3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 60 of 77
Harry Reisman's orchestra on 'Gold Diggers Song' and 'Shadow Waltz' (by Noble), His Master's Voice B6376. Reisman was a bandleader and composer popular in the late 1920s-early 1930s; both titles are from the 1933 film Gold Diggers of 1933.AI summary
His Master's Voice B6376 Dance
Reisman with Lovable Eyes and, by Yerkes' S.S. Flotilla Orchestra, Stumbling on Vocalion 14347.AI summary
Vocalion 14347 Dance
Harry Reisman was an American bandleader and pianist active in the late 1920s and 1930s; this Victor recording of 'Savage Serenade' and 'Dinner at Eight' represents his dance-band output.AI summary
Victor JA206 Dance
Harry Reisman, a prolific bandleader of the 1920s–30s, recorded these two popular songs for Columbia's 3022 catalogue, capturing the light orchestral dance-music style of the era.AI summary
Columbia 3022 Dance
Reisman (Leo Reisman's orchestra) on Columbia 4450, performing "Silver Song Bird" and an orchestral novelty from the early 1930s. Reisman was a prolific dance orchestra leader of the swing era.AI summary
Columbia 4450 Dance
Reisman's orchestra performing 'Because They All Love Me' and 'Indian Love Call' on Columbia 242D, a dance record from the early 1920s.AI summary
Columbia 242D Dance
Leo Reisman's orchestra performing 'Bend down Sister' and 'Nothing too good for my Baby' on His Master's Voice B6126. Reisman was a sophisticated New York bandleader of the 1920s–1930s popular with recording companies.AI summary
His Master's Voice B6126 Dance
Reisman, likely Harry Reisman the bandleader, recorded Cole Porter's "Night and Day" and another standard for His Master's Voice.AI summary
His Master's Voice B6398 Dance
Reisman on Brunswick 01763, a novelty vocal with animal-themed titles from the 1930s or early 1940s American label, likely a mass-pressed dance or novelty release.AI summary
Brunswick 01763 Dance
Reisman performing 'Spellbound' and 'Amado Mio' on Brunswick, the major American label's British pressing, catalogue 03738.AI summary
Brunswick 03738 Dance
Reisman, likely Harry Reisman and his orchestra, recorded 'I'm in the Mood for Love' and 'Take it Easy' for Brunswick catalogue RL290, from the mid-1930s.AI summary
Brunswick RL290 Dance
Reisman on Columbia 4434, performing 'Collette' and Lanin's 'Lucky Day', dance-band recordings from the 1920s.AI summary
Columbia 4434 Dance
Renato Carosone, the Neapolitan pianist and bandleader, recorded 'Lazzarella', a popular novelty, for Parlophone in the mid-1950s.AI summary
Parlophone R4366 Dance
Columbia 3309 Dance
Curry's 338 Dance
Reser performing 'I'm in Love with You That's Why' and 'Clicquot' on Columbia, circa mid-1920s.AI summary
Columbia 4136 Dance
Reser performing two pieces on Columbia 4913, a British pressing of the late 1920s or early 1930s. The artist is unrecognised without research.AI summary
Columbia 4913 Dance
Reser with Sleepy Time Gal and Rambling Wreck from Georgia Tech on OKeh 40502.AI summary
Okeh 40502 Dance
Reser on Columbia 4271. Harry Reser was a prolific 1920s novelty and dance-band leader whose ukulele and xylophone sides remain of interest to jazz and dance-band collectors.AI summary
Columbia 4271 Dance
Reser's orchestra performing 'Ha Cha Cha' and 'Cross Eyed Kelly' on Decca, likely from the 1930s.AI summary
Decca F5400 Dance
Harry Reser was a banjo virtuoso and bandleader who recorded dance and novelty sides for Columbia in the 1920s–30s. 'I Wonder How I Look When I'm Asleep' and 'Fire' are typical novelty dance numbers; this is a standard commercial dance recording.AI summary
Columbia 4380 Dance
Harry Reser or his ensemble on Winner W62 performing dance and novelty numbers.AI summary
Winner W62 Dance
Reser on Imperial 2097, performing 'Sing a little love Song' and 'That's you Baby'.AI summary
Imperial 2097 Dance
Harry Reser was a banjoist and bandleader prominent in the 1920s dance-band scene, known for hot jazz and novelty numbers. 'That's What I Call Heaven' and 'I'll Always Be in Love with You' are typical of his recorded output for Imperial.AI summary
Imperial 2112 Dance
Columbia 4380 Dance
The Reser Rounders were a popular novelty and comedy jazz ensemble of the 1920s; this Imperial coupling pairs Kansas City Kitty with Dolores from their dance repertoire.AI summary
Imperial 2110 Dance
Decca F2919 Dance
Rhythmic Eight led by Firman on Zonophone, performing novelty pieces 'Queen was in the parlour' and 'Sing a little jingle'.AI summary
Zonophone 6018 Dance
Credited to Rich on Columbia 4798, with a title 'Chirp Chirp' and a piece by the bandleader Ruggero Starita; this appears to be a comic novelty or dance-band side from the 1920s or 1930s, but the artist remains unidentified.AI summary
Columbia 4798 Dance
Rich on Columbia 4798, an unidentified performer on an early Columbia issue from the 1920s.AI summary
Columbia 4798 Dance
Rich on Cameo Records with 'Flamin Mamie' and 'Shake that Thing', novelty or dance material from a secondary British label.AI summary
Cameo 872 Dance
Rich recorded 'Down on the Florida Shore' and '(Lanin) Bye Bye Blackbird' for Cam, catalogue 937, likely 1920s.AI summary
Cameo 937 Dance
Rich (artist unidentified) on Columbia 4786, 'Man I Love' and 'Dolly Dimples'; an early 1930s dance or vocal side.AI summary
Columbia 4786 Dance
A recording by Rich on Columbia's 5000 series, featuring two popular songs of unclear genre and no identifiable artist biography available.AI summary
Columbia 5545 Dance
Rich recorded for Columbia; 'When the Real Thing Comes Your Way' and 'Revolutionary Rhythm' are typical light ballad and dance titles of the 1920s–30s.AI summary
Columbia 5632 Dance
A Columbia CB-series recording by Rich, pairing 'Sing Something Simple' with Guy Lombardo's 'Baby's Birthday Party'. Rich is an unrecognised artist.AI summary
Columbia CB194 Dance
Rich (artist unidentified) on Columbia CB316, 'Got the Bench' and 'We're All Good Pals at Last'; the CB series suggests a Decca-era comedy or novelty side.AI summary
Columbia CB316 Dance
Decca F6628 Dance
A dance band credited to 'Rich' recorded 'My Blue Heaven' and 'Flapperette' (a Schubert arrangement) for Imperial, catalogue 1833.AI summary
Imperial 1833 Dance
HMV BD159 Dance
Richard Himber and his Band on Victor, catalogue 24679. Himber was an American bandleader and violinist of the 1920s–30s, recording for Victor; he is now largely forgotten and his records are scarce in Britain.AI summary
Victor 24679 Dance
Richard Himber was an American bandleader and vibraphone player who recorded for Victor in the 1930s; this pressing of 'So This is Heaven' and 'Cling to Me' represents his typical popular dance-band work.AI summary
Victor 25235 Dance
Rico's Creole Band on His Master's Voice K6664 performing Latin dance numbers.AI summary
His Master's Voice K6664 Dance
The Rio Granda Band recorded 'Santiago' and 'Jimmy Valentine' for His Master's Voice, likely from the 1920s–30s.AI summary
His Master's Voice B5780 Dance
Rio Grande Band on 'Jimmy Valentine', recorded for His Master's Voice B5780. Rio Grande was a prolific house band name used by HMV and Columbia for dance-band fillers in the late 1920s–early 1930s.AI summary
His Master's Voice B5780 Dance
The Rio Grande Tango Band recorded 'Zulu Wail' and 'Blue Serenade' for His Master's Voice, likely in the 1930s. This appears to be a Latin-influenced dance band of modest fame.AI summary
His Master's Voice B5355 Dance
Riverside with Who? and Sunny on Vocalion X9900.AI summary
Vocalion X9900 Dance
RKO/Steiner recorded the popular dance number 'Carioca' and 'Sleepy Head' for His Master's Voice B6506, a late 1930s pressing likely connected to film music.AI summary
His Master's Voice B6506 Dance