3,692 shellac records · mostly British pressings, 1900s–1950s
3,692 records matching · page 25 of 77
Fox recorded 'You're the One I Care For' and 'Overnight' for Decca F2256, a British dance number from the mid-1930s. The artist is unidentified.AI summary
Decca F2256 Dance
Fox recorded 'Thank Your Father' and 'Betty Coed' on Decca F2312. No further information about the artist is provided.AI summary
Decca F2312 Dance
Credited to Fox on Decca, the catalogue number F2514 places this in the early-to-mid 1930s. The titles are typical light dance or vocal numbers of the era; the artist is unidentified.AI summary
Decca F2514 Dance
Fox performing 'Life is just a Bowl of Cherries' and 'This is the Missus' for Decca in the early 1930s.AI summary
Decca F2682 Dance
Fox (likely a Fox dance band or orchestra) recorded 'Corrine Corrina' and 'Concentratin' on You' for Decca F2839, a mid-1930s dance side.AI summary
Decca F2839 Dance
Decca F3243 Dance
Roy Fox was a prominent British dance-band leader of the 1920s–30s, known for sophisticated hot-dance arrangements. 'Roy Fox Chooses' suggests a selection or medley, likely a radio or programme tie-in.AI summary
Decca F3322 Dance
A dance record by Fox on Decca F5124 from the 1930s, featuring 'Drowsy Blues' and 'Jungle Drums'.AI summary
Decca F5124 Dance
Fox on Decca, performing 'Carolina' and 'Love Wonderful Love' in the mid-1930s.AI summary
Decca F5214 Dance
A His Master's Voice disc credited simply to 'Fox', performing the jazz standard 'Whispering'; the artist's identity is unclear from the label alone.AI summary
His Master's Voice BD391 Dance
Al Bowlly with the Fox Dance Orchestra, performing two dance numbers for Decca, likely from the mid-1930s.AI summary
Decca F2439 Dance
A medley coupling featuring Fox and Ambrose's 'Lazybones/Let's Call It a Day' with Hylton and Stone's 'Don't Blame Me/Isn't It Heavenly' on Decca F3723.AI summary
Decca F3723 Dance
Roy Fox (cornet and bandleader) and Ambrose (the principal British dance-band leader) paired selections: Fox and Ambrose recorded 'Lazybones' and 'Let's Call It a Day', with Hylton and Stone providing 'Don't Blame Me' and 'Isn't It Heavenly', for Decca Records, catalogue F3723. This is a four-way collaboration between major British dance bandleaders.AI summary
Decca F3723 Dance
Brunswick 03901 Dance
Frankie Carle, a pianist and big-band leader, recorded 'After You've Gone' and 'I Can't Believe That You're in Love with Me' for Columbia in the 1940s. Carle was a popular swing-era sideman; this is a standard commercial dance recording.AI summary
Columbia 36333 Dance
Frankie Carle, a pianist and bandleader popular in the 1940s, on Columbia. The catalogue number MC3371 suggests a middle-period pressing, likely from the late 1940s.AI summary
Columbia MC3371 Dance
Frankie Carle and his orchestra on Columbia, an American dance band of the 1940s–1950s. Carle led a polished and commercially successful orchestra but is less collected today than swing-era contemporaries.AI summary
Columbia 36764 Dance
Frankie Masters, an American bandleader, on OK Records, a US label with occasional British distribution.AI summary
Okeh 6256 Dance
Frankie Yankovic was an American polka-accordion virtuoso, 'Polka King' and a major figure in American folk-dance music. 'Charlie Was a Boxer' and 'Blue Skirt Waltz' are folk-dance numbers; this Columbia MC3376 pressing is from an American label's polka catalogue.AI summary
Columbia MC3376 Dance
Fred Douglas sings 'Swanee' and 'Limehouse Nights' on Regal, a budget British dance label of the 1920s.AI summary
Regal 7539 Dance
Fred Elizalde was a British bandleader whose hot dance recordings for Vocalion in the late 1920s are highly regarded among collectors of early British jazz; this disc carries two of his sides.AI summary
Vocalion X10028 Dance
Fred Elizalde, the Spanish-born dance bandleader who recorded extensively in London, performing 'My Pet' and 'Chanson' on Brunswick 183, an early catalogue number. Elizalde led one of the most important British dance bands of the late 1920s; low Brunswick numbers indicate early pressing.AI summary
Brunswick 183 Dance
Fred Elizalde, the British-born hot-dance bandleader, recorded 'Rhythm Step' and 'Paree' for Brunswick in the late 1920s on one of the earliest Brunswick 78s.AI summary
Brunswick 114 Dance
Fred Elizalde, a Filipino bandleader based in Britain, recorded "Roam On My Little Gypsy Sweetheart" and the jazz composition "Chopinata" for Brunswick 186 in the late 1920s. Elizalde's Savoy Hotel recordings and jazz sides are collected by hot-dance enthusiasts.AI summary
Brunswick 186 Dance
Fred Elizalde on Decca F2810, performing two popular songs from the early 1930s. Elizalde was a Spanish bandleader and pianist who led one of the most sophisticated hot-dance orchestras of the late 1920s and early 1930s, known for his progressive arrangements and recordings at the Savoy Hotel in London.AI summary
Decca F2810 Dance
Fred Elizalde and his orchestra with 'I've got the World on a String' and 'My Bluebird's singing the Blues' on Decca (F3589), representing the Spanish pianist's hot dance sound of the early 1930s.AI summary
Decca F3589 Dance
Fred Gibson recorded 'Poor Papa' and 'Oh Charley Take It Away' for Columbia, dance or comic songs of the 1920s.AI summary
Columbia is1916 Dance
Fred Hamm performed 'Sugar Foot Stomp' and the 'Black Bottom', hot dance numbers typical of late 1920s British dance recordings. This His Master's Voice pressing documents the brief fashion for these American jazz dances.AI summary
His Master's Voice B5173 Dance
Fred Lennox Band on Columbia Records (budget CB series), performing two light dance numbers typical of the early 1930s — 'You Didn't Know the Music' and a Guy Lombardo arrangement, suggesting dance-hotel repertoire.AI summary
Columbia CB415 Dance
Fred Rich, a prolific dance-band leader and composer of the 1920s, on Angelus 3176 with two popular songs.AI summary
Angelus 3176 Dance
Fred Rich was an important American dance-band conductor and arranger who recorded prolifically for Columbia in the 1920s-early 1930s. This pressing of standards like 'Singin in the Rain' represents his commercial dance output.AI summary
Columbia 5561 Dance
The Fred Rich Dance Band was a prominent American orchestra of the 1920s, leading on Imperial Records. 'Silver Song Bird' and the novelty number 'Take your Finger out of your mouth' are typical of their commercial output.AI summary
Imperial 1785 Dance
Fred Richards band on Lucky Strike, an uncommon British label, with light dance material.AI summary
LuckyStrike 24306 Dance
Fred Wilson recorded 'Lea Rig and Dark Lochnagar' and 'Competition Waltz' for Nep 154, a Scottish or Northern English label. These appear to be traditional or dance recordings.AI summary
Neptune 154 Dance
Freddie Martin's orchestra on Brunswick, performing 'Give a Broken Heart a Break' and 'I Couldn't Believe My Eyes' from the late 1940s-early 1950s. Freddie Martin was a successful American bandleader, and Brunswick was a major label.AI summary
Brunswick RL284 Dance
Freddie Martin and his Hotel Bossert Orchestra, a popular American dance band, recorded for Columbia. Martin was a well-known bandleader of the 1930s–40s, leading a society-dance orchestra.AI summary
Columbia CB627 Dance
Freddie Martin Orchestra, an American dance orchestra, recorded these popular standards for Brunswick; Martin was a prolific bandleader in the 1940s–1950s.AI summary
Brunswick RL206 Dance
Freddy Gardner's Mess Mates recorded a popular hits revival medley on Decca in the 1940s, a light entertainment ensemble of the wartime period.AI summary
Decca F8285 Dance
Fresedo, a legendary Argentine tango musician and composer, recorded 'Caminito' — one of the most famous tango standards — for Odeon; 'Caminito' was Fresedo's own composition and signature piece.AI summary
Odeon 5151 Dance
Frisco Syncopaters recorded 'I Wonder What's Become of Sally' and 'Waltz in the Moonlight' for Puritan, a small British label; an obscure dance ensemble of the 1920s–30s.AI summary
Puritan 11384 Dance
G Cross recorded 'If You're Going Back to Dixie' and 'There You Are Then' for Scala, a British budget label. The artist and recordings are not documented.AI summary
Scala 1397 Dance
G Currie on Imperial 1045, a British dance label of the early 1930s, performing "Peggy O'Neill" and "Moonlight on the Swanee River".AI summary
Imperial 1045 Dance
G. Gerrard and D. Farris in two novelty dance songs on Columbia: "Try her out at Dancing" and "Gorgeous Alexander", from the early 1930s.AI summary
Columbia 5404 Dance
G Graves and B Carleton recorded a novelty or dance instruction side for His Master's Voice, 'Show Us How to Do the Fox Trot', with a band recording of 'Blue Eyes' on the B-side; a topical piece from the 1910s–1920s dance-craze era.AI summary
His Master's Voice C624 Dance
G. Hall with Take Your Finger Out of Your Mouth and, by the Bar Harbor band, I Wonder How I Look When I'm Asleep on Perfect 312.AI summary
Perfect 312 Dance
G Hepburn Wilson, credited on Columbia 32428, performing 'The Tango' and an anonymous arrangement of 'In the Garden of My Heart' — ballroom and sentimental material from the early 1920s. Limited information available.AI summary
Columbia 32428 Dance
Scala 7191 Dance
G Roberts on Scala 736, 'I Loved I Lost' and 'Shanghai'; Scala was a small British label of the 1920s–30s and copies are uncommon.AI summary
Scala 736 Dance