583 shellac records · mostly British pressings, 1900s–1950s
583 records matching · page 9 of 13
Credited to Noble on His Master's Voice B5918, a light dance or novelty number. The catalogue number suggests a mid-1930s pressing. The artist may be Ray Noble, a prolific British bandleader and composer.AI summary
His Master's Voice B5918 Dance
Noble is not identified in standard discographies. 'Tunes of 1923' and 'Tunes of 1924' are recorded on His Master's Voice B4012, a B-series catalogue number consistent with the mid-1920s.AI summary
His Master's Voice B4012 Dance
A recording artist credited as 'Noble' on His Master's Voice performing popular dance numbers 'Who Walks In When I Walk Out' and 'Unless' — likely from the 1930s, artist identity uncertain.AI summary
His Master's Voice B6453 Dance
Noble—likely a bandleader or dance orchestra—recorded 'Beat o' My Heart' and 'Little Man You've Had a Busy Day' for His Master's Voice. These are light dance and novelty songs typical of HMV's 1930s output.AI summary
His Master's Voice B6491 Dance
Noble on His Master's Voice B6090, performing 'Rhymes' (two sides).AI summary
His Master's Voice B6090 Dance
Artist or ensemble credited as Noble performing 'Holiday Hits', a two-sided medley, on His Master's Voice B3910. Neither artist nor recording are clearly identified.AI summary
His Master's Voice B3910 Dance
Noble recording two pieces — 'Chinatown my Chinatown' and 'Let's swing it' — for His Master's Voice in the 1930s; the BD series indicates a British dance recording.AI summary
His Master's Voice BD5186 Dance
Ray Noble, the prominent British bandleader and songwriter, recorded two standards for His Master's Voice in the late 1930s.AI summary
His Master's Voice BD5245 Dance
A recording by Noble of 'Over on the Sunny Side' and 'In Town Tonight' for His Master's Voice catalogue B6463, likely from the 1930s.AI summary
His Master's Voice B6463 Dance
A dance number by the bandleader and composer Noble on His Master's Voice, catalogue B6413. The B-side title suggests popular ballad material typical of the early 1930s dance-band era.AI summary
His Master's Voice B6413 Dance
Olsen conducting for HMV, performing two standards: 'Where's That Rainbow' and 'A Little Birdie Told Me So'. Olsen is unrecognised.AI summary
His Master's Voice B5292 Dance
His Master's Voice B5518 Dance
Olsen, a dance bandleader, performing 'Doin' the Raccoon' and 'It goes like this' for His Master's Voice in the late 1920s; the B series indicates a dance recording.AI summary
His Master's Voice B5576 Dance
Credited to Olsen on His Master's Voice B5050, a light dance or novelty number from the early 1930s. The catalogue number suggests mid-1930s pressing.AI summary
His Master's Voice B5050 Dance
An Olsen recording on His Master's Voice, likely from the late 1920s or early 1930s, featuring 'Just a little Thing called Rhythm' and a novelty instrumental.AI summary
His Master's Voice B2268 Dance
Olsen recorded 'Pickin' Cotton' and 'I'm on the Crest of a Wave' for His Master's Voice in the late 1920s.AI summary
His Master's Voice B5591 Dance
Orchestre des Bals de L'Opéra ('Orchestra of the Opera Balls') was a French recording ensemble, likely active in the 1920s–1930s. 'L'Oeil Crève' quadrille is a traditional French dance suite, recorded on His Master's Voice K83, an early and rare catalogue number.AI summary
His Master's Voice K83 Dance
Paul Fenoulhet's Band recorded 'Royal Garden Blues' and 'Phil the Fluter's Ball' for His Master's Voice BD5985. 'Royal Garden Blues' is a jazz standard; 'Phil the Fluter's Ball' is a traditional Irish-derived piece.AI summary
His Master's Voice BD5985 Dance
Paul Fenoulhet and his band perform 'Yippee Olly Ay No' and 'It Might As Well Be Spring' on His Master's Voice, a British dance orchestra active through the 1940s and 1950s.AI summary
His Master's Voice BD5928 Dance
Paul Fenoulhet's band recorded 'Hey Ba Ba Re Bop' and 'Cement Mixer' for His Master's Voice during the immediate post-war bebop craze of the late 1940s. These novelty-styled titles reflect American bebop influence in British dance music.AI summary
His Master's Voice BD5943 Dance
Paul Fenoulhet led a British dance band; this His Master's Voice side features two light dance pieces from the 1940s.AI summary
His Master's Voice BD5945 Dance
Paul Fenoulhet was a British bandleader and composer active in the 1920s and 1930s. This HMV BD pressing of two novelty or popular songs is a routine dance-band side from the period.AI summary
His Master's Voice BD5985 Dance
His Master's Voice B1811 Dance
His Master's Voice B1847 Dance
Paul Whiteman's orchestra, the "King of Jazz" and a dominant American bandleader of the 1920s-30s, recorded two sentimental ballads on His Master's Voice, likely mid-1930s.AI summary
His Master's Voice BD130 Dance
Paul Whiteman and his orchestra on His Master's Voice, catalogue B6399, with 'Ah but Is It Love' and 'My Moonlight Madonna'. Another side from Whiteman's vast HMV catalogue during the swing era.AI summary
His Master's Voice B6399 Dance
Paul Whiteman and his orchestra on His Master's Voice (B5510) with 'In my bouquet of memories' and 'My angel'; Whiteman was the most recorded bandleader of the 1920s–1930s, and this is a standard commercial pressing.AI summary
His Master's Voice B5510 Dance
His Master's Voice BD130 Dance
Paul Whiteman and his orchestra on His Master's Voice with 'Shaking the Blues Away' and 'Ooh Maybe It's You'—dance sides from the 1920s by the 'King of Jazz', one of the era's most recorded ensembles.AI summary
His Master's Voice B5415 Dance
Percival Mackey led the New Mayfair dance band, a popular British ensemble of the 1920s and 1930s; this His Master's Voice side features two light dance pieces.AI summary
His Master's Voice B6553 Dance
Pete Mandell, with the Savoy Orpheans, recorded 'Get going' and 'Take your pick' for HMV B5035 in the 1930s—likely dance or novelty sides.AI summary
His Master's Voice B5035 Dance
Phil Harris and his Orchestra, recorded 'Woodman, Spare that Tree' and 'Dark Town Poker Club' for His Master's Voice.AI summary
His Master's Voice BD1176 Dance
Pickard's Chinese Syncopaters performing 'Rag Doll' and 'Stay out of the South' on His Master's Voice. This is an exotic dance band of the 1920s, one of several similar acts popular in the jazz age.AI summary
His Master's Voice B5528 Dance
Pickard's Chinese Syncopators recorded 'Flower of the Orient' and 'Ali Baba' for His Master's Voice, a major British label, in the 1920s; the ensemble name suggests an Oriental-themed novelty act typical of the dance-band era.AI summary
His Master's Voice BD175 Dance
Pickard's Chinese Syncopators on His Master's Voice BD220 with 'Medley Foxtrot' and 'Donde Estás Corazón', a novelty dance recording from the 1920s–1930s. The group's name suggests an exotic or syncopated dance ensemble, likely British or British-based.AI summary
His Master's Voice BD220 Dance
Ramona and Paul Whiteman, a popular American dance bandleader, performing two light comedy-novelty songs from the late 1920s on His Master's Voice.AI summary
His Master's Voice B8008 Dance
Paul Whiteman's orchestra was the most commercially successful dance band of the 1920s; this HMV pressing pairs Ramona (likely Ramona Mavis, a Whiteman vocalist) on 'Weep no more my Baby' with 'Was my Face red'.AI summary
His Master's Voice B8046 Dance
Ray Noble was a British composer, arranger and bandleader who epitomised the sophisticated dance and light-music tradition of the 1930s; these standards showcase his elegant style on His Master's Voice.AI summary
His Master's Voice BD5186 Dance
Ray Noble and his orchestra on His Master's Voice, performing 'Night on the Desert' and 'At the Court of Old King Cole' from the mid-1930s. Noble was a distinguished British bandleader and film composer with a substantial recording catalogue.AI summary
His Master's Voice B6496 Dance
Ray Noble, the British bandleader and composer, recorded "Punter's Lament" and "Back Your Fancy"—a song-poem about a race-game betting system—for His Master's Voice in the early 1930s. Noble was influential in both British and American swing.AI summary
His Master's Voice B4085 Dance
Ray Noble was a highly accomplished British bandleader, arranger and composer who recorded extensively for His Master's Voice throughout the 1930s-40s. This BD pressing of sophisticated pop standards represents his elegant approach to dance and popular material.AI summary
His Master's Voice BD5245 Dance
Ray Noble's orchestra with Al Bowlly on vocals, performing Noël Coward's 'Twentieth Century Blues' from the musical Cavalcade, recorded for HMV in the early 1930s; one of the most recorded British songwriting partnerships of the era.AI summary
His Master's Voice B4001 Dance
The Ray Noble Band on HMV B10165, performing 'Loretta' and 'I Want to Be Near You'. Ray Noble (1903–1978) was a prominent British bandleader, arranger and composer of the 1920s–30s, famous for sophisticated dance-band music; he later settled in Hollywood and became a popular radio personality.AI summary
His Master's Voice B10165 Dance
Ray Noble's orchestra, a sophisticated British dance band of the early 1930s, recorded "La-Di-Da-Di-Da" with vocalist Comber and "When You Were the Girl on the Scooter" with vocalist Al Bowlly for His Master's Voice. Noble was known for witty, urbane arrangements and his recordings with Bowlly are particularly sought after.AI summary
His Master's Voice B6432 Dance
Ray Noble Band on His Master's Voice, a British bandleader and composer known for sophisticated dance and light music, with 'El Relicario' and 'Allah's Holiday'—popular instrumental dance music from the early 1930s.AI summary
His Master's Voice BD173 Dance
Ray Noble and his orchestra performing medleys of popular songs from 1923 and 1924 on His Master's Voice, with vocalist Al Bowlly on the second side. Noble was one of Britain's finest bandleaders and composers, and these sides are classic British dance recordings.AI summary
His Master's Voice B4012 Dance
Ray Noble and his orchestra, one of the finest British dance bands, recorded these two sides for His Master's Voice, likely in the mid-1930s; the B-side credits Guy Lombardo.AI summary
His Master's Voice BD5048 Dance
Ray Noble was a celebrated British composer, bandleader and arranger of the 1930s, leading one of the era's most stylish orchestras; this His Master's Voice side captures him performing two romantic numbers, 'Just Once for All Time' and 'Live Laugh and Love'.AI summary
His Master's Voice B6111 Dance