3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 51 of 77
Maria Kloth performing German novelty or dance titles on Austrophon, a Viennese label of the 1920s-30s — an unusual pressing outside the main British imprints.AI summary
Austrophon 30013 Dance
Marius B Winter's band recorded for Broadcast, a British budget label; this disc of 'Swingin in a Hammock' and 'Harmonica Harry' is typical of the light dance and novelty repertoire of the early 1930s.AI summary
Broadcast 2587 Dance
Marius Winter led a British dance band; this Broadcast disc from the early 1930s is a two-minute side carrying two popular songs.AI summary
Broadcast 2594 Dance
Marius Winter band on "On with the Show 1931" for Imperial 2474. The title and catalogue suggest a recording from 1931, and Winter was likely a British or European bandleader of that era.AI summary
Imperial 2474 Dance
Markel performing 'Hi-Ho the Merry O' and 'Hello Aloha How Are You' on Brunswick 3218, from the early 1930s.AI summary
Brunswick 3218 Dance
Marlow & Maple recorded 'California & you' and 'Give me a little cosy Corner' for Bullet (Bull), probably in the early 1920s. The artists and the label are both minor.AI summary
Bulldog 657 Dance
Key 608 Dance
Martinas and His Music recorded 'Cha cha Momma Brown' and 'My Bonnie lies over the Ocean' for Columbia. The 'Cha cha' title suggests a recording from the 1950s when Latin dances were fashionable, though the artist is not established in major discographies.AI summary
Columbia DB4223 Dance
Gold on Apex 8364, with 'Steppin' in Society' and 'Seminola'. Apex was a small American label of the late 1920s–early 1930s.AI summary
Apex 8364 Dance
Maurice Winnick and his band on Decca, a British dance-band leader of the 1930s–40s, performing light entertainment material.AI summary
Decca F5684 Dance
Panachord 25362 Dance
Panachord 25450 Dance
Maurice Winnick's band, a major British dance band of the 1930s-40s, performs 'Rose Marie' and 'Indian Love Call' on Parlophone. Winnick was a bandleader of standing and his records are collected by dance enthusiasts.AI summary
Parlophone F435 Dance
Maurice Winnick and his band with Sweet Muchacha and Let's All Sing Like the Birdies Sing on Panachord 25361.AI summary
Panachord 25361 Dance
Maurice Winnick was a British bandleader and violinist who led successful orchestras and recorded prolifically from the 1920s onwards. This Parlophone A-series side, 'Poor little Angeline' and 'Please believe me', represents mid-period dance material.AI summary
Parlophone A6540 Dance
Maurice Winnick's orchestra, a polished British dance band, recorded two light popular numbers on His Master's Voice in the late 1930s-1940s.AI summary
His Master's Voice BD1152 Dance
Maurice Winnick and his band performing 'Alone' and 'The Sunset Trail' on Parlophone F395. Winnick was a British bandleader and composer active in the 1930s–40s, part of the established British dance-band circuit.AI summary
Parlophone F395 Dance
Maurice Winnick and his orchestra, a British dance band, on the Panatrope label with 'Sweet Muchacha' and 'Let's All Sing Like the Birdies Sing'.AI summary
Panachord 25361 Dance
Maurice Winnick and his band, a popular British dance orchestra, recorded these two pieces for His Master's Voice, likely in the mid-1930s.AI summary
His Master's Voice BD6118 Dance
Maurice Winnick was a popular British bandleader of the 1930s-40s who recorded extensively for Decca. This Decca F pressing shares material with other dance orchestras of the period and represents his mainstream output.AI summary
Decca F3499 Dance
Maurice Winnick was a British bandleader and violinist; this Decca recording pairs 'Every Little Single Tingle of My Heart' and 'I'll Never Say Never Again Again'.AI summary
Decca F5683 Dance
Maurice Winnick was a popular British bandleader of the 1930s and 1940s, leading orchestras that broadcast regularly from London hotels. This Parlophone pressing of "You are my lucky star" and "Misty islands of the highlands" dates from the early dance-band era.AI summary
Parlophone F320 Dance
Maurice Winnick and his band on Parlophone, catalogue F348, performing 'I Send My Love with These Roses' and 'Love Is Like a Cigarette'. Winnick was a prominent British bandleader of the 1930s-40s.AI summary
Parlophone F348 Dance
Maurice Winnick was a British bandleader of the 1930s–40s; this Parlophone disc from the mid-1930s carries two popular ballads.AI summary
Parlophone F349 Dance
Maurice Winnick was a British bandleader and arranger active from the 1920s through the 50s. This Parlophone pressing of two light orchestral numbers is typical of his dance-band output.AI summary
Parlophone F371 Dance
Maurice Winnick and his orchestra on Parlophone F394, performing two popular dance numbers. Winnick was a British bandleader and recording artist of the late 1920s and 1930s; his sides are reasonably common.AI summary
Parlophone F394 Dance
Maurice Winnick and his band, 'Smoke from a Chimney' and 'A Little White Lighthouse', on Decca F6631; Winnick was a British dance-band leader of the 1930s and 1940s, and these recordings represent the swing-influenced British dance music of that era.AI summary
Decca F6631 Dance
Max Darewski performing two novelty and dance numbers on Zonophone, an early British label.AI summary
Zonophone 2488 Dance
Max Murray's Music Makers, a dance band of the 1920s–30s, recorded two popular songs for HMV's budget BD series.AI summary
His Master's Voice BD5104 Dance
The Mayfair Dance Orchestra recorded 'Jazz Nightmare' for His Master's Voice; the early catalogue number and single-sided issue suggest an acoustic-era or very early electric recording from the mid-1920s.AI summary
His Master's Voice C891 Dance
The Mayfair Orchestra performs 'Love Me at Twilight' (fox trot) and 'Melodie d'Amour' on His Master's Voice, a typical 1920s dance recording from Britain's leading label.AI summary
His Master's Voice B783 Dance
McIntyre's Irish Orchestra performing Scottish reels 'Highland Fling' and 'Stack of Barley' on Imperial, a British budget label — likely from the 1920s.AI summary
Imperial 1280 Dance
McIntyre recorded these swing-era novelties for BB, a minor American label; the artist's identity and background are not clear from available sources.AI summary
Bluebird 30-0831 Dance
McKee recorded two selections, 'Esmeralda' and 'Cecile', for His Master's Voice, catalogue C375. The C-series numbering places this in the very early electrical era (circa 1925–1927).AI summary
His Master's Voice C375 Dance
Merrin on Cine Records 010, performing two light novelty numbers related to the film 'Flirtation Walk'. Cine was a British label specializing in film-related recordings in the 1930s.AI summary
Cinecord 010 Dance
Merrin on Cine Records, catalogue 07, performing 'Rhythm of the Rumba' and 'Speak Easy', dance music from the late 1920s or early 1930s. Cine was a minor British label.AI summary
Cinecord 07 Dance
Merrin on the Lewis label, a small British imprint. Artist and repertoire are unidentified in standard references.AI summary
Lewis 83 Dance
Merrin recorded "Sing as We Go" and "Passing Clouds" for Lewis 90, a minor British label.AI summary
Lewis 90 Dance
Credited to Merrin on the Cr label; 'Everybody Dance' and 'Can't You See' suggest a dance-band side from the early 1930s.AI summary
Crown 253 Dance
Merrin recorded these dance numbers on the Cine label, a minor British marque associated with film and light entertainment. The title 'Flirtation Walk' references a popular 1934 film, suggesting contemporary material.AI summary
Cinecord 010 Dance
A dance record credited to Merrin on Cine 07, a small British film-music label of the 1930s.AI summary
Cinecord 07 Dance
Merrin with Lookie Here Comes Cookie and Let Me Sing You to Sleep with a Love Song on Cinecord 08.AI summary
Cinecord 08 Dance
Merrin on Mayf 2225, a dance or popular vocal from an unidentified British marque of the 1920s–30s.AI summary
Mayfair 2225 Dance
Billy Merrin and his band play the Billy Merrin Medley in two sides on Sterno 1534.AI summary
Sterno 1534 Dance
Winner W45 Dance
The Merry Melody Men on Pathé, a British dance label of the late 1920s, performing two popular ballads of the era.AI summary
Pathé 1507 Dance
Messenger Boys, recorded for Columbia FB1111, 'Nobody's Sweetheart' and 'You'll Still Belong to Me', are likely a vocal group or novelty side from the late 1920s or early 1930s; no artist information survives.AI summary
Columbia FB1111 Dance
The Metropole Band (MetSpecial label) performing 'Calling Me Home' and 'When You Come to Rest in the Heart of a Rose', ballad sides from an unknown period.AI summary
Metropole SPECIAL Dance