75 shellac records · mostly British pressings, 1900s–1950s
75 records matching · page 1 of 2
Acres on Piccadilly 148, performing 'Dance of the Blue Danube' and 'I can't give you anything but Love'. Piccadilly was a budget British label of the 1920s-30s.AI summary
Piccadilly 148 Dance
Alan Selby band on Piccadilly (314) with 'Broadway melody' and 'You were meant for me'; Piccadilly was a cheap British marque of the late 1920s–1930s.AI summary
Piccadilly 314 Dance
A dance band performing two light popular numbers on Piccadilly Records: 'You brought a new Kind of Love to me' and 'Living in the Sunlight'.AI summary
Piccadilly 613 Dance
Band performing 'In My Bouquet of Memories' and 'Together' on Piccadilly 118.AI summary
Piccadilly 118 Dance
Piccadilly 146 Dance
An unidentified band on Piccadilly 479, a cheap British marque common in the 1930s. The titles are standard popular song material; the artist cannot be placed.AI summary
Piccadilly 479 Dance
Blue Pacific on Piccadilly 715. Blue Pacific was likely a house or pseudo-orchestra name for Piccadilly, a cheap British marque of the early 1930s. These are routine light-dance or novelty sides typical of the label's mass production.AI summary
Piccadilly 715 Dance
Blue River Band on Piccadilly 664, a cheap British reissue label. The titles suggest light or novelty popular material from the 1920s–1930s.AI summary
Piccadilly 664 Dance
Bobby Sanders with Tommy Kinsman's Band on Piccadilly, a cheap British marque of the early 1930s, with 'On top of the world alone' and 'Louise'.AI summary
Piccadilly 353 Dance
The Cabaret Four recorded two popular song sides for Piccadilly Records, a cheap British marque of the 1930s. 'Sitting on a Rainbow' and 'On the Sunny Side of the Street' are both standards of the period.AI summary
Piccadilly 633 Dance
The Cabaret Four on Piccadilly, a budget British label that issued thousands of dance and popular records in the 1930s.AI summary
Piccadilly 648 Dance
The Cabaret Four recorded 'Adeline' and 'Little White Lies' for Piccadilly, catalogue 671, a British budget label of the late 1920s–early 1930s.AI summary
Piccadilly 671 Dance
The California Ramblers recorded 'Happy Days Are Here Again' and 'My Love Parade' for Piccadilly (529), a cheap British marque of the early 1930s. This is a reissue or pressing of existing material, and Piccadilly sides are generally common.AI summary
Piccadilly 529 Dance
California Ramblers performing dance standards on Piccadilly 545 — a budget-label reissue or pressing of this prolific ensemble.AI summary
Piccadilly 545 Dance
Cotton on Piccadilly 109, a dance number from the late 1920s. Piccadilly was a cheap British budget label of the period.AI summary
Piccadilly 109 Dance
Cotton with Tables Are Turning on You and, by a band, Laugh Clown Laugh on Piccadilly 147.AI summary
Piccadilly 147 Dance
'Sunny Skies' by Cotton on Piccadilly Records, a budget British label of the early 1930s. The artist is unidentified.AI summary
Piccadilly 108 Dance
Cotton credited on Piccadilly; the titles suggest dance or novelty instrumental repertoire.AI summary
Piccadilly 145 Dance
An artist credited as 'Cotton' on Piccadilly 159, performing 'Tile Trot' and 'Just like Darby & Joan'. Piccadilly was a budget British label of the 1920s-1930s.AI summary
Piccadilly 159 Dance
Cotton performing 'Dusky Stevedore' and a version of 'Sonny Boy' for Piccadilly, a budget British marque of the early 1930s.AI summary
Piccadilly 195 Dance
Credited to Cotton on Piccadilly, a cheap British label. The catalogue number 236 places this in the label's early output of the early 1930s. Artist identity and the titles are not identified.AI summary
Piccadilly 236 Dance
The Cunard Dance Band on Piccadilly Records performs two popular standards. Piccadilly was a cheap British budget label of the early 1930s.AI summary
Piccadilly 602 Dance
Embassy Six on Piccadilly 235 recorded 'Then Came the Dawn' and 'Misery Farm'; Piccadilly was a cheap British budget label of the 1920s–30s.AI summary
Piccadilly 235 Dance
Piccadilly 127 Dance
Credited to Fisher on Piccadilly, a British budget label of the early 1930s; 'Collegiana' and 'My One and Only' are light entertainment numbers from the dance-music era, but the artist is unidentified.AI summary
Piccadilly 165 Dance
Piccadilly 419 Dance
Fonora recorded popular songs for Piccadilly, a cheap British budget label of the early 1930s. The titles suggest dance-band material of the period.AI summary
Piccadilly 430 Dance
Credited to Godfrey on Piccadilly, a cheap British marque of the early 1930s.AI summary
Piccadilly 817 Dance
Grey Gull (possibly a reissue of an American recording under a British label name) performing 'Sunny Side Up' and 'Dance Away the Night' on Piccadilly 507.AI summary
Piccadilly 507 Dance
Grey Gull (likely a house band or pseudonym) on Piccadilly 602, a British budget label of the 1930s; little is known of this artist or sides.AI summary
Piccadilly 602 Dance
A group credited as Grey Gull recording 'Man from the South' and 'Sing you Sinners' for Piccadilly, a cheap British marque of the early 1930s.AI summary
Piccadilly 604 Dance
Harris with Matilda and, credited Cotton, Dakota on Piccadilly 163.AI summary
Piccadilly 163 Dance
Herbert Lodge's Belgravian Band with Painting the Clouds with Sunshine and, by the Astoria Dance Players, Tiptoe Through the Tulips on Piccadilly 453.AI summary
Piccadilly 453 Dance
A recording credited to Hoey performing 'Good Old Time Songs' on the Piccadilly label, a budget British imprint of the early 1930s. The artist and specific repertoire are otherwise unidentified.AI summary
Piccadilly 742 Dance
Hoey on Piccadilly 758, a dance or novelty vocal from Piccadilly Records, the British budget label of the 1920s–30s.AI summary
Piccadilly 758 Dance
Piccadilly 641 Dance
Jack Leon's band recorded 'Wedding of the Painted Doll' and 'A Thousand Maidens Fair' for Piccadilly, a cheap British dance label of the early 1930s; these are straightforward period dance sides.AI summary
Piccadilly 319 Dance
Jack Leon band perform 'Living in the Sunlight' and 'You Brought a New Kind of Love' on Piccadilly 613 from the 1930s. Piccadilly was a budget British label with limited pressing runs.AI summary
Piccadilly 613 Dance
Dance band arrangement of Strauss operetta waltzes, credited to Jack Leons and orchestra on Piccadilly, a cheap British budget label of the early 1930s.AI summary
Piccadilly 305 Dance
Jock McDermott's band on Piccadilly Records with two novelty or Western-themed songs.AI summary
Piccadilly 669 Dance
Julius Kantrovitch Band on the Piccadilly label, a budget British imprint of the early 1930s; credited to an unfamiliar bandleader and released on a cheap marque, this record is now quite obscure.AI summary
Piccadilly 637 Dance
Kentucky Freebooters recorded 'Sunshine' and 'Mary Ann' for Piccadilly Records, a cheap British label. The band name suggests a novelty or regional act.AI summary
Piccadilly 119 Dance
Kinsman, credited on the Piccadilly label, a cheap British marque of the early 1930s; 'I'm Saving All My Lovin'' and 'Sleepy Valley' suggest a dance or light vocal side of the period.AI summary
Piccadilly 349 Dance
Kinsman on Piccadilly 335, a cheap British marque of the early 1930s. No further information available on the artist.AI summary
Piccadilly 335 Dance
A dance recording credited to Kinsman on Piccadilly, the British budget label of the early 1930s, performing 'Honey' and 'June Night'.AI summary
Piccadilly 350 Dance
Lanin recorded 'Just One More Chance' and 'Makin Faces at the Man in the Moon' for Piccadilly 848. Piccadilly was a cheap British label of the 1920s-30s that made few recordings and issued them in limited quantities.AI summary
Piccadilly 848 Dance
Leon is credited on this Piccadilly disc, a cheap British marque of the early 1930s; no major artist by that name is established in the period.AI summary
Piccadilly 641 Dance
Leon with Tie a Little String Around Your Finger and For You on Piccadilly 853.AI summary
Piccadilly 853 Dance