3,692 shellac records · mostly British pressings, 1900s–1950s
3,692 records matching · page 24 of 77
Emil Coleman with Linger a While and The Only Girl on Vocalion 14712.AI summary
Vocalion 14712 Dance
Emil Coleman's orchestra on Columbia, performing 'Earful of Music' and 'When My Ship Comes In' from the late 1930s-1940s. Coleman was a prolific Latin and dance-orchestra leader.AI summary
Columbia FB1012 Dance
Emil Coleman Band on Columbia, a popular light orchestra, with 'I'll Be Hard to Handle' and 'Let's Begin'—sentimental dance and popular music from the 1930s.AI summary
Columbia FB1097 Dance
Emil Stern Band on Felsted, a British independent label, recording 'It's a Lovely Day Today' and 'Mazel Tov'—the second title suggests possible Jewish cultural repertoire alongside the standard popular song.AI summary
Felsted 80002 Dance
Emma Luart with Jeffry's Jazz performing 'Parade D'Amour' on Pathé, a French label with British distribution in the late 1920s.AI summary
Pathé X3442 Dance
Empire with My Blue Heaven and Ah Sweet Mystery of Life on Duophone D4022.AI summary
Duophone D4022 Dance
Ennis Parkes and Peter Dawson recorded these dance numbers on His Master's Voice. Dawson was a celebrated British baritone and prolific recording artist; Parkes was an accompanist and musical partner of some standing.AI summary
His Master's Voice C1087 Dance
Enric Madriguera was a Spanish bandleader and guitarist popular in the 1930s; this Victor recording pairs 'When You Love Only One' and 'Maria'.AI summary
Victor 24767 Dance
Eric Winstone Swing Quartet performing 'Down Forget Me Not Lane' and 'Whispering Grass' on Columbia FB2687, a 1940s British swing recording.AI summary
Columbia FB2687 Dance
Eric Winstone and his band, a mid-century British dance orchestra, perform 'Whispering Grass' and 'Down Forget Me Not Lane' on Columbia.AI summary
Columbia FB2687 Dance
Eric Winstone and his band with Anticipation and Frustration on Radiola A116.AI summary
Radiola A Dance
Eric Winstone was a British bandleader and accordionist who led dance and light-music ensembles throughout the 1930s and 1940s; this Regal side pairs 'Lover's Lullaby' with 'Bottle Party'.AI summary
Regal MR20391 Dance
Eric Winstone Band on Regal, a British orchestra and arranger who was active as a bandleader and composer—'Swing Bugler' and 'By Candlelight' show the light swing style of the 1950s.AI summary
Regal MR3608 Dance
Eric Winstone led a popular British dance orchestra, recorded here on Regal for 'As Time Goes By' and 'Let's Get Lost'. Winstone was active from the 1930s through the 1950s.AI summary
Regal MR3693 Dance
The Erich Zimmermann band recorded two dance selections on Odeon, a German pressing of the early 1920s; the B-side is in German.AI summary
Odeon 312615 Dance
Ernie Golden and his band, an American dance orchestra, with 'Let's make believe' and 'Somebody and me' on Brunswick 3586 from the 1920s.AI summary
Brunswick 3586 Dance
Ernie Golden Band on Imperial, catalogue 1933. Imperial was a minor American label of the 1920s–30s, and Golden is an unrecognised artist, making British copies of this dance record scarce.AI summary
Imperial 1933 Dance
Ernie Rudy's orchestra recorded two popular pieces for Coral Records, an American independent label. No further information is available on this artist.AI summary
Coral 60970 Dance
The Esquire Boys recorded 'We Drifted Apart' and 'Caravan' on the Rainbow label, a small British imprint.AI summary
Rainbow 188 Dance
The F Craig Band recorded 'Hard to Get Gertie' and 'Am I Wasting My Time on You' for Regal, the British budget label, in the 1930s.AI summary
Regal 8744 Dance
F. Hall recorded 'Where the Wild Flowers Grow' and 'Dawn of Tomorrow' for DuoC, a small British label with catalogue number 5, suggesting an early or very small pressing run.AI summary
Duophone C5 Dance
F Rich Band on Regal 8541, performing jazz and dance sides 'I'm Sitting on Top of the World' and 'Ida I Do'.AI summary
Regal 8541 Dance
The Falcons Dance Band on Regal MR3800, performing "I've got you under my skin" and "Opus no 1".AI summary
Regal MR3800 Dance
Fenton is credited with 'Lady Be Good' and 'Fascinating Rhythm', both Gershwin standards, on a Brunswick 12-inch pressing. Without further identifying information this artist cannot be placed with confidence.AI summary
Brunswick 2790 Dance
Fenton's Rainbows recorded 'Little love song' and 'King's horses' for Filmo, catalogue 161, a small or short-lived British label.AI summary
Filmophone 161 Dance
Fesca recorded these ballroom and novelty pieces on the HomHB label, an unidentified minor British imprint.AI summary
Hom HB2086 Dance
Fio Rito (Ted Fiorito), a popular pianist and bandleader, recorded dance numbers 'Cling to Me' and 'Alone at a Table for Two' on Decca F5909 from the early 1930s.AI summary
Decca F5909 Dance
Fio Rito recorded 'Here Comes Cookie' and 'Let Me Sing You to Sleep' for Brunswick RL234. Fio Rito was a bandleader and composer known for his dance orchestra; Brunswick was a major American label distributed in Britain.AI summary
Brunswick RL234 Dance
Zonophone 2707 Dance
Firman with Talkie Hits in two sides on Zonophone 5439.AI summary
Zonophone 5439 Dance
Firman with On the ZR 3 and After the Storm on Zonophone 2558.AI summary
Zonophone 2558 Dance
Firman on Zonophone 5012, performing 'Zulu Wail' and a novelty number, from the early 1920s.AI summary
Zonophone 5012 Dance
Firman recorded 'Chili Bom Bom' and 'I Wonder What's Become of Sally' for Ar, a marginal British label, catalogue 326.AI summary
Ariel 326 Dance
Gamage G700 Dance
Zonophone 2481 Dance
First Avenue with Bonnie and China Rosebud on Vocalion M1169.AI summary
Vocalion M1169 Dance
The First Nighter orchestra recorded the wartime patriotic numbers 'This is the Army Mr Jones' and 'I Left My Heart at the Stage Door Canteen' for His Master's Voice, catalogue BD1063. Both are American wartime songs, suggesting a 1942–1943 recording.AI summary
His Master's Voice BD1063 Dance
A recording by Fisher on the Metropolitan Special label of *Rain* and *Sometimes I'm Lonesome*, from an early period and a marginal British imprint. No catalogue number is recorded.AI summary
Metropole SPECIAL Dance
A dance band side credited to Fisher on the obscure Met label, an early British imprint of which little is documented.AI summary
Metropole 1087 Dance
Piccadilly 127 Dance
Credited to Fisher on Piccadilly, a British budget label of the early 1930s; 'Collegiana' and 'My One and Only' are light entertainment numbers from the dance-music era, but the artist is unidentified.AI summary
Piccadilly 165 Dance
The Five Birmingham Babies recorded 'Mamie' and 'Baby looks like me' for Grafton, probably in the mid-1920s. The group name suggests a novelty or dance ensemble; Grafton was a British label of limited output.AI summary
Grafton 9167 Dance
Piccadilly 419 Dance
Fonora recorded popular songs for Piccadilly, a cheap British budget label of the early 1930s. The titles suggest dance-band material of the period.AI summary
Piccadilly 430 Dance
The Four Bright Sparks recorded 'Moanin' for You' and 'Meet Me in My Dreams Tonight' for Columbia, catalogue CB77. These are likely American or American-style dance-band recordings pressed in the UK.AI summary
Columbia CB77 Dance
The Four Spices performing 'Fire Engine Boogie' and 'Armen's Theme' on MGM 944, likely from the early 1950s.AI summary
MGM 944 Dance
Fox performing 'Just One More Chance' and 'Smile Darn Ya Smile' on Decca F2580, from the early 1930s.AI summary
Decca F2580 Dance
Fox, an unidentified artist, on Decca with 'Put That Sun Back in the Sky' and 'Echo of a Song'; Decca F3015 suggests mid-1930s pressing.AI summary
Decca F3015 Dance