a musical, credited only to 'Band' on His Master's Voice C1124. The C-series suggests a longer-playing or special pressing; without artist identification the record is difficult to place, but the 'Stop Flirting' selection indicates a theatrical source.AI summary
His Master's Voice C1124 Dance
An unidentified band performing 'Buzz Buzz selection part 1' and part 2 on His Master's Voice C889, a medley recording from the dance-band era.AI summary
His Master's Voice C889 Dance
A dance-band selection from a musical, credited only to 'Band' on His Master's Voice C905. 'Kissing Time' was a 1920s musical comedy; the C-series number indicates a special theatrical release.AI summary
His Master's Voice C905 Dance
A dance-band selection, credited only to 'Band' on His Master's Voice C943. 'Everybody Wants a Key to My Cellar' is a Prohibition-era novelty from the late 1920s; the C-series number suggests a special or theatrical pressing.AI summary
His Master's Voice C943 Dance
Ben Pollack and his orchestra, an American dance band important in the early swing era, performing two sentimental novelties on HMV. Pollack was known as a bandleader and talent scout but is less famous than his most famous alumnus, Benny Goodman. HMV issues of American orchestras are variable in scarcity.AI summary
His Master's Voice B5729 Dance
Benny Goodman's 'Sweet Sue', recorded for His Master's Voice in the early 1930s. The catalogue number B8905 indicates a standard dance-band pressing from HMV's popular 10-inch series, with both sides featuring the same tune—common practice for catalogue padding in the era.AI summary
His Master's Voice B8905 Dance
Benson Chicago on His Master's Voice, a dance band recording of the popular novelty song 'Yes We Have No Bananas' from the early 1920s.AI summary
His Master's Voice B1672 Dance
The Benson Orchestra of Chicago was a popular dance band of the 1920s–1930s; this His Master's Voice pressing, including a Hawaiian-themed number, is from the dance-band era.AI summary
His Master's Voice B1252 Dance
Bernie Cummins, a saxophonist and bandleader popular in the 1920s–30s, recorded 'Little by Little' and 'Low Down Rhythm' (credited to High Hatters) for His Master's Voice B5719.AI summary
His Master's Voice B5719 Dance
Bestor's orchestra recorded 'Shuffle off to Buffalo' and another popular jazz piece for His Master's Voice B6350 in the late 1920s-early 1930s.AI summary
His Master's Voice B6350 Dance
Don Bestor's dance band, recording popular songs of the mid-1920s for His Master's Voice.AI summary
His Master's Voice B5097 Dance
Bob Causer, credited as leading the Collegians, recorded hot dance for His Master's Voice in the early 1930s. Causer was a minor British dance-band leader.AI summary
His Master's Voice B1664 Dance
Henry Busse, a trumpeter and bandleader prominent in the 1920s dance-band era, recorded 'Deep Elm' and 'Charlestonette' for His Master's Voice. Busse's hot trumpet style was popular on both sides of the Atlantic, and his recordings remain sought by jazz and dance-music collectors.AI summary
His Master's Voice B5037 Dance
Carroll Gibbons performing 'Wait and See' and 'Please Don't Say No' on His Master's Voice. Gibbons was a British bandleader and pianist, famous for his orchestrations and his long residency at the Savoy Hotel in London.AI summary
His Master's Voice FB3189 Dance
Carroll Gibbons, the British pianist and bandleader, recorded 'Let's Take the Long Way Home' and 'Accentuate the Positive' for HMV—popular songs arranged in Gibbons' sophisticated dance-band style.AI summary
His Master's Voice FB3103 Dance
His Master's Voice B1664 Dance
Club Royal, a dance ensemble, performs two popular dance tunes on His Master's Voice B1331 — likely early 1920s.AI summary
His Master's Voice B1331 Dance
Club Royal ensemble on 'The Sheik', a popular jazz-age novelty, recorded for His Master's Voice B1331. 'Club Royal' was a house band name used by HMV and other labels for dance-band filler; the catalogue number places this in the early 1920s.AI summary
His Master's Voice B1331 Dance
The Coon-Sanders Original Nighthawk Orchestra, a celebrated American dance band of the 1920s, recorded these sides for His Master's Voice. Both titles are popular song numbers typical of the dance-band repertoire.AI summary
His Master's Voice B6199 Dance
A novelty jazz-comedy number credited to Courtland & Jefferies on His Master's Voice catalogue B992, dating from the early 1920s. The catalogue number suggests an early pressing from this prolific label's dance and novelty series.AI summary
His Master's Voice B992 Dance
Cummins, an unidentified performer, on His Master's Voice B5811 from the mid-1930s.AI summary
His Master's Voice B5811 Dance
An unnamed dance band recorded 'At the Fox Trot Ball that's all' and 'I want to go back to Michigan' for His Master's Voice B287, likely mid-1920s. Both are typical dance-novelty titles of the period.AI summary
His Master's Voice B287 Dance
His Master's Voice NE843 Dance
His Master's Voice B5905 Dance
Don Lang on His Master's Voice POP488, recording contemporary novelty songs in the 1950s. Lang was a British recording artist and bandleader of minor standing; his sides are common but have period appeal.AI summary
His Master's Voice POP488 Dance
Doris Cowan and G. Baker, credited on His Master's Voice B493, recorded two dance or popular numbers, "Boy and Girl" and "Dance with Me". HMV B-series were mass-produced vocal and dance records of the early 1930s.AI summary
His Master's Voice B493 Dance
Dornberger recorded 'Nobody's Sweetheart' and 'Charley My Boy' for His Master's Voice; a dance or popular vocalist of the 1920s era.AI summary
His Master's Voice B1920 Dance
A Duchin recording on His Master's Voice, likely from the late 1920s or early 1930s. Eddy Duchin was a famous bandleader and pianist; this may be credited to him or his band.AI summary
His Master's Voice B6363 Dance
Eddie Duchin was a prominent American pianist and orchestra leader of the 1920s–30s, famous for his 'Edgewater Beach Hotel' broadcasts. This HMV recording captures his signature sophisticated dance style.AI summary
His Master's Voice B6462 Dance
Duchin (likely Eddy Duchin's orchestra) on HMV BD246, performing 'Isn't This a Lovely Day' and 'Cheek to Cheek'. Eddy Duchin (1909–1951) was a famous American pianist and bandleader of the swing era; BD-series HMV 78s are less common than B-series.AI summary
His Master's Voice BD246 Dance
Eddie and Rex performed 'Ain't that the Way it goes' and 'Me' for His Master's Voice, B3961, in the early 1930s.AI summary
His Master's Voice B3961 Dance
Eddie Duchin was an American pianist and bandleader famous for his romantic, sophisticated dance-orchestra sound in the 1930s–1940s; this HMV pressing of 'Easy Come Easy Go' and 'When a Woman Loves a Man' exemplifies his elegant style.AI summary
His Master's Voice B6498 Dance
Eddie Duchin was an American pianist and bandleader popular in the 1930s–40s; these HMV sides capture his refined, sophisticated dance-band sound.AI summary
His Master's Voice B6498 Dance