3,692 shellac records · mostly British pressings, 1900s–1950s
3,692 records matching · page 42 of 77
John Bath Orchestra recorded instrumental dance or light music for JBF, a small and obscure British label. The catalogue number 21 and title suggest 1920s-1930s dance-band material.AI summary
John Bath 21 Dance
John Firman band on Zonophone 5953 from the late 1920s or early 1930s.AI summary
Zonophone 5953 Dance
John Ryan's band recorded 'She Tried It Last Night' and 'Gamblers Blues' for John Ryan Records, catalogue 301—apparently a self-owned label or a very small operation. The band name and label name are identical, suggesting a private or limited release.AI summary
JohnRyan 301 Dance
Regal Zonophone MR3815 Dance
Johnny Hall's band on Mayfair G with two romantic dance-hall numbers, 'Nobody Loves You' and 'Lovable'. Mayfair was a budget British label active in the early 1930s.AI summary
Mayfair G2158 Dance
Johnny Hamp led a British dance band and recorded for His Master's Voice. This B5559 recording dates from the late 1920s–early 1930s and pairs two popular dance standards.AI summary
His Master's Voice B5559 Dance
Johnny Johnson's band recorded 'Once in a Lifetime' and a Troubadours side for His Master's Voice, likely from the 1920s-30s dance era.AI summary
His Master's Voice B5586 Dance
Johnny Johnson band on Perf(ormance) label, with 'Then came the Indians' and 'You're my favorite one'.AI summary
Perfect 6-06-05 Dance
Johnny Johnson's band recorded 'Pennies from Heaven', a popular song standard, for Perfection Records, a minor British label.AI summary
Perfect 6-12-07 Dance
Johnny Johnson and his orchestra perform 'Lovely Lady' and 'My One and Only' on His Master's Voice B5526.AI summary
His Master's Voice B5526 Dance
Untitled artist credited only as 'Johnson' on Brunswick 3746, performing spiritual or religious songs 'I'm riding to glory' and 'After my Laughter came Tears'. The artist and context are unclear.AI summary
Brunswick 3746 Dance
Jones on Columbia DB5008, with 'Take It Easy' and 'Tormented'. Artist unidentified; DB series was Columbia's popular dance/jazz outlet in the 1930s–1940s.AI summary
Columbia DB5008 Dance
Jorge Ariza recorded "Esto es torbellino" and "Mariquitesa" for Sonolux, a small Latin American or world-music label, still in its original sleeve. A Colombian folk or traditional music recording of uncertain date.AI summary
Sonolux Dance
Joseph Samuels Band on Curry's, a small British label, with 'Why Should I Cry Over You' and Glantz's 'Parade of the Wooden Soldiers'—a dance band recording from the 1930s.AI summary
Curry's 150 Dance
Josephine Baker, the American-born Paris cabaret star of the 1920s, performing two dance numbers on Columbia electrical recording. Baker was a major international celebrity, and her recordings are sought after by jazz and dance collectors.AI summary
Columbia BF30 Dance
Josephine Bradley, a ballroom dancer and musician, on Decca; the titles suggest popular or dance repertoire, likely 1950s.AI summary
Decca MW101 Dance
Joyce on His Master's Voice, performing two sentimental pieces 'A Thousand Kisses' and 'Vision d'Amour', likely early acoustic recording from the 1910s.AI summary
His Master's Voice C232 Dance
Joyce with Love Life and Laughter and Cherie on Sterno 1408.AI summary
Sterno 1408 Dance
Julia de Caro Tipica Orchestra performing two tangos—'Chiqiulina' and 'Orgullosa'—on His Master's Voice. De Caro was a prominent Argentine tango composer and bandoneonist; this is a rare British issue of tango material from an important musician.AI summary
His Master's Voice B5441 Dance
Julius Kantrovitch Band on the Piccadilly label, a budget British imprint of the early 1930s; credited to an unfamiliar bandleader and released on a cheap marque, this record is now quite obscure.AI summary
Piccadilly 637 Dance
June (surname not given) performing two songs including a number with Jack Hulbert, a British stage star, on Columbia; catalogue 4715 places this in the mid-to-late 1920s.AI summary
Columbia 4715 Dance
Dick Jurgens and his American dance orchestra perform 'You'd Be So Nice to Come Home To' and 'I'm So in Love with You' on Columbia.AI summary
Columbia 36669 Dance
An artist named Jurgens recorded these two numbers for Columbia's 38500 series. The titles suggest a dance recording from the 1940s–1950s era.AI summary
Columbia 38510 Dance
A Brunswick electrical recording credited to Jurgens, performing 'Strange' and 'Just Once Too Often', RL220, likely from the late 1920s or early 1930s.AI summary
Brunswick RL220 Dance
K. Mackintosh Orchestra with Beryl Reed, performing 'Tin Pan Alley Ball' and 'Good Boogie Boogie' on His Master's Voice BD1337, a post-war dance-band recording.AI summary
His Master's Voice BD1337 Dance
Kal Mortensen Band performing two pieces on Tono, a Scandinavian label: 'Jitter Bach' and 'Der kommer en dag'.AI summary
Tono 4396 Dance
Kaley on Columbia 4607, a dance-era novelty song from the mid-1920s.AI summary
Columbia 4607 Dance
Kardos on Winner W131, 'I Never had a Chance' / Mayhew's 'I'll string along with you'.AI summary
Winner W131 Dance
A performance by Kardos of 'Girl in the Little Green Hat' and a Moon Song, on Imperial 2847. Imperial was a British budget label; Kardos is not identified in standard references.AI summary
Imperial 2847 Dance
'Siren Dream' and 'Dancing Tambourin' by Katzman on Brunswick 3655, from a period when Brunswick was a major British and American label; the artist and titles suggest light dance music of the early–mid 1930s.AI summary
Brunswick 3655 Dance
Kaufman with Reaching for the Moon and The King's Horses on Conqueror 7767.AI summary
Conqueror 7767 Dance
Kay Kyser was an American bandleader and entertainer famous for his 'Kollege of Musical Knowledge' radio show. This Brunswick pressing of two popular songs is typical of his commercial output.AI summary
Brunswick 8181 Dance
Kay Kyser and his orchestra, a popular American big band known for novelty and comedy, recorded these two sides for Parlophone; Kyser was also famous as a radio and film personality.AI summary
Parlophone F1426 Dance
Kay Kyser and his orchestra, the 'Ol' Professor', performing 'On a Slow Boat to China' and 'Horses Don't Bet on People' for Columbia, the bandleader known for novelty and comedy recordings.AI summary
Columbia FB3450 Dance
An artist credited as 'Kelleher' recorded 'Sarita' and 'Another little Glass' for Imperial, probably in the early 1930s. Imperial was a small British label, and the artist identity is unclear.AI summary
Imperial 2066 Dance
Kemp vocal on Columbia 3426, a British dance-vocal side from the 1920s–30s.AI summary
Columbia 3426 Dance
Kemp's orchestra performing 'Red Hot Mamma' and 'June Night' (attributed to Lewis) on Columbia 3446, a dance record from the early 1920s.AI summary
Columbia 3446 Dance
Kemp with It's Got to Be Love and There's a Small Hotel on Vocalion 534.AI summary
Vocalion 534 Dance
Brunswick 3486 Dance
A performer named Kemp recorded 'Mary Ann' and 'Chloe' for Brunswick, a major British label, in the late 1920s—likely jazz-age dance sides.AI summary
Brunswick 3756 Dance
Hal Kemp, the popular American bandleader of the 1930s, performing two instrumental numbers on Brunswick 3895.AI summary
Brunswick 3895 Dance
Ken Johnson's swing band on "Exactly Like You" and "Snakehips Swing" for Decca F6854. Johnson was a British bandleader and composer of the 1930s–1940s known for hot-dance and swing recordings.AI summary
Decca F6854 Dance
Ken Mackintosh, a British popular bandleader and accordionist of the 1950s, performs 'Soft Summer Breeze' and 'Highway Patrol' on His Master's Voice. Mackintosh was prolific on HMV during this period.AI summary
His Master's Voice POP270 Dance
Ken Mackintosh's orchestra recorded 'Wembley Stadium' and 'Crocodile Crawl' for His Master's Voice, a British instrumental novelty or dance piece of the 1950s.AI summary
His Master's Voice POP119 Dance
Ken Mackintosh and his orchestra playing 'Mojo' and 'Raunchy' on His Master's Voice POP426, from the popular post-war dance label run.AI summary
His Master's Voice POP426 Dance
Ken 'Snakehips' Johnson was a British jazz bandleader and pianist of the 1930s and 1940s, known for his energetic swing style and showmanship. This HMV pressing, 'Goodnight, My Beautiful' and 'Give Me My Ranch', captures his popular dance-band repertoire.AI summary
His Master's Voice BD5560 Dance
The Kentucky Colonels with Learn to Do the Strut and, by the Ambassadors, Dream Daddy on Vocalion X9423.AI summary
Vocalion X9423 Dance
Kentucky Freebooters recorded 'Sunshine' and 'Mary Ann' for Piccadilly Records, a cheap British label. The band name suggests a novelty or regional act.AI summary
Piccadilly 119 Dance