3,683 shellac records · mostly British pressings, 1900s–1950s
3,683 records matching · page 14 of 77
Jumbo 76 Dance
Billy Whitlock recorded 'Wiggle woggle' and 'Appy Albert two step' for Regal, a cheap British marque of the 1920s–1930s.AI summary
Regal 7391 Dance
Billy Whitlock performing novelty two-step pieces on Regal, a budget British label of the early 1930s.AI summary
Regal 7411 Dance
Billy Whitlock on the Bull label, a short-lived British imprint; the titles suggest novelty or comic material.AI summary
Bulldog 522 Dance
Billy Whitlock on Imperial, an early British label, performing traditional dance material in the 1920s–early 1930s.AI summary
Imperial 1131 Dance
Billy Whitlock recorded Scottish dance reels and jigs for Imperial, a minor British label of the 1920s–30s.AI summary
Imperial 2383 Dance
Billy Williams, a prolific American singer of the early 1900s, recorded 'Oh that Ragtime Waltz' and 'Ragtime Wedding' for Hom, a budget British label of the period. Williams was known for comedic and novelty numbers in the ragtime era.AI summary
Hom 1229 Dance
Billy Williams on the Tow label, a small or short-lived British marque. The artist and catalogue number are insufficiently identified to place this record with confidence.AI summary
Tower 217 Dance
Billy Williams on Lyc 046, credited to a marginal British label of uncertain date with no catalogue evidence of wide distribution.AI summary
Lyceum 046 Dance
The Biltmore Hotel band with Georgia and, by a band, No Use Crying on Regal 9213.AI summary
Regal 9213 Dance
Bing Crosby and Bob Hope duet on a pair of 1930s novelty numbers, recorded for Brunswick.AI summary
Brunswick 05034 Dance
Bird recorded 'Stein Song' and an untitled piece for Hom, a small British label, in the early acoustic era.AI summary
Hom 4-3952 Dance
Credited to Birmingham on Duo, performing two popular dance and novelty numbers; DuoB catalogue series and number suggest a minor British imprint of the 1920s–1930s.AI summary
Duophone B5129 Dance
Birmingham (artist unidentified) on DuoUB 2074, a small British label. Titles suggest a dance or novelty number from the early 1930s.AI summary
Duophone UB2074 Dance
Birmingham is credited with 'Florida' and 'Yearning' on Winner 4265. Without further identifying information—whether this is a bandleader, a solo artist, or an ensemble—this recording cannot be confidently placed.AI summary
Winner 4265 Dance
Black performed 'Varsity Drag' and 'Best Things in Life Are Free' for Brunswick, two jazz-age standards released in the late 1920s.AI summary
Brunswick 3810 Dance
The Black Diamonds on Zonophone 2263 recorded 'Dapper Dan' and 'Kentucky Babe'; Zonophone was a significant British label active from the 1900s to 1930s.AI summary
Zonophone 2263 Dance
The Black Diamonds Band recorded 'The sheik - Arabian Foxtrot' and 'Drifting' for Zonophone 2238, novelty and dance-band material from the 1920s–30s.AI summary
Zonophone 2238 Dance
Black Diamonds Band performing 'Rages and Crazes Selection' on Zonophone, a British imprint of the early 20th century. Zonophone catalogue numbers in this range date to the 1900s–1910s.AI summary
Zonophone 2180 Dance
The Black Hand Gang on Parlophone, recording 'Entr'acte' and 'Limehouse Blues'. 'Limehouse Blues' is a famous composition by Phillip Braham and Douglas Furber (1922), and this ensemble recording is likely a dance or novelty interpretation.AI summary
Parlophone R2154 Dance
The Blackpool Syncopaters perform 'Whistle' and 'Annie' on Winner 3878. Winner was a British budget label of the 1920s–1930s; the Syncopaters were a dance/novelty ensemble.AI summary
Winner 3878 Dance
Curry's 3078 Dance
The Blackpool Tower Band with Love's Paradise and Wonderful Nights on Winner 3502, marked as a test pressing.AI summary
Winner 3502 TEST Dance
Blackpool Tower Band on 'Uncle Sambo' and 'Ma', recorded for Winner 3678. The Blackpool Tower Ballroom was a major British dance venue; the band was a house ensemble whose recordings were issued by various labels in the 1930s–40s.AI summary
Winner 3678 Dance
The Blue Barron Band recorded two popular dance numbers—'On the Isle of May' and 'Between You and Me'—for Regal. Blue Barron was an American bandleader and this Regal pressing represents one of the British releases of his work.AI summary
Regal Zonophone MR3319 Dance
The Blue Lyres on Zonophone Records performing 'Oi Song' and 'Clouds Will Soon Roll By' — a small British group on an economy label, likely early 1930s, with material suggesting popular or semi-comic novelty repertoire.AI summary
Zonophone 6162 Dance
The Blue Lyres, a dance band, recorded 'Marching Along Together' and 'Let's All Dance the Polka' on Regal; a minor ensemble of the 1920s–30s dance-music era.AI summary
Regal T6204 Dance
Blue Lyres on two novelty songs, Zonophone pressing from the early 1930s.AI summary
Zonophone 6153 Dance
The Blue Mountaineers, likely a dance orchestra, recorded 'You're My Everything' and 'Moonlight the Danube and You' for Broadcast, catalogue 3261, a British label of the early 1930s.AI summary
Broadcast 3261 Dance
The Blue Mountaineers performing a 'Say it with Music' selection on the Broadcast label, a small British imprint of the early 1930s. Very little is known of this group.AI summary
Broadcast 3274 Dance
Blue Mountaineers recorded on Broadcast, a minor British label, apparently in the 1930s–40s. The titles suggest sentimental popular material typical of dance bands of the era.AI summary
Broadcast 3261 Dance
The Blue Mountaineers on Broadcast 518, a British label, performing a medley of novelty and popular titles. The catalogue number and era suggest a mid-1930s release.AI summary
Broadcast 518 Dance
Blue Mountaineers on Broadcast 3176 with 'Kiss by Kiss' and 'You Rascal You', a dance-band recording from the early 1930s.AI summary
Broadcast 3176 Dance
Blue Mountaineers on Broadcast, a British budget label of the early 1930s, performing light popular and jazz standards.AI summary
Broadcast 502 Dance
Blue Mountaineers recorded 'Just a Little Home'/'Puss' and 'When Sally Left the Alley'/'Venetian Lady' (credited to Bidgood) on Broadcast label, catalogue 503. Broadcast was a small British imprint, and this record is from the late 1920s or early 1930s.AI summary
Broadcast 503 Dance
The Blue Mountaineers on Broadcast, a small British label, recording 'Moon' and 'Let's Put Out the Lights'. The title suggests a novelty or comedy ensemble.AI summary
Broadcast 3260 Dance
Blue Pacific on Piccadilly 715. Blue Pacific was likely a house or pseudo-orchestra name for Piccadilly, a cheap British marque of the early 1930s. These are routine light-dance or novelty sides typical of the label's mass production.AI summary
Piccadilly 715 Dance
Blue River Band on Piccadilly 664, a cheap British reissue label. The titles suggest light or novelty popular material from the 1920s–1930s.AI summary
Piccadilly 664 Dance
Bob Cannon performing 'Dance Your Troubles Away' and 'Jerry Jeremiah' on Cinch 5162, a British budget label from the 1920s or early 1930s.AI summary
Cinch 5162 Dance
Derby 831 Dance
Bob Causer performs 'Let's Call It a Day' and 'Stay Out of My Dreams' on Rex, a cheap British dance label of the 1930s.AI summary
Rex 8006 Dance
Bob Causer, credited as leading the Collegians, recorded hot dance for His Master's Voice in the early 1930s. Causer was a minor British dance-band leader.AI summary
His Master's Voice B1664 Dance
Bob Crosby, the American bandleader and brother of Bing Crosby, on ARA, performing 'Cement Mixer' and 'Where Did You Learn to Love', novelty and sentimental material.AI summary
ARA 137 Dance
Bob Crosby, younger brother of Bing and a bandleader in his own right, recorded these two standards for Decca in the early 1950s.AI summary
Decca Y5542 Dance
Bob Crosby was an American bandleader and singer, brother of Bing, who recorded prolifically in the 1930s-40s. This Decca Y pressing of jazz standards represents his swing-era output.AI summary
Decca Y5908 Dance
Bob Crosby and his orchestra on Decca, catalogue BM03682, with '5 Minutes More' and 'I've Never Forgotten'. Crosby, Bing's brother, led a popular swing orchestra in the 1940s.AI summary
Decca BM03682 Dance
Bob Haring's orchestra on the Perf label with two jazz-influenced dance titles, 'By My Side' and 'Out of Nowhere'. Perf was a minor British imprint active in the late 1920s and early 1930s.AI summary
Perfect 15453 Dance
Brunswick 03265 Dance