3,692 shellac records · mostly British pressings, 1900s–1950s
3,692 records matching · page 32 of 77
Harry Roy and his dance orchestra perform two Cole Porter numbers from Anything Goes, 'You're the Top' and 'I Get a Kick Out of You', on Parlophone's F series, the label's mainstream dance catalogue of the 1930s.AI summary
Parlophone F176 Dance
Harry Roy, the British bandleader and saxophonist who led the Mayfair Hotel orchestra through the 1920s and 1930s, recorded 'Believe it, Beloved' and 'Haunting Me' for Parlophone; Roy was known for his hot dance and swing-influenced sides.AI summary
Parlophone F177 Dance
Untitled
A Harry Roy recording on Parlophone; the catalogue number (F2150) and format suggest early 1930s, but side titles are not recorded.AI summary
Parlophone F2150 Dance
Harry Roy, a British dance band leader, on Decca; the titles suggest novelty or comic dance numbers, likely late 1930s.AI summary
Decca F8802 Dance
Harry Roy was a British bandleader, violinist and entertainer of the 1920s–1940s, known for his wit and showmanship; this Regal label side pairs 'Russian Serenade' and 'Yours', likely dance-band or novelty items from the late 1920s or 1930s.AI summary
Regal MR3576 Dance
Harry Roy and his orchestra performing 'Deep in the Heart of Texas' and 'Miss You' on Regal; Roy was a British dance-band leader and accordionist of the 1920s–1940s.AI summary
Regal MR3634 Dance
Harry Roy and his band, with The Cage in the Window and Lily of Laguna on Odeon 194028.AI summary
Odeon 194028 Dance
Harry Roy with Roy Rag and Casa Loma Stomp on Odeon 194159.AI summary
Odeon 194159 Dance
Harry Roy on Regal MR3528, performing 'Russian Rose' and 'Dear Old Lady, London Town'. Roy was a British dance-band leader, popular from the 1930s onward.AI summary
Regal MR3528 Dance
Harry Roy and his band performing 'Goosey' and 'Beer Barrel Polka' on Parlophone. Roy was a well-known British bandleader and entertainer of the 1930s-1940s, famous for his dance-band arrangements and comic timing.AI summary
Parlophone F1452 Dance
The Harry Roy Band was a prominent British dance orchestra of the 1930s and 1940s, known for sophisticated and sometimes risqué entertainment; this Regal record of 'Missouri Scrambler' and 'Overnight Hop' showcases their swing-influenced style.AI summary
Regal MR3607 Dance
Harry Roy Band on Parlophone, a British bandleader known for hot dance music in the 1930s, with 'Heigh Ho' and 'Two Lovely People'—syncopated dance sides from the early 1930s.AI summary
Parlophone F1082 Dance
Harry Roy and his band, a prominent British dance orchestra of the 1930s, recorded novelty numbers for Parlophone's early F-series.AI summary
Parlophone F109 Dance
Harry Roy and his orchestra, one of Britain's leading dance bands, recorded these two big-band sides for Parlophone in the late 1930s; Roy was known for his exuberant showmanship and this is a typical example of his style.AI summary
Parlophone F1204 Dance
Harry Roy was a prominent British dance bandleader and entertainer of the 1930s; this Parlophone recording pairs 'I'm Just Wild About Harry' with 'Talk to Me'.AI summary
Parlophone F1415 Dance
Harry Roy's band on Parlophone F1452 from the 1930s or 1940s.AI summary
Parlophone F1452 Dance
Harry Roy's band was one of the most sophisticated British dance orchestras of the 1930s and 1940s, known for their tight swing style. This Parlophone F-series side shows the quality of Roy's output, and his recordings remain actively collected.AI summary
Parlophone F1478 Dance
Harry Roy was a prominent British bandleader of the 1930s–40s, known for his theatrical and novelty-oriented approach to dance music. This Parlophone recording pairs two popular standards.AI summary
Parlophone F1596 Dance
Harry Roy's dance band on Parlophone's F series with "Goody Goodbye" and "I Want the Waiter", typical British swing-era entertainment.AI summary
Parlophone F1679 Dance
Harry Roy's band on two popular songs, Parlophone F pressing from the late 1930s. Roy led one of Britain's most prolific dance orchestras.AI summary
Parlophone F2090 Dance
Harry Roy was a British dance bandleader of the 1930s–40s, known for novelty numbers and comedy records; this Parlophone disc from the mid-1930s carries two light numbers.AI summary
Parlophone F2107 Dance
Harry Roy and his band, a popular British dance orchestra of the 1930s, play two ballads—'Avalon' and 'Margie'—on Parlophone. Roy was a prolific recording artist and remained popular throughout the swing era.AI summary
Parlophone F483 Dance
Harry Roy was a well-known British bandleader and entertainer of the 1930s, here recorded by Parlophone with two popular standards from the musical *Pennies from Heaven*. Roy's band was one of the most commercially successful British dance orchestras of the decade.AI summary
Parlophone F666 Dance
Harry Roy's band, one of the most popular British dance orchestras of the 1930s, recorded 'From Monday On' and 'She's Funny That Way' for Parlophone; Roy was a celebrated and prolific recording artist.AI summary
Parlophone F668 Dance
Harry Roy and his orchestra recorded these two sides for Parlophone in the 1930s; Roy's energetic and humorous approach to dance music made him popular across Britain.AI summary
Parlophone R1938 Dance
Harry Roy and his band were a leading British dance orchestra of the 1930s; this Parlophone F-series recording pairs novelty and comic titles, and Roy's sides are sought by dance-band enthusiasts.AI summary
Parlophone F130 Dance
Harry Roy was a dance-band leader and entertainer active from the late 1920s through the 1950s; this early Parlophone side captures his swing style.AI summary
Parlophone F131 Dance
Harry Roy's band was one of the most sophisticated British dance orchestras of the 1930s and 1940s. This Parlophone F-series side captures the band's tight swing style. Roy remains actively collected by British dance-music enthusiasts.AI summary
Parlophone F2107 Dance
Harry Roy and his orchestra recorded these two spirited sides for Parlophone in the 1930s; Roy was known for exuberant, rhythmic dance music and this is a characteristic example.AI summary
Parlophone F411 Dance
Harry Roy and his band on Parlophone F484 with 'That's a Plenty' and 'Someday Sweetheart'. Roy was a celebrated British dance-band leader and saxophonist of the 1920s–30s era.AI summary
Parlophone F484 Dance
Harry Roy and his band, with I'd Rather Lead a Band and Let Yourself Go, two Irving Berlin songs of 1936, on Odeon OF5144.AI summary
Odeon OF5144 Dance
A dance band recording credited to Harry Roy (or possibly 'Rpy' as a print variant) on Decca F8773, dating to the late 1930s. The catalogue number is consistent with late-period swing-era dance sides.AI summary
Decca F8773 Dance
Harry Sculthorpe's Novelty Band recorded 'We're Friends Again' and 'Baby's Birthday Party' for St (Sterno or similar small label), catalogue 698, in the 1920s. Sculthorpe's novelty recordings are uncommon.AI summary
Sterno 698 Dance
Harry Shalson, a British dance-band musician and prolific sessionman of the 1920s–30s, recorded 'The One I love can't be bothered with me' for HMV. Shalson was a working bandleader known for his prolific output.AI summary
His Master's Voice B3427 Dance
Harry Wilson's band recorded for Winner, a budget British label of the 1930s. This side pairs 'Lazybones' and 'Reflections in the water', light dance and popular material typical of budget-label output of the era.AI summary
Winner W19 Dance
A dance-band side by Harry Wilson on Winner, a cheap British label; routine popular material from the 1920s–30s.AI summary
Winner W100 Dance
Harry Woods and his band performing two Latin-American novelty songs on Decca, from a film or musical production of the early 1930s. Woods was a known bandleader and composer, and this is a standard commercial dance recording.AI summary
Decca F3932 Dance
Harry Woods and his band recorded 'Love Thy Neighbour' and 'She Reminds Me of You' for Decca F5085. Woods was a prolific composer and bandleader active from the 1920s onward.AI summary
Decca F5085 Dance
Hatchett's Swingette on Decca, playing 'Ma' and 'In the Mood' — a novelty or comedy group performing a 1930s swing standard.AI summary
Decca F7450 Dance
Hatchett's Swingtette was a British swing ensemble of the 1940s. This Decca side pairs 'Ma (He's Making Eyes at Me)' and 'In the Mood', both popular swing novelty numbers.AI summary
Decca F7450 Dance
Hatchette's Swingette recorded "Wrap Yourself in Cotton Wool" and "Tahiti Rendezvous" for Decca in 1940. An unidentified swing ensemble with a novelty name.AI summary
Decca F8054 Dance
Hatchettes Swingette performing 'Playmates' on Decca TEST, catalogue marked as a test pressing.AI summary
Decca TEST Dance
Hayes and Croft performing 'For me and my gal' and 'My Devon Girl' on a Columbia Imperial Series pressing; likely a mid-1920s regional or dance-hall coupling.AI summary
Columbia is1100 Dance
An unidentified performer or band on Columbia; novelty dance titles suggest mid-1930s.AI summary
Columbia FB2012 Dance
Dance band or jazz ensemble credited as Heidt, performing 'Hot Lips' and 'Bells of St Mary's' for Vocaion catalogue 569, a US budget label rarely seen in UK collections.AI summary
Vocalion 569 Dance
Heinz Sandhauer's band recorded for Columbia's German language series in the 1950s; two German novelty songs.AI summary
Columbia MC3158 Dance
Henry Hall, a British bandleader and dance orchestra director, on Columbia; the titles suggest novelty or song numbers, likely mid-1930s.AI summary
Columbia FB2125 Dance
Henry Hall and the BBC Dance Orchestra with I'm Going Home for Christmas and The Santa Claus Express on Columbia FB1215.AI summary
Columbia FB1215 Dance