3,692 shellac records · mostly British pressings, 1900s–1950s
3,692 records matching · page 27 of 77
Geraldo was a British bandleader and arranger (real name Gerald Bright) who led popular dance orchestras from the 1930s through the 1950s. 'Masks & Faces' and 'Barrio reo' are dance and light orchestral pieces recorded for Decca.AI summary
Decca F2199 Dance
Geraldo, a popular British dance-band leader and accordionist, performing on Decca F2204. Geraldo was prominent in British light entertainment from the 1930s onwards and recorded extensively.AI summary
Decca F2204 Dance
Geraldo and his orchestra, one of the most popular British dance bands of the 1940s–1950s, recorded the standards 'I Still Love You' and 'Tennessee Waltz' for Parlophone.AI summary
Parlophone F2448 Dance
Geraldo and his orchestra recorded Duke Ellington's "Take the A Train" and the wartime novelty "Shoo Shoo Baby" for Parlophone in 1944. Geraldo was one of Britain's most successful dance-band leaders during the 1930s and 1940s.AI summary
Parlophone MPE180 Dance
Geraldo band, a leading British dance orchestra of the 1930s–50s, performing 'Moon was yellow' and 'What a difference a day made' on Columbia FB1006. Geraldo was one of the most successful British bandleaders of his era.AI summary
Columbia FB1006 Dance
Geraldo (Gerald Bright) was a popular British bandleader and pianist with a long recording career; this Columbia FB pressing of sentimental material represents his mainstream output of the 1930s-40s.AI summary
Columbia FB1016 Dance
Geraldo's orchestra performing the sentimental ballads 'Sand in My Shoes' and 'Russian Rose' (likely 'Russian Rose') on Parlophone F1861, a British dance-band recording.AI summary
Parlophone F1861 Dance
Geraldo and his orchestra recorded 'When the sun comes out' and 'Corn silk' for Parlophone F1869; Geraldo was one of Britain's most prolific and popular bandleaders and pianists.AI summary
Parlophone F1869 Dance
Geraldo (real name Gerald Bright) was a British bandleader and pianist known for sweet-dance and light-orchestral music. 'Blue Champagne' and 'Why Don't We Do This More Often' are typical 1940s ballroom-dance numbers; this Parlophone F1874 is a standard commercial dance-band recording.AI summary
Parlophone F1874 Dance
Geraldo and his band, a prominent British dance orchestra, recorded 'Shepherd Serenade' and 'That Lovely Weekend' for Parlophone in the 1940s.AI summary
Parlophone F1881 Dance
Geraldo and his orchestra recorded the standards 'Flamingo' and 'Russian Lullaby' for Parlophone in the 1940s.AI summary
Parlophone F1904 Dance
Geraldo and his orchestra, performing two sentimental ballads for Parlophone, likely from the 1930s.AI summary
Parlophone F1944 Dance
Geraldo band on "Rickety Rickshaw Man" and "Don't Fall in Love" for Parlophone F2213. Geraldo was a leading British bandleader and pianist known for popular and dance music in the 1930s–1950s.AI summary
Parlophone F2213 Dance
Geraldo and his band, a celebrated British dance orchestra, performing 'Rickety Rickshaw Man' and 'Don't Fall in Love' on Parlophone F2213.AI summary
Parlophone F2213 Dance
Geraldo and his orchestra, one of Britain's most popular dance bands of the 1930s–50s, on Parlophone F2377 with two popular songs.AI summary
Parlophone F2377 Dance
Geraldo and his orchestra recorded 'Enjoy yourself' and 'C'est si bon' for Parlophone F2409; Geraldo was a major British bandleader and these are popular light entertainment dance sides from the late 1940s or 1950s.AI summary
Parlophone F2409 Dance
Geraldo and his orchestra recorded 'Day we meet again' and 'Man with the mandolin' for His Master's Voice BD5519; Geraldo was a major British bandleader and pianist of the 1930s and 1940s, popular for dance and light entertainment.AI summary
His Master's Voice BD5519 Dance
Geraldo and his orchestra on His Master's Voice BD5463 from the 1940s. Geraldo was a prominent British ballroom bandleader.AI summary
His Master's Voice BD5463 Dance
Geraldo and his orchestra, performing two dance tunes for Decca, likely from the 1940s.AI summary
Decca F6306 Dance
Geraldo, one of the leading British dance-band leaders of the 1930s and 40s, with 'The Man with the Mandolin', a hit song of 1939, on His Master's Voice.AI summary
His Master's Voice BD5519 Dance
Geraldo's Gaucho Tango Band recorded 'Plegaria' and 'Lovely Carmelita' on Columbia, with tango arrangements typical of the 1930s.AI summary
Columbia CB453 Dance
Geraldo's Gaucho Tango Band on "Song of a Slave" and "Wanna Lot o' Love" for Columbia CB541. Geraldo was a leading British bandleader and pianist, known for tango, café, and popular dance music in the 1930s–1950s.AI summary
Columbia CB541 Dance
Geraldo was a celebrated British bandleader; this Columbia side credits his 'Gaucho Tango' group with two tango standards.AI summary
Columbia CB618 Dance
Geraldo's Tango Orchestra, led by the British bandleader Geraldo, recorded 'Marvellous' and 'A Girl Like Nina' for Columbia; Geraldo was a prolific dance-band leader recording for major British labels in the 1930s–1950s.AI summary
Columbia CB668 Dance
Geza Komor was a German-Hungarian bandleader and TriErgon (TriErgon) was a significant European electrical recording label of the late 1920s–early 1930s. This side in German ('Achtung wir senden Tanzmusik' — 'Attention, we are broadcasting dance music') represents early European electrical recording technology and European dance music of the period.AI summary
TriErgon 5653 Dance
Credited to Gibbons on His Master's Voice, a British dance label standard from the 1920s–30s.AI summary
His Master's Voice BD110 Dance
A vocal novelty number credited to Gibbons on His Master's Voice, catalogue B5676, pairing 'All I Want is a Little Footsie Woo' and 'That Monte Carlo Song' — light dance-floor fare of the early 1930s.AI summary
His Master's Voice B5676 Dance
Glantz on Gen, a small British label of the 1920s–30s, playing light dance music with 'Fox Trot of the Bells' and 'Barcelona'.AI summary
Gen 5006 Dance
Glantz recorded 'Too Many Parties Too Many Pals' and 'Along the Old Lake Trail' for Duo-Brit 5152. Glantz was an American bandleader; Duo-Brit was a small British label.AI summary
Duophone B5152 Dance
Two popular dance numbers credited to Glantz on Pathé, from the 1920s or early 1930s.AI summary
Pathé 1676 Dance
Glantz on VF Records, artist and period unknown; catalogue number suggests 1920s–30s.AI summary
Velvet Face 1053 Dance
Credited to Glantz on Imperial, a jazz-dance side from the 1920s–early 1930s with a cheerful title and novelty feel.AI summary
Imperial 1822 Dance
The Glantz Band performs 'Blue Danube Blues' and Green Bros' 'Toodles' on Winner 3747. Winner was a British budget label; the Glantz Band was a dance ensemble active in the 1920s–1930s.AI summary
Winner 3747 Dance
The Glantz Band was a dance orchestra active in the 1920s–30s, recorded here on Winner. 'Marcheta' and 'La Mome' are light dance pieces typical of the period.AI summary
Winner 3870 Dance
The Glantz Dance Band performing Spanish-themed novelty material on Imperial, a budget British label from the 1920s.AI summary
Imperial 1503 Dance
The Glantz Dance Band recorded for Imperial, a British budget label, in the late 1920s or early 1930s; unidentified London ensemble.AI summary
Imperial 1573 Dance
Glanyz Band recorded 'Goodbye Shanghai' and 'Gypsy Rose' (Markel) for Lindstrom Records, catalogue 4139; Lindstrom was a German label distributed in the UK.AI summary
Lindstrom 4139 Dance
Glen Gray and the Casa Loma Orchestra were a sophisticated hot-dance band of the early 1930s, recorded here for Brunswick playing "This Is Romance" and "Weep No More My Baby".AI summary
Brunswick 01618 Dance
Glen Gray and the Casa Loma orchestra recorded "Louisiana Hayride" in two takes for Brunswick in the late 1930s. Gray was a popular swing-era bandleader.AI summary
Brunswick 01627 Dance
Glenn Miller was an American big-band leader of the 1930s and 1940s, one of the most commercially successful bandleaders of the swing era. This HMV side pairs 'Alice Blue Gown' and 'Wonderful One', standard popular songs from his early recording period.AI summary
His Master's Voice BD5654 Dance
Glenn Miller and his orchestra recorded 'Frenesi' and 'My Blue Heaven' for His Master's Voice BD5678. Miller is one of the most famous bandleaders in history, and both sides are well-known swing standards.AI summary
His Master's Voice BD5678 Dance
Glenn Miller's orchestra on His Master's Voice with 'Story of a Starry Night' and 'Moonlight Sonata', recordings from the bandleader whose orchestra defined the swing era.AI summary
His Master's Voice BD5768 Dance
Glenn Miller's orchestra recorded 'Frenesi' and 'My Blue Heaven' for His Master's Voice, releasing Miller's American Victor material in the UK. These are from his peak years in the early 1940s.AI summary
His Master's Voice BD5678 Dance
Glenn Miller's 'Rhapsody in Blue' and 'Along the Santa Fe Trail' on the American Victor label, catalogue 20-1529.AI summary
Victor 20-1529 Dance
Glenn Miller's orchestra performing two swing standards for His Master's Voice. This is from the second phase of Miller's recording career, equally iconic but a separate pressing from his many other British releases.AI summary
His Master's Voice B10235 Dance
Glenn Miller and his orchestra, the most commercially successful big band of the 1940s, recorded these two iconic sides for His Master's Voice; 'Moonlight Serenade' became the theme and signature piece of the Miller sound.AI summary
His Master's Voice BD5942 Dance
Glenn Miller and his Orchestra recorded 'Blueberry Hill' and 'Nearness of You' for HMV MH92. Miller was America's biggest swing bandleader of the early 1940s and one of the most recorded musicians of the era; his band's distinctive sound—trumpet, clarinet, and trombone leads over a swinging rhythm section—defined the swing era. Both sides are popular standards.AI summary
His Master's Voice MH92 Dance
Glenn Miller on His Master's Voice; these light popular titles do not represent his most celebrated big-band orchestra recordings but capture his broader session work in the late 1930s.AI summary
His Master's Voice MH95 Dance