3,647 shellac records · mostly British pressings, 1900s–1950s
3,647 records matching · page 2 of 76
Alan Selby band on Piccadilly (314) with 'Broadway melody' and 'You were meant for me'; Piccadilly was a cheap British marque of the late 1920s–1930s.AI summary
Piccadilly 314 Dance
The Alan Selby Band on Curry's Records, a very obscure British label, performing two sentimental dance-band numbers. Neither the label nor the band is documented in standard references; Curry's appears to have been a local or regional British marque.AI summary
Curry's 130 Dance
The Alexander London Orchestra performing lancers on the Alex label, a British imprint. The orchestra and label are obscure; this appears to be a provincial or small-scale British dance recording from the early twentieth century.AI summary
Alexander 47 Dance
Zonophone X49143 Dance
Alfredo, 'Side by Side' and 'The Little White House' on Winner 4666, a small British label.AI summary
Winner 4666 Dance
A dance or light orchestral piece by Alfredo on Radio, a cheap British label of uncertain date.AI summary
Radio (Edison Bell) 876 Dance
Alfredo with Diane and I'll Think of You on Electron 0207.AI summary
Electron 0207 Dance
Alfredo recorded 'More We Are Together' and 'Me Too Ho Ho Ha Ha' for Winner, catalogue 4553, likely 1920s.AI summary
Winner 4553 Dance
Alfredo on Winner 4630, performing novelty dance numbers from the early 1930s. Alfredo is unidentified and Winner was a budget British label.AI summary
Winner 4630 Dance
Alfredo's band on Winner 4648, a British dance recording from the interwar period on a mass-market label.AI summary
Winner 4648 Dance
Alfredo performing novelty dance numbers 'Do the Black Bottom with Me' and 'Half a Moon' on Winner, a budget British label.AI summary
Winner 4670 Dance
Alfredo credited on Winner, a minor British label, performing popular dance novelties of the late 1920s.AI summary
Winner 5136 Dance
Credited to Alfredo on Winner Records, a minor British label. 'Why Don't You Say So' and a 'Student Prince Waltz' are light dance and operetta fare; Alfredo is unidentified and Winner was a cheap imprint.AI summary
Winner 4380 Dance
Alfredo performing 'Jog Jogging Along' and 'Caring for You' on Winner 4628, a British pressing.AI summary
Winner 4628 Dance
Alfredo band with the dance tunes 'C'est vous' and 'Charmaine' on Winner 4711, a cheap British label of the 1920s–1930s.AI summary
Winner 4711 Dance
The Alfredo orchestra recorded two selections on Winner Records, a tiny British budget label—artist and date uncertain, likely 1920s-1930s from the catalogue number.AI summary
Winner 4711 Dance
The Alfredo Band performing two standards, 'Singin' in the Rain' and 'Pagan Love Song', on Winner, a British budget label of the 1930s.AI summary
Winner 4955 Dance
The Alfredo Band recorded light orchestral and dance sides for Winner in the late 1920s; 'C'est Vous' and 'Carmine' appear to be ballroom or novelty pieces.AI summary
Winner 4711 Dance
Alfredo Orchestra recorded for His Master's Voice in the 1930s-40s, performing dance and Latin repertoire. This pressing of 'Sevillana' and 'Tina Tango' represents the light orchestral dance music that was standard fare on the dance floor of the period.AI summary
His Master's Voice B8250 Dance
Alfredo's Band recorded popular dance and novelty material for Winner in the late 1920s.AI summary
Winner 4723 Dance
An All Star ensemble recorded 'Stepping Along' and 'Too Wonderful for Words' for His Master's Voice B5718. These appear to be light orchestral or dance recordings from the 1920s-30s.AI summary
His Master's Voice B5718 Dance
Ambassador Club Band on Winner Records with two popular standards.AI summary
Winner 5243 Dance
The Ambassadors with Indian Love Call and Rose Marie on Guardsman 1702.AI summary
Guardsman 1702 Dance
The Ambassadors perform two novelty dance songs on Duo-Tone B5072: "By the Lake" and Jeffries's "Leander," likely from the 1920s. Duo-Tone was a minor British label.AI summary
Duophone B5072 Dance
The Ambassadors for Rex, performing 'How Many Hearts Have You Broken' and 'Up'. The group is unrecognised.AI summary
Rex 10212 Dance
The Ambassadors Dance Band, a British dance ensemble, recorded 'Miami' and 'Nobody but Fanny' for Columbia is1841, an early-1920s studio side.AI summary
Columbia is1841 Dance
Ambrose was one of Britain's leading bandleaders and a sophisticated orchestrator, recorded here on Brunswick for 'Farewell to Arms' and 'Sweetheart', likely from the early 1930s. His orchestra was known for its musicianship and recording quality.AI summary
Brunswick 1488 Dance
Ambrose and his orchestra on Decca F7089, the British dance bandleader and composer performing 'Penguin' and 'War Dance of the Wooden Indians', from the 1930s–40s.AI summary
Decca F7089 Dance
Ambrose and his orchestra, 'Oh Mo'nah' and 'Save the Last Dance for Me', on His Master's Voice B6127; Ambrose was a celebrated British dance-band leader of the 1920s and 1930s, and these sides represent the sophisticated swing style of the British West End.AI summary
His Master's Voice B6127 Dance
Ambrose and his orchestra recorded hot-dance sides for Decca in the 1930s. Ambrose was one of the most sophisticated and inventive British bandleaders of the swing era, leading the house band at the Mayfair Hotel, London.AI summary
Decca F5489 Dance
Ambrose and his orchestra were one of the most sophisticated and successful British dance orchestras of the 1930s and 1940s, celebrated for their arranging and musicianship; this Decca side captures them performing 'Deep Henderson' and 'Message from Mars' in his polished house-band style.AI summary
Decca F6556 Dance
Ambrose, a leading British dance-band leader and recording artist of the 1930s, recorded 'I Can't Believe It's True' and 'Masquerade' for His Master's Voice. Ambrose was one of the most prolific and commercially successful bandleaders of his era, and his recordings remain in strong demand among dance-music collectors.AI summary
His Master's Voice B6231 Dance
Ambrose and his orchestra performing 'Tiptoe through the Tulips with me' and 'Painting the Clouds with Sunshine' for Decca, M110, from the early 1930s. Ambrose was one of Britain's leading dance bandleaders of the era, resident at the Mayfair Hotel in London.AI summary
Decca M110 Dance
Ambrose and his orchestra, one of Britain's most popular dance bands of the 1930s, recorded these two standards for Brunswick. 'It's the Talk of the Town' and 'The Last Round Up' are typical of the sophisticated dance-band repertoire that made Ambrose a fixture on the Savoy Hotel broadcasts.AI summary
Brunswick 01607 Dance
Ambrose on His Master's Voice B5464, 'Singapore Sorrows' / 'Without You Sweetheart'. Ambrose was a prominent British bandleader and composer of the 1920s–1930s, recording extensively for HMV.AI summary
His Master's Voice B5464 Dance
Ambrose was a British bandleader and pianist of considerable sophistication, leading one of London's most fashionable dance orchestras in the 1920s–30s. 'Mademoiselle Hortensia' and 'Bambi Bamba' are typical of his elegant dance-band style, recorded for Decca in the early microphone era.AI summary
Decca MG51001 Dance
Untitled
Ambrose, the renowned British dance-band leader, recorded for Decca on multiple sides (F7024, F7936, F7026), a suite of dance, light orchestral, or swing material from the late 1930s–40s.AI summary
Decca F7024F7936F7026 Dance
Decca F7041 Dance
Ambrose was one of Britain's most celebrated bandleaders of the 1920s and 1930s, famous for his sophisticated swing arrangements and broadcasts from the Mayfair Hotel in London. This Decca F7326 pressing of "Somewhere in France with You" and "How Beautiful You Are" represents his popular output in the late 1930s.AI summary
Decca F7326 Dance
Ambrose was one of the most famous British bandleaders of the 1930s, resident at the Mayfair Hotel; this HMV B-series recording pairs two sentimental ballads arranged and conducted by Ambrose, capturing the sophisticated style that made him a star of the era.AI summary
His Master's Voice B6222 Dance
Ambrose, one of Britain's premier bandleaders, recorded 'Tarantula' and 'Champagne Cocktail' for Decca. The F6000 series places this in the late 1930s or early 1940s.AI summary
Decca F6282 Dance
Ambrose and his orchestra, one of the finest British dance bands of the 1930s–1940s, recorded these two romantic dance numbers for His Master's Voice B6049. Ambrose was a highly respected bandleader and arranger.AI summary
His Master's Voice B6049 Dance
Ambrose and his orchestra, one of the most prominent British dance bands of the 1930s, recorded 'You can't stop me from loving you' and 'Just one more Chance' for His Master's Voice.AI summary
His Master's Voice B6061 Dance
Ambrose, the British dance bandleader, recorded 'Little Girl' and 'Wrap Your Troubles in Dreams' for His Master's Voice, his sophisticated and well-arranged ballroom and dance orchestra style.AI summary
His Master's Voice B6062 Dance
Ambrose was one of Britain's leading dance-band leaders of the 1920s-1930s, famous for his orchestra and his recordings; 'I Wanna Be Loved by You' and 'My Song' appear on this His Master's Voice pressing, catalogue B6108.AI summary
His Master's Voice B6108 Dance
Ambrose and his orchestra were one of the most celebrated British dance bands of the 1920s and 1930s. 'Close your Eyes' and 'Joey the Clown' are typical of the sophisticated jazz-inflected dance music they recorded for HMV.AI summary
His Master's Voice B6109 Dance
Ambrose and his orchestra, one of the most important British dance bands of the 1930s, on His Master's Voice with 'I Don't Know Why' and 'Love Letters in the Sand'. The B6110 catalogue number places this in the mid-1930s.AI summary
His Master's Voice B6110 Dance
Ambrose, the highly celebrated British dance-band leader, recorded two ballads, 'Trees' and 'Sleep on', for His Master's Voice, catalogue B6142. Ambrose was the most fashionable dance-band director of the 1930s–40s, and his recordings are widely collected.AI summary
His Master's Voice B6142 Dance