58 shellac records · mostly British pressings, 1900s–1950s
58 records matching · page 1 of 2
A dance band on Victor Records, performing two novelty dance pieces: 'Gertrude Hoffmann Glide' and 'Too much Mustard'.AI summary
Victor 17292 Dance
A dance band recording two popular pieces on Victor 35362, a US label. UK copies of Victor issues survive but are less common than domestic British pressings.AI summary
Victor 35362 Dance
Benson Chicago recorded 'Angel Child' and 'My Mammy Knows' for Victor (18870), an American label, likely dating to the 1920s. The artist is not identified further, but the titles suggest a blues or race record.AI summary
Victor 18870 Dance
Paul Bestor's orchestra recorded 'Sweetheart Hour' and 'Contented' for Victor in the mid-to-late 1920s; Bestor was a prolific bandleader and composer, but this Victor coupling is standard dance-music repertoire.AI summary
Victor 24135 Dance
Biese performing two novelty numbers on Victor (catalogue 18654), from the early 1900s acoustic era.AI summary
Victor 18654 Dance
Castro on Victor 22821, performing 'St Louis Blues' and 'Marta', from the 1920s or early 1930s.AI summary
Victor 22821 Dance
Chapman performing 'Let me be the first to kiss you good morning' and 'Me and the Boy Friend' on Victor, a popular song or dance side from the 1920s.AI summary
Victor 19519 Dance
Chris Chapman performing 'Watermelon Club March' on Victor, an American label with British distribution.AI summary
Victor 5219 Dance
Coon Sanders and his Nighthawk Orchestra, a popular American dance band, recorded 'Yes Sir That's My Baby' and 'Sometime' for the Victor label in the 1920s. This is a mass-market dance record from a well-known ensemble of the jazz age.AI summary
Victor 19745 Dance
The Coon-Sanders Orchestra, an American dance band of the 1920s and 1930s, recorded "Blue Foot" and "The Wail" for the Victor label; this is a US pressing.AI summary
Victor 21305 Dance
Don Juan and his orchestra perform 'Idilio' and 'Felices Dias' on Victor 30766—likely a Latin American ensemble recording for the international market.AI summary
Victor 30766 Dance
Eddy Duchin and his band with A Fool in Love and An Orchid to You on Victor 24326.AI summary
Victor 24326 Dance
Eddy Duchin and his orchestra with Too Marvelous for Words and Just a Quiet Evening on Victor 25517.AI summary
Victor 25517 Dance
Enric Madriguera was a Spanish bandleader and guitarist popular in the 1930s; this Victor recording pairs 'When You Love Only One' and 'Maria'.AI summary
Victor 24767 Dance
Garber (likely Jan Garber, the American dance-band leader) recorded 'Seminola' for Victor. Garber was a prolific 1920s–30s bandleader whose recordings were widely pressed.AI summary
Victor 19689 Dance
Garber's orchestra performing 'Baby Face' and 'That's Why I Love You' on Victor 20105, an American pressing from the mid-1920s.AI summary
Victor 20105 Dance
Glenn Miller's 'Rhapsody in Blue' and 'Along the Santa Fe Trail' on the American Victor label, catalogue 20-1529.AI summary
Victor 20-1529 Dance
Glenn Miller's orchestra recorded 'Moonlight Cocktail' for Victor, a major American label pressed in Britain during the swing era.AI summary
Victor 420-0046 Dance
Jean Goldkette's orchestra, an important American dance band of the 1920s, recorded two numbers for Victor.AI summary
Victor 21805 Dance
Guy Lombardo and his band with On a Little Dream Ranch and Kitchy-Mi-Koko Isle on Victor 25560.AI summary
Victor 25560 Dance
Hamm on Victor, a US label, performing two songs with domestic (American) titles and credits.AI summary
Victor 19915 Dance
Harry MacDonald's orchestra with My Pal Jerry and Who Could Be More Wonderful Than You on Victor 20149.AI summary
Victor 20149 Dance
International Novelty recorded a novelty or dance number 'Let It Rain' and 'My Kid' on Victor label, catalogue 19624. Victor was the American label, and UK pressings of this catalogue range are scarce.AI summary
Victor 19624 Dance
Isham Jones (1894–1956) was an American bandleader and composer who recorded sophisticated dance and novelty sides throughout the 1920s and 1930s; this Victor side pairs 'Blue Prelude' with Ray Noble's 'Lady of Spain'.AI summary
Victor 24499 Dance
Isham Jones was a prominent American bandleader and composer of the 1920s–30s, leading one of the most sophisticated dance orchestras of the era. 'Blue Prelude' and 'Just Born to Be Lonesome' are typical of his refined hot-dance style, recorded for Victor.AI summary
Victor 24298 Dance
Joe Raymond band recorded novelty songs 'Dirty Hands Dirty Face' and 'My Sweetie Went Away' for Victor 19110, a US Victor pressing.AI summary
Victor 19110 Dance
Joe Raymond's band perform 'Hollywood' and Paul Whiteman's 'Linger Awhile' on Victor, the American subsidiary of His Master's Voice. The band is not well documented.AI summary
Victor 19211 Dance
Leo Reisman's orchestra, a prestige New York dance band, performing 'Have You Met Miss Jones' and 'I'd Rather Be Right' on Victor, representing sophisticated 1930s ballroom dance.AI summary
Victor 25687 Dance
Credited to Mandell on Victor 183, an early catalogue number, performing 'Love your Spell is everywhere' and 'Darkie's Dream'.AI summary
Victor 183 Dance
Credited to 'Olsen' on Victor, this pressing of two numbers from the musical 'Good News' is likely a performance by the Olsen dance band or a related act. Victor was an American label; UK copies are less common.AI summary
Victor 20875 Dance
Olsen, a dance bandleader, performing two popular numbers for Victor in the 1920s.AI summary
Victor 19518 Dance
Olsen's orchestra recorded 'Sunny' and 'Who' for Victor, a major American label; likely an American dance-band side of the late 1920s or early 1930s.AI summary
Victor 19840 Dance
Victor 18483 Dance
Paul Whiteman's orchestra, the most popular dance band of the 1920s, plays 'Early in the Morning Blues' and 'Chicago' on American Victor.AI summary
Victor 18946 Dance
Peter Mandell and his Rhythm Masters, a British dance band of the early 1930s recorded for the American Victor label — unusual for a British group, suggesting either touring or licensing.AI summary
Victor 214 Dance
Pollack (likely Ben Pollack or his orchestra) on Victor 22089 performing dance numbers of the late 1920s.AI summary
Victor 22089 Dance
Pryor's Band recorded 'Grizzly Turkey Trot' and 'Mr Dream Man' for Victor, catalogue 17111. This is an American pressing on the Victor label, likely from the 1910s–20s. 'Turkey Trot' refers to a popular ragtime dance of the 1900s–10s era, suggesting an early dance-band recording.AI summary
Victor 17111 Dance
Red and His Big Ten, a dance orchestra, recorded these two jazz-inflected popular songs for Victor, the major American label; Victor 23033 places it in the late 1920s swing era.AI summary
Victor 23033 Dance
Harry Reisman was an American bandleader and pianist active in the late 1920s and 1930s; this Victor recording of 'Savage Serenade' and 'Dinner at Eight' represents his dance-band output.AI summary
Victor JA206 Dance
Richard Himber and his Band on Victor, catalogue 24679. Himber was an American bandleader and violinist of the 1920s–30s, recording for Victor; he is now largely forgotten and his records are scarce in Britain.AI summary
Victor 24679 Dance
Richard Himber was an American bandleader and vibraphone player who recorded for Victor in the 1930s; this pressing of 'So This is Heaven' and 'Cling to Me' represents his typical popular dance-band work.AI summary
Victor 25235 Dance
Ruby Newman and his orchestra with Now or Never and Darling Not Without You on Victor 25405.AI summary
Victor 25405 Dance
Ruby Newman and his orchestra with Where or When and Johnny One Note on Victor 25546.AI summary
Victor 25546 Dance
Selvin's orchestra was a prolific New York dance band of the 1920s recording for Victor and other major labels. This recording features the Palace Trio and represents their typical dance-band repertoire.AI summary
Victor 18682 Dance
Smith, performing 'Hitchy Koo Medley' and selections from the Ziegfeld Follies on Victor 18334, likely early 1920s.AI summary
Victor 18334 Dance
Smith performing 'Lo la lo' and '3 O'clock in the Morning' on Victor, 18866. Both pieces are popular songs from the 1920s. The artist is unidentified; without further information this is likely a minor American or British recording.AI summary
Victor 18866 Dance
Tommy Dorsey's orchestra recorded 'It's All Yours' and 'This Is It' for Victor, an American label whose UK pressings were distributed by HMV. Dorsey was one of the biggest bandleaders of the 1930s–40s.AI summary
Victor 26149 Dance
Tommy Dorsey, the American trombonist and bandleader, performing 'Not So Quiet Please' and 'I'll Take Tallulah' on Victor 27869, a 1930s dance-band side.AI summary
Victor 27869 Dance