3,651 shellac records · mostly British pressings, 1900s–1950s
3,651 records matching · page 1 of 77
Percival MacKey's 1926 Orchestra recorded a selection from 'Mercenary Mary' for Columbia, a popular musical of the period. Hot-dance and jazz orchestras of the mid-1920s are collected by early jazz enthusiasts.AI summary
Columbia 9062 Dance
An ensemble credited to '6 Hottentots' performing 'I'm in Love Again' and 'The Girl Friend' for Imperial, a minor American label, likely from the 1920s or early 1930s.AI summary
Imperial 1803 Dance
A group credited as '6 Hottentots' performing novelty and dance material on Imperial, a minor label—a recording now notable mainly as a historical document of early 20th-century racial caricature in recorded music.AI summary
Imperial 1803 Dance
A. Curtis with Sunny Havana and Babette on Homochord H860.AI summary
Hom H860 Dance
A Jack recorded two Tin Pan Alley standards, 'Hitchy Koo' and 'Waiting for the Robert E Lee', for Cinch Records, catalogue 5055. Cinch was a small British label.AI summary
Cinch 5055 Dance
Columbia 4931 Dance
A Starita on Columbia 5207, performing 'Counting the Milestones' and 'Hello Montreal'; Starita was a British dance bandleader.AI summary
Columbia 5207 Dance
A. Starita, a bandleader active in the early 1930s, recorded 'Dreaming of the Day' and 'Sweet Lorraine' for Columbia. Starita was a minor figure in the dance-band world, and his recordings are not widely documented.AI summary
Columbia 5208 Dance
A Starita performs 'I'm perfectly satisfied' and 'Fashionette' on Columbia 5465. Starita was an Italian bandleader active in Britain and Europe during the 1920s–1930s, leading dance orchestras.AI summary
Columbia 5465 Dance
Abbey with In Between the Showers and Spain on Homochord C701.AI summary
Hom C701 Dance
Abbey with Tea for Two and Let Me Be the First to Kiss You Good Morning on Actuelle 10794.AI summary
Actuelle 10794 Dance
A Carlton credited to 'Abbey' on Act 10935, a small or short-lived British label; 'Sunny Havana' and 'Babette' suggest light dance or novelty material of the 1920s–30s.AI summary
Actuelle 10935 Dance
Abe Lyman was an American bandleader and recording artist prominent in the 1920s and early 1930s; this Brunswick side pairs two evergreen novelty-dance numbers from the musical *Good News!* — 'Good News' and 'Varsity Drag'.AI summary
Brunswick 3811 Dance
Abe Lyman and his California Band, a major American dance orchestra, on Brunswick with '12th Street Rag' and 'New St Louis Blues'.AI summary
Brunswick 3316 Dance
Abe Lyman, the American dance-band leader of the 1920s, recorded 'Twelfth Street Rag' and 'Farewell Blues' for Brunswick 01340 in the early acoustic period.AI summary
Brunswick 01340 Dance
Abe Lyman's band, a successful American dance orchestra of the 1920s, on Brunswick. Lyman's hot-dance records were influential in the swing era.AI summary
Brunswick 3930 Dance
Abe Lyman's band, a California dance orchestra, recorded 'My Suppressed Desire' and 'Sweethearts on Parade' for Brunswick, catalogue 3890, in the late 1920s.AI summary
Brunswick 3890 Dance
Abe Lyman's Band, a prominent dance orchestra of the 1920s, recorded 'Did you mean it' and 'Charmaine' for Brunswick, a major American label with UK pressings.AI summary
Brunswick 3648 Dance
The Abe Lyman band recorded 'I Was Doing All Right' and 'Love is Here to Stay' for Regal (MR2778). Lyman was an American bandleader and recording artist active from the 1920s through the 1940s.AI summary
Regal MR2778 Dance
Abrams performing 'That's my Hap-Hap-Happiness' and 'Shanghai Dream Man' on OK, a minor British label. The artist is unidentified and little is known of this recording.AI summary
Okeh 40798 Dance
Edgar Jackson, accompanied, recorded 'Dinah' and 'Whispering' for Brunswick 02145. Edgar Jackson was a British musician and broadcaster.AI summary
Brunswick 02145 Dance
Accordeon Band performing "Flower of Spain" and "Ziganette" on Dur 28, a small or short-lived British label. The accordion band repertoire suggests European dance and folk influences.AI summary
Durium 28 Dance
Tru 409 Dance
Acres with I'd Never Be Happy Till I'd Got You and Dance of the Blue Danube on Metropole 1047.AI summary
Metropole 1047 Dance
Acres on Piccadilly 148, performing 'Dance of the Blue Danube' and 'I can't give you anything but Love'. Piccadilly was a budget British label of the 1920s-30s.AI summary
Piccadilly 148 Dance
Adama Sztromberga Orchestra on Syrena Electro 6863, performing "A on ja zia specyjol" and "Rejoika"; titles suggest Eastern European or Slavic material.AI summary
Syrena-Electro 6863 Dance
The Admirals with pianist Harry Jacobson on Elec catalogue 0235, an obscure British label of the 1920s-30s. The titles suggest a dance or light orchestral recording.AI summary
Electron 0235 Dance
Adrian Schubert was a conductor and bandleader of the 1920s, recorded here on Oriole for 'Stein Song' and 'What a Funny World This Would Be'. The high catalogue number places this among Oriole's very early releases.AI summary
Oriole 1885 Dance
Adrien Adrius is credited to this Decca side from the 1930s, described as 'Gendarme a les yeux bleus' and a swing piece; the artist is untraced.AI summary
Decca SF256 Dance
Aimé Barelli, a French accordionist and bandleader, recorded "Trop Jeune" and "Jezebel" for Pathé PG551, likely in the late 1940s or early 1950s.AI summary
Pathé PG551 Dance
Al and Pete performing songs from 42nd Street on Broadcast 3313. Broadcast was a small budget label; artist identities are unclear.AI summary
Broadcast 3313 Dance
Al Clothier's orchestra recorded two novelty pieces featuring additional vocalists (the Jibers and the Gayle Sisters) for Dana Records, a small American independent label from the 1930s–40s.AI summary
Dana 2019 Dance
Al Green on Mayfair G 2206, with two dance numbers from the 1930s–1940s era. Green was a minor British or American popular singer.AI summary
Mayfair G2206 Dance
A. L. Jockers, credited as Homochord's house name, with Second Hand Rose and, by a band, Bimini Bay on Homochord H281.AI summary
Hom H281 Dance
Al Starita recorded 'The One I'm Looking For' and 'Sweet So and So' for Columbia, catalogue 4799, in the 1920s-1930s era; Starita was an active bandleader and recording musician on the British dance scene.AI summary
Columbia 4799 Dance
Al Starita on Columbia 4833, a British dance-band recording of the late 1920s.AI summary
Columbia 4833 Dance
Al Starita on Columbia 4834, performing 'I'm mad about you' and 'Dance little Lady' — a dance-band side from the mid-1920s.AI summary
Columbia 4834 Dance
Al Starita recorded 'I Want to Be Alone with Mary Brown' and 'Constantinople' for Columbia, catalogue 4886, likely in the 1920s-1930s dance era; Starita was an accomplished bandleader and recording musician of that period.AI summary
Columbia 4886 Dance
Al Starita performs 'If I Had You' and 'A Kiss Before the Dawn' on Columbia — likely a dance, novelty, or light vocal side from the 1920s.AI summary
Columbia 5022 Dance
Columbia 5119 Dance
Al Starita recorded 'Rhythm King' and 'Oh What a Night to Love' for Columbia. The titles and Columbia 5000-series catalogue number place this in the late 1920s dance-music era.AI summary
Columbia 5266 Dance
Al Starita, a prolific British dance-band recording artist, performing 'Jericho' and 'My Mother's Eyes' on Columbia 5418 in the late 1920s.AI summary
Columbia 5418 Dance
Al Starita on Columbia 5307. Starita was a British-Italian bandleader and recording artist of the 1920s-1930s, and his work appears on several British labels. This Columbia side represents his orchestra or vocal recording, though the specific titles and artists require confirmation.AI summary
Columbia 5307 Dance
Columbia 5308 Dance
Al Starita Band, a British dance orchestra, recorded 'Make Believe' and 'Why Should I Love You' for Columbia. Starita was active in the early 1930s, and his recordings are typical of the commercial dance and popular-song material of that era.AI summary
Columbia 4900 Dance
Al Starita's band recorded popular dance and novelty songs for Columbia in the early 1930s, playing in the style of the dance bands of the era.AI summary
Columbia 4411 Dance
Al Starita and his orchestra recorded these two sides for Columbia; Starita was an American bandleader and accordionist of minor renown in the 1930s.AI summary
Columbia 5073 Dance
Al Trace with Philosophy and When Lola Plays the Pianola on Columbia DB2826.AI summary
Columbia DB2826 Dance