3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 55 of 77
Oscar Rabin and his band, a British dance orchestra, recorded 'Love Somebody' and 'Pussycat Song' for Parlophone in the 1940s.AI summary
Parlophone F2331 Dance
Oscar Rabin and his band, a British dance orchestra, performing two standards on Rex, a British budget label. Rabin was a moderately successful UK bandleader of the 1930s–40s, and Rex pressings of his work are uncommon.AI summary
Rex 9395 Dance
Oscar Rabin and his band, a leading British hot-dance orchestra of the 1930s–40s, recorded for Rex. Rabin was known for modern swing arrangements and was a fixture in London ballrooms; his band attracted serious jazz listeners.AI summary
Rex 10113 Dance
Oscar Rabin and his band, performing two novelty numbers for Parlophone, likely from the 1930s.AI summary
Parlophone F2265 Dance
Oscar Rabin's dance band recorded 'All I Need Is You' and 'Twilight Waltz' for Decca in the late 1930s or 1940s. Rabin was a respected British bandleader who also broadcast regularly; this F-series Decca pressing is a commercial dance-band recording.AI summary
Decca F8218 Dance
Oscar Rabin was a British bandleader and violinist who led one of the most successful dance orchestras in 1930s–40s Britain. These Latin-flavoured dance recordings on the Rex label are typical of his output.AI summary
Rex 9618 Dance
Oscar Rabin, a British bandleader and violinist of the 1930s–1950s, recorded 'Why Was I Born' and 'Don't Ever Leave Me' for Cinecord 016, a British label.AI summary
Cinecord 016 Dance
Panachord 25405 Dance
Owen Fallon and his band with Don't Blame Me and When the Sun Bids the Moon Goodnight on Panachord 25578.AI summary
Panachord 25578 Dance
The Owen Fallon band, a dance ensemble, recorded 'Sweetheart Darlin'' and 'Hiawatha's Lullaby' on Panatrope, a British label of the 1920s–30s; the band itself is not widely documented in surviving discographies.AI summary
Panachord 25541 Dance
Ozzie Nelson's band recorded 'Yours for a Song' and 'White Sails' for Regal.AI summary
Regal Zonophone MR3132 Dance
Ozzie Nelson band on Regal MR2941 from the late 1930s or 1940s. Nelson was an American bandleader and later television star.AI summary
Regal MR2941 Dance
P. Monkman and L. Henson performing 'If I Were You' and 'Syncopated City' for Columbia, catalogue 4342, from the early-to-mid 1920s.AI summary
Columbia 4342 Dance
Palais de Danse orchestra with 'Joaquino tango' and 'Prairie Lily' on Scala (449), dance-band material from the late 1920s or early 1930s.AI summary
Scala 449 Dance
Palermo House band on MayfG 2011, performing light dance material "Lady play your mandolin" and "On a little balcony in Spain".AI summary
Mayfair G2011 Dance
HMV B6557 Dance
The Paramount Rhythm Boys on Winner, a budget British label, performing novelty material of the late 1920s–early 1930s. Winner was cheap and prolific; most of their output survives in quantity.AI summary
Winner 5134 Dance
Percival Mackey's band recorded 'Bouquet' and 'Who Takes Care of the Caretaker's Daughter' for Columbia 3687. Mackey was a British bandleader and composer of the 1920s-1930s.AI summary
Columbia 3687 Dance
Parker with Bobadilla and Picador on Vocalion X9792.AI summary
Vocalion X9792 Dance
Parker recorded 'Barcelona' and 'Don't Wake Me Up' for Vocalion, catalogue 9797. Identity of the artist and the recording date are unclear from the catalogue alone.AI summary
Vocalion X9797 Dance
Imperial 2621 Dance
Pat Rossborough and I Dennis on Broadcast 232, a dance or popular song recording from the 1930s. Broadcast was a budget British label.AI summary
Broadcast 232 Dance
Regal Zonophone MR3820 Dance
Paul Ash, a British conductor and pianist, performing two popular songs on Columbia—'My Pet' and 'Dolores'. Ash was a well-known dance bandleader and composer of the 1920s–30s.AI summary
Columbia 4936 Dance
Paul Clifford's band performs 'All of the Time' and 'When Summer Is Gone' on Curry's, a British regional label active in the late 1920s and 1930s.AI summary
Curry's 263 Dance
Paul Fenoulhet's Band recorded 'Royal Garden Blues' and 'Phil the Fluter's Ball' for His Master's Voice BD5985. 'Royal Garden Blues' is a jazz standard; 'Phil the Fluter's Ball' is a traditional Irish-derived piece.AI summary
His Master's Voice BD5985 Dance
Paul Fenoulhet and his band perform 'Yippee Olly Ay No' and 'It Might As Well Be Spring' on His Master's Voice, a British dance orchestra active through the 1940s and 1950s.AI summary
His Master's Voice BD5928 Dance
Paul Fenoulhet's band recorded 'Hey Ba Ba Re Bop' and 'Cement Mixer' for His Master's Voice during the immediate post-war bebop craze of the late 1940s. These novelty-styled titles reflect American bebop influence in British dance music.AI summary
His Master's Voice BD5943 Dance
Paul Fenoulhet led a British dance band; this His Master's Voice side features two light dance pieces from the 1940s.AI summary
His Master's Voice BD5945 Dance
Paul Fenoulhet was a British bandleader and composer active in the 1920s and 1930s. This HMV BD pressing of two novelty or popular songs is a routine dance-band side from the period.AI summary
His Master's Voice BD5985 Dance
Paul Godwin's orchestra on Decca's PO-series performs two dance numbers, one a Hiller composition.AI summary
Decca PO5050 Dance
Paul Specht's orchestra was a New York dance band of the 1920s. 'Goodnight' and 'My Carmenita' are light dance numbers on the Act label, a short-lived British imprint.AI summary
Actuelle 11137 Dance
Columbia A3863 Dance
Paul Whiteman and his orchestra, the most commercially successful dance band of the 1920s, recorded 'Orange Blossom Time' and 'Your Mother and Mine' for Columbia; the low catalogue number indicates an early electrical recording or late acoustic period.AI summary
Columbia 1845 Dance
Paul Whiteman's orchestra, 'The King of Jazz', recorded 'How About Me' and 'Just a Sweetheart' for Columbia, representing the leader's dominant position in 1920s–30s dance music.AI summary
Columbia 5305 Dance
Paul Whiteman and his orchestra on two standards from the jazz age: 'After You've Gone' and 'Nobody's Sweetheart', recorded for Columbia. Whiteman was the most famous dance-band leader of the 1920s-30s, and his records remain sought-after by collectors of hot jazz and early swing.AI summary
Columbia 5702 Dance
Paul Whiteman's orchestra, the most popular dance band of the 1920s, plays 'Early in the Morning Blues' and 'Chicago' on American Victor.AI summary
Victor 18946 Dance
His Master's Voice B1811 Dance
His Master's Voice B1847 Dance
Paul Whiteman and his Swing Wing on Brunswick, performing 1930s novelty popular material. Whiteman was a major bandleader of the jazz and swing era.AI summary
Brunswick A82108 Dance
Paul Whiteman band, the leading American dance orchestra of the 1920s–30s often called the 'King of Jazz', performing 'That's my weakness now' and 'Ja da' on Columbia 5006. Whiteman was one of the most influential bandleaders of the early jazz era.AI summary
Columbia 5006 Dance
Paul Whiteman, the bandleader known as the 'King of Jazz,' recorded 'How About Me' and 'Just a Sweetheart' for Columbia; Whiteman was one of the most prolific recording artists of the 1920s–30s.AI summary
Columbia 5305 Dance
Paul Whiteman's orchestra, the "King of Jazz" and a dominant American bandleader of the 1920s-30s, recorded two sentimental ballads on His Master's Voice, likely mid-1930s.AI summary
His Master's Voice BD130 Dance
Paul Whiteman and his orchestra on His Master's Voice, catalogue B6399, with 'Ah but Is It Love' and 'My Moonlight Madonna'. Another side from Whiteman's vast HMV catalogue during the swing era.AI summary
His Master's Voice B6399 Dance
Paul Whiteman and his orchestra on His Master's Voice (B5510) with 'In my bouquet of memories' and 'My angel'; Whiteman was the most recorded bandleader of the 1920s–1930s, and this is a standard commercial pressing.AI summary
His Master's Voice B5510 Dance
His Master's Voice BD130 Dance
Paul Whiteman and his orchestra on His Master's Voice with 'Shaking the Blues Away' and 'Ooh Maybe It's You'—dance sides from the 1920s by the 'King of Jazz', one of the era's most recorded ensembles.AI summary
His Master's Voice B5415 Dance
Paula Green Band on Columbia FB3158 from the 1940s or 1950s.AI summary
Columbia FB3158 Dance