3,683 shellac records · mostly British pressings, 1900s–1950s
3,683 records matching · page 6 of 77
The Arden-Ohman Orchestra, a jazz-influenced dance band of the 1920s–30s, recorded two popular songs for HMV; Arden and Ohman were prolific Brunswick recording artists, and their Decca and HMV sides are collected by hot-dance enthusiasts.AI summary
His Master's Voice B5634 Dance
Arden-Ohman, a piano duo or light-music ensemble, recorded 'Sleepy Town Express' and 'You Didn't Have to Tell Me' for His Master's Voice, catalogue B6002. A minor dance or novelty recording.AI summary
His Master's Voice B6002 Dance
Ariel Band, 'Southern Rose' and 'Save Your Sorrow for Tomorrow', on Ar 632; a dance or popular band on what appears to be a small or house label from the 1920s or 1930s.AI summary
Ariel 632 Dance
Armand Crabbe recorded 'Le temps s'envole' and 'Na Coieta ay, ay, ay' for His Master's Voice DA755; 'Na Coieta ay, ay, ay' suggests Portuguese or Iberian dance music from the 1930s–40s.AI summary
His Master's Voice DA755 Dance
Armando Orefiche was a Cuban bandleader and pianist known for mambo and cha-cha recordings. 'La Rumbita' and 'Cha-cha la Negra' are Latin dance numbers; this Decca C16112 pressing is from a mainstream commercial Latin-music catalogue.AI summary
Decca C16112 Dance
An orchestra conducted by Arnheim recorded these dance-band numbers for His Master's Voice. The B-side title is credited to Weems, suggesting arrangement or composition involvement. This is typical dance-band material of the late 1920s.AI summary
His Master's Voice B6047 Dance
Arthur Lally band on Pana 25336, a small British label of the early 1930s, with 'Ain't ya comin out tonight' and 'Toasts'.AI summary
Panachord 25336 Dance
Arthur Lally's band recorded 'Bye Bye Blues' and 'Swinging in a Hammock' for Decca; a regional or secondary dance ensemble of the 1930s.AI summary
Decca F1966 Dance
Arthur Lally band on Decca F2749 with 'Palmy Days' and 'Alone with My Dreams', a British dance band of the 1930s–40s.AI summary
Decca F2749 Dance
Arthur Lally and his orchestra recorded a Maurice Chevalier selection for Decca, a British dance orchestra performing vocal selections popular in the 1930s.AI summary
Decca F2131 Dance
Arthur Lally Band on Decca, catalogue F2966, with only one side noted ('Pleasure Cruise with Lawrence Wright'). Lally is an unrecognised bandleader and the single side limits its appeal.AI summary
Decca F2966 Dance
Arthur Lange, an arranger and conductor, recorded these two sides for Cam, a small American label of the 1930s. Both titles are light dance and novelty material.AI summary
Cameo 593 Dance
A dance band recording by Arthur Nichols's band on Decca, a major British label. The catalogue number F3938 dates this to the mid-1930s.AI summary
Decca F3938 Dance
Arthur Young and his Swingtette on Decca, recording novelty and dance material from the swing era. A minor British dance group whose recordings are not typically sought.AI summary
Decca F7921 Dance
Arthur Young and the Paradise Club orchestra, a British dance band, recorded sentimental ballads for Decca in the late 1930s or early 1940s.AI summary
Decca F5573 Dance
Ash performing 'Wa waddle walk' and 'Driftwood' on Brunswick 2629, a mid-period dance or novelty record.AI summary
Brunswick 2629 Dance
Don Azpiazu and his Havana Casino Orchestra, a prominent Latin dance ensemble of the late 1920s and 1930s, recorded here on His Master's Voice performing 'A Penny for Your Thoughts'.AI summary
His Master's Voice B6185 Dance
Azpiazu performing 'La Cachimba' and 'La Mulata Rumbera' on His Master's Voice B6329. Azpiazu was a Cuban bandleader known for recordings of Latin and rumba music, with recordings issued in the UK.AI summary
His Master's Voice B6329 Dance
Azuley Blanco of Guatemala on Columbia 3378, a tropical artist recorded in the early 1930s, with 'Chicago' and 'Wounded Bird'.AI summary
Columbia 3378 Dance
Bennett and Whelan on a His Master's Voice dance side, catalogue B3925.AI summary
His Master's Voice B3925 Dance
B. Hale and George Grossmith recorded two one-step dance numbers for Columbia in the 1910s, a rare dual-artist duet from the early dance-music era.AI summary
Columbia 3629 Dance
B. Howes and S. Treble performing song medleys and duets on Columbia DX709, from the dance-music and light-entertainment era.AI summary
Columbia DX709 Dance
B. King with Huggable Kissable You and Let Me Dream in Your Arms Again on Metropole 1192.AI summary
Metropole 1192 Dance
B Whitlock Trio on Regal performing dance and folk material of the early 1930s.AI summary
Regal 7979 Dance
B. Whitlock Trio performing 'Jollity Parade' and 'Pansy Gavotte' on Regal 7995, a mid-to-late 1920s British dance recording.AI summary
Regal 7995 Dance
Bailey's Dixie Dudes, a dance band of the early 1920s, recorded two novelty numbers for Columbia.AI summary
Columbia is1711 Dance
Bailey's Lucky 7, a dance band of the late 1920s or early 1930s, recorded 'Baby Blue Eyes' and 'Dumbell' for the Gennett label, catalogue 5013.AI summary
Gen 5013 Dance
Bailey's Lucky 7 on Gennett, the American independent label known for jazz and dance recordings; UK copies of Gennett issues are uncommon.AI summary
Gennett 5325 Dance
Bailey's Lucky 7 recorded 'Wimmin' and (Lanin) 'Stealing' for Winner 3697, a minor British dance label.AI summary
Winner 3697 Dance
Bailey's Lucky 7 with Sweet Child and, by the Royal Troubadours, In Your Green Hat on Guardsman 1892.AI summary
Guardsman 1892 Dance
Bailey's Lucky 7, a British dance band, on Winner 3797, performing two upbeat dance numbers. Winner was a cheap British marque; this appears to be a minor regional or semi-professional ensemble.AI summary
Winner 3797 Dance
Bailey's Lucky 7 performing 'Lovin' Sam' and 'Stuttering' on Winner 3798, a small British imprint.AI summary
Winner 3798 Dance
Bailey's Lucky 7, a small dance band, recorded 'Toot Toot Tootsie' and a Samuels composition for Winner Records. These are hot dance and novelty sides typical of late 1920s variety dance recordings on a budget British label.AI summary
Winner 3799 Dance
Bailey's Lucky 7, an unidentified small ensemble, recorded 'Lost' and 'Carolina Home' for Winner Records; both are unremarkable popular song titles of the 1920s–30s.AI summary
Winner 3862 Dance
Bailey's Lucky 7, recorded on Winner, a small British label. 'Homesick' and 'Japanese Moon' are sentimental popular songs typical of the 1920s–30s period, but the group is not identified in standard jazz or dance discographies.AI summary
Winner 3869 Dance
Bailey's Lucky 7 performing 'Are you lonely?' and 'After the Storm' on Winner, a British budget label.AI summary
Winner 4072 Dance
Bailey's Lucky 7, a small jazz ensemble, on Winner 3976, performing 'No No Nora' and 'Love Tales' (H. Lanin), likely mid-to-late 1920s.AI summary
Winner 3976 Dance
A Dutch Bal Musette orchestra recorded 'Mayorqua' and 'Rafle', dance music in the French accordion-led style, for the obscure Rad label 945.AI summary
Radio (Edison Bell) 945 Dance
Ballew with I Don't Want Your Kisses and, by Lopez, Love Your Spell Is Everywhere on Vocalion 521.AI summary
Vocalion 521 Dance
A Ballroom Disc orchestra side coupling 'Confessin' and 'With a song in my heart'. Ballroom Disc was a British label of the 1930s–40s, oriented towards dance-hall and ballroom markets. This is typical dance-band fare on a minor label.AI summary
BallroomDisc 10405 Dance
A band plays You Know You Belong to Someone Else and Three o'Clock in the Morning on Homochord H440.AI summary
Hom H440 Dance
A band performs 'Tickling Love Taps' and 'By Heck' on His Master's Voice C602. HMV's C-series suggests an acoustic recording from around 1912–1918.AI summary
His Master's Voice C602 Dance
An unidentified band recorded 'Chin Chin' and 'Tonight's the Night Waltz' for His Master's Voice C604, an acoustic-era dance side.AI summary
His Master's Voice C604 Dance
An unidentified band recorded 'Have a Heart' and '(McKee) Riverside Bells' for His Master's Voice C875, a catalogue number from the acoustic era.AI summary
His Master's Voice C875 Dance
Band performing 'On the Level you're a little Devil' and 'Hindustan' on His Master's Voice C921, a very early HMV catalogue number suggesting an acoustic-era recording from around 1920 or earlier.AI summary
His Master's Voice C921 Dance
A dance band recording 'Yankyana' and 'Chong he came from Hong Kong' on His Master's Voice. The titles suggest early-to-mid 1920s dance novelties.AI summary
His Master's Voice C941 Dance
An unnamed band performing two popular pieces on early Columbia: '3 O'Clock in the Morning' and 'Destiny'. The is4535 catalogue number indicates an early popular-music issue.AI summary
Columbia is4535 Dance
Unidentified band performing 'Valerie Waltz' and 'Evening News Waltz' for Winner, a small British label of the 1920s–30s.AI summary
Winner 2122 Dance