581 shellac records · mostly British pressings, 1900s–1950s
581 records matching · page 3 of 13
Eddie Duchin and his orchestra recorded 'Needle in a Haystack' and 'La Cucaracha' for His Master's Voice B6557. Duchin was a celebrated American pianist and bandleader of the 1930s swing era.AI summary
His Master's Voice B6557 Dance
Eleanor Powell, the American tap dancer and film star, performing two Irving Berlin songs from the 1930s, 'You are my lucky star' and 'I've got a feelin you're foolin', on His Master's Voice B8396.AI summary
His Master's Voice B8396 Dance
Ellington (likely Duke Ellington or an Ellington orchestra) recorded 'Saturday Night Function' and 'High Life' for His Master's Voice B4956, a mid-1920s-1930s dance recording.AI summary
His Master's Voice B4956 Dance
Ennis Parkes and Peter Dawson recorded these dance numbers on His Master's Voice. Dawson was a celebrated British baritone and prolific recording artist; Parkes was an accompanist and musical partner of some standing.AI summary
His Master's Voice C1087 Dance
The First Nighter orchestra recorded the wartime patriotic numbers 'This is the Army Mr Jones' and 'I Left My Heart at the Stage Door Canteen' for His Master's Voice, catalogue BD1063. Both are American wartime songs, suggesting a 1942–1943 recording.AI summary
His Master's Voice BD1063 Dance
A His Master's Voice disc credited simply to 'Fox', performing the jazz standard 'Whispering'; the artist's identity is unclear from the label alone.AI summary
His Master's Voice BD391 Dance
Fred Hamm performed 'Sugar Foot Stomp' and the 'Black Bottom', hot dance numbers typical of late 1920s British dance recordings. This His Master's Voice pressing documents the brief fashion for these American jazz dances.AI summary
His Master's Voice B5173 Dance
G Graves and B Carleton recorded a novelty or dance instruction side for His Master's Voice, 'Show Us How to Do the Fox Trot', with a band recording of 'Blue Eyes' on the B-side; a topical piece from the 1910s–1920s dance-craze era.AI summary
His Master's Voice C624 Dance
His Master's Voice B5326 Dance
Garber (likely likely Jan Garber, a dance-band leader) on 'In other Words we're through' and a Whiteman number, from HMV B6481. This is a mid-1930s dance-band recording; both Garber and Whiteman were major American bandleaders whose sides were pressed in Britain.AI summary
His Master's Voice B6481 Dance
George Olsen and his orchestra, an American dance band of the 1920s, recorded these two sides for His Master's Voice; Olsen was a bandleader of the jazz-age era, now little remembered.AI summary
His Master's Voice B5790 Dance
George Olsen was an American dance bandleader of the 1920s–30s. This His Master's Voice recording with high catalogue number B6327 represents late-period acoustic or early electrical recording.AI summary
His Master's Voice B6327 Dance
George Olsen's orchestra recorded 'Old Man Sunshine' and 'King for a Day' for His Master's Voice B5537. Olsen was an American bandleader of the 1920s-1930s whose recordings often appeared on HMV.AI summary
His Master's Voice B5537 Dance
Geraldo, a British bandleader and arranger, recorded 'Heart and Soul' and 'When Mother Nature Sings Her Lullaby' for His Master's Voice, catalogue BD5427. Geraldo was a popular British orchestral leader in the 1930s and 1940s, and his sides were well distributed.AI summary
His Master's Voice BD5427 Dance
Geraldo recorded 'Penny Serenade' and 'Never Break a Promise' for His Master's Voice BD5428. Geraldo was a major British bandleader and conductor whose orchestral recordings defined sophisticated British dance and light music of the 1930s-40s.AI summary
His Master's Voice BD5428 Dance
Geraldo and his orchestra recorded 'Day we meet again' and 'Man with the mandolin' for His Master's Voice BD5519; Geraldo was a major British bandleader and pianist of the 1930s and 1940s, popular for dance and light entertainment.AI summary
His Master's Voice BD5519 Dance
Geraldo and his orchestra on His Master's Voice BD5463 from the 1940s. Geraldo was a prominent British ballroom bandleader.AI summary
His Master's Voice BD5463 Dance
Geraldo, one of the leading British dance-band leaders of the 1930s and 40s, with 'The Man with the Mandolin', a hit song of 1939, on His Master's Voice.AI summary
His Master's Voice BD5519 Dance
Credited to Gibbons on His Master's Voice, a British dance label standard from the 1920s–30s.AI summary
His Master's Voice BD110 Dance
A vocal novelty number credited to Gibbons on His Master's Voice, catalogue B5676, pairing 'All I Want is a Little Footsie Woo' and 'That Monte Carlo Song' — light dance-floor fare of the early 1930s.AI summary
His Master's Voice B5676 Dance
Glenn Miller was an American big-band leader of the 1930s and 1940s, one of the most commercially successful bandleaders of the swing era. This HMV side pairs 'Alice Blue Gown' and 'Wonderful One', standard popular songs from his early recording period.AI summary
His Master's Voice BD5654 Dance
Glenn Miller and his orchestra recorded 'Frenesi' and 'My Blue Heaven' for His Master's Voice BD5678. Miller is one of the most famous bandleaders in history, and both sides are well-known swing standards.AI summary
His Master's Voice BD5678 Dance
Glenn Miller's orchestra on His Master's Voice with 'Story of a Starry Night' and 'Moonlight Sonata', recordings from the bandleader whose orchestra defined the swing era.AI summary
His Master's Voice BD5768 Dance
Glenn Miller's orchestra recorded 'Frenesi' and 'My Blue Heaven' for His Master's Voice, releasing Miller's American Victor material in the UK. These are from his peak years in the early 1940s.AI summary
His Master's Voice BD5678 Dance
Glenn Miller's orchestra performing two swing standards for His Master's Voice. This is from the second phase of Miller's recording career, equally iconic but a separate pressing from his many other British releases.AI summary
His Master's Voice B10235 Dance
Glenn Miller and his orchestra, the most commercially successful big band of the 1940s, recorded these two iconic sides for His Master's Voice; 'Moonlight Serenade' became the theme and signature piece of the Miller sound.AI summary
His Master's Voice BD5942 Dance
Glenn Miller and his Orchestra recorded 'Blueberry Hill' and 'Nearness of You' for HMV MH92. Miller was America's biggest swing bandleader of the early 1940s and one of the most recorded musicians of the era; his band's distinctive sound—trumpet, clarinet, and trombone leads over a swinging rhythm section—defined the swing era. Both sides are popular standards.AI summary
His Master's Voice MH92 Dance
Glenn Miller on His Master's Voice; these light popular titles do not represent his most celebrated big-band orchestra recordings but capture his broader session work in the late 1930s.AI summary
His Master's Voice MH95 Dance
Glenn Miller was one of the most famous and influential bandleaders of the 1930s-40s swing era; this His Master's Voice BD pressing of 'Melancholy Lullaby' and 'Blue Moonlight' represents his recordings on the HMV label in that period.AI summary
His Master's Voice BD5822 Dance
Glenn Miller's 'Falling Leaves' and 'Beat Me', recorded during his peak years and issued on His Master's Voice; a major American bandleader whose UK pressings remain popular with collectors.AI summary
His Master's Voice BD5651 Dance
Glenn Miller's orchestra recorded 'Sleep Song' and 'Sweet Eloise' for His Master's Voice; Miller led one of the most popular and well-documented dance bands of the 1930s and 1940s.AI summary
His Master's Voice BD5779 Dance
Glenn Miller's orchestra performing two of their signature swing hits for His Master's Voice, from the height of the band's fame in the early 1940s. These are among the most iconic and commercially successful big band recordings ever made.AI summary
His Master's Voice BD5808 Dance
Glenn Miller's orchestra on His Master's Voice, performing two of the bandleader's most celebrated arrangements from the swing era.AI summary
His Master's Voice BD5942 Dance
Glenn Miller's Decca orchestra recorded 'Little Brown Jug' and 'Don't Sit Under the Apple Tree', popular wartime novelties and swing standards; this is an HMV pressing from the early 1940s, during Miller's peak commercial success.AI summary
His Master's Voice B10662 Dance
Glenn Miller's orchestra performing 'Everybody loves my Baby' and 'Tiger rag' for His Master's Voice EA4023, an electrically recorded big band arrangement from the late 1930s.AI summary
His Master's Voice EA4023 Dance
Glenn Miller's 'Anvil Chorus' on His Master's Voice, from the bandleader whose orchestra dominated the 1940s and whose recordings remain widely collected.AI summary
His Master's Voice BD5671 Dance
Glenn Miller Orchestra on HMV EA2511, performing 'Johnson Rag' and 'I Want to Be Happy'. These are pressings of Miller's American recordings issued under license to HMV in Britain during the 1940s.AI summary
His Master's Voice EA2511 Dance
Glenn Miller, the biggest-selling bandleader of the swing era, recorded 'Moonlight Serenade' (his signature tune) and 'Mister Meadowlark' for His Master's Voice. This EA-series pressing represents one of the most popular American orchestras in British pressings.AI summary
His Master's Voice EA3463 Dance
Glenn Miller and his orchestra on His Master's Voice BD5927 performing two swing standards from the height of the big-band era.AI summary
His Master's Voice BD5927 Dance
Glenn Miller's orchestra, one of the most popular bands of the big-band era, recorded "I'm Stepping Out with a Memory Tonight" and "Devil Ma'e Care" for His Master's Voice during the 1940s.AI summary
His Master's Voice BD5617 Dance
Glenn Miller and his orchestra, 'Faithful Forever' and 'Bluebirds in the Moonlight', on His Master's Voice Bb10465-A; Miller was the most popular bandleader of the early 1940s, and his HMV recordings represent the height of the American swing era's commercial reach.AI summary
His Master's Voice Bb10465-A Dance
Glenn Miller and his Orchestra on His Master's Voice Bb 11382-A, performing two popular numbers. Miller was the most successful American big-band leader of the 1930s–1940s, and his records remain among the most collected of the swing era.AI summary
His Master's Voice Bb11382-A Dance
Glenn Miller with vocalist Tex Beneke recorded 'Pin Striped Pants' and 'The Whiffenpoof Song' for His Master's Voice, likely from the early 1940s.AI summary
His Master's Voice BD1252 Dance
Goldkette's orchestra, a prominent American dance band, recorded two popular dance numbers for HMV in the late 1920s.AI summary
His Master's Voice B5080 Dance
An orchestra credited as 'Goldkette' recorded 'My pretty Girl' and 'Yesterday' for His Master's Voice, probably in the mid-1920s. This is likely the Jean Goldkette orchestra or a related group—Goldkette led one of the major American jazz and dance orchestras of the mid-1920s.AI summary
His Master's Voice B5324 Dance
Jean Goldkette and his orchestra recorded 'Slow River' and '(Crawford) I'd Walk a Million Miles' for His Master's Voice (B5397), a 1920s hot-jazz or dance side. Goldkette was a prominent bandleader of the era.AI summary
His Master's Voice B5397 Dance
His Master's Voice B5402 Dance
His Master's Voice B9237 Dance