3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 66 of 77
The Savoy Quartet, a British close-harmony vocal group popular in the early 1920s, recorded 'Hello Hawaii how are you' and 'Fancy you fancying me' for His Master's Voice. Typical light dance novelty material of the period.AI summary
His Master's Voice B813 Dance
Saxon's 'My little Boy' and 'My golden Baby' on Columbia CB385, a series of popular British dance and vocal recordings of the 1920s–30s.AI summary
Columbia CB385 Dance
Scala Dance Band performing two orchestral dance numbers on Winner, a British dance-music label of the 1920s–30s.AI summary
Winner 5538 Dance
Credited to Schubert on Imperial, performing 'I remember you from Somewhere' and a Cleveland-style novelty number 'Don't tell her what happened to me'.AI summary
Imperial 2336 Dance
Credited to Schubert on Curry's 282, a 1920s or early 1930s issue on a small British label; Curry's Records were a short-lived, low-cost marque, and this record is extremely difficult to place.AI summary
Curry's 282 Dance
A recording credited to 'Schubert' of 'Positively Absolutely' and '(Barth) Charmaine' on Curry's Records, a small British label. The attribution to the composer is clearly an error; this appears to be a dance recording by an unknown artist or orchestra.AI summary
Curry's 302 Dance
A medley credited to Schubert on Regal, featuring Irving Lanin's 'Who wouldn't be jealous of you' on the second side—likely a popular-song medley rather than Schubert's own work.AI summary
Regal 8719 Dance
Schubert on Imperial 1725, performing two songs from the mid-1920s. This is likely a pseudonym or stage name, as the artist is unrecognised.AI summary
Imperial 1725 Dance
Schubert with Every Highway Every Byway and, by Gold, Reminiscing on Dominion C335.AI summary
Dominion C335 Dance
Credited to Schubert on the Ban label, with 'My Sweetie turned sour on me' and 'Moanin low', almost certainly not by the composer but a stage name or band name.AI summary
Banner 6472 Dance
Schubert (credited artist) and band perform two popular songs on Imperial, a small British label, catalogue 1342.AI summary
Imperial 1342 Dance
A record attributed to Schubert on the Imperial label, listing popular song titles that bear no relationship to the composer's work. This appears to be a misattribution or a performer named Schubert; without further identification, the contents cannot be determined.AI summary
Imperial 2336 Dance
The Schubert Dance Band performing popular dance music on Imperial 1799, a minor British label active in the 1920s–30s.AI summary
Imperial 1799 Dance
Scott Wood, a British saxophonist and bandleader, on Columbia — Wood led a popular British dance band in the 1930s–40s.AI summary
Columbia FB1666 Dance
Scott Wood, a British accordionist and bandleader, recorded two light orchestral selections for Parlophone R1259.AI summary
Parlophone R1259 Dance
Scott Wood, a British dance musician and xylophone player, in two swing-era numbers on Columbia: "Organ Grinder's Swing" and "Harlem".AI summary
Columbia FB1549 Dance
Columbia FB1906 Dance
Scott Wood recorded 'Love locked out' and 'This is Romance' for Regal. Wood was a British bandleader known for dance and novelty recordings; Regal was a secondary British label.AI summary
Regal 1135 Dance
Scott Wood Band performing 'Count Your Blessings' and 'Oceans of Time' on Regal 1232, a British budget label of the 1930s–40s.AI summary
Regal 1232 Dance
Scott Wood was a British accordionist and bandleader popular in the 1930s–40s. This Regal recording pairs two standards from the swing era.AI summary
Regal MR1005 Dance
Scott Wood and his Band on Regal, catalogue MR2009. Wood was a British melodeon player and bandleader of the 1930s–40s, recording for Regal; his records are moderately scarce.AI summary
Regal MR2009 Dance
Scott Wood and his band recorded these two romantic songs for Regal, likely in the mid-1930s.AI summary
Regal MR919 Dance
Scott Wood was a British bandleader and xylophonist of the 1930s–40s; this Twin-label disc carries two instrumental ballads.AI summary
Twin FT1563 Dance
Scott Wood and his band on Regal Records, catalogue MR1928, performing 'Sweet Dreams Sweetheart' and 'Misty Islands of the Highlands'. Wood was a British bandleader of the 1930s-40s.AI summary
Regal MR1928 Dance
Scott Wood Six Swingers on Columbia, catalogue FB1618. Scott Wood was a British melodeon player and bandleader active in the 1930s–40s; he was a radio personality but these sides are now scarce.AI summary
Columbia FB1618 Dance
Selby, recorded 'When Polly walks through the Hollyhocks' and 'Bright Eyes' for Piccadilly 364, a cheap British marque of the 1930s.AI summary
Piccadilly 364 Dance
Selby on Piccadilly 388, an unknown artist on a budget British label of the early 1930s.AI summary
Piccadilly 388 Dance
Selby recorded 'I lost my Gal again' and 'It's an old Spanish Custom in the Moonlight' for Piccadilly Records, a cheap British label of the late 1920s.AI summary
Piccadilly 729 Dance
Selby performs 'Louisiana' and 'Mistakes' on Piccadilly 184. Piccadilly was a cheap British budget label of the 1930s–1950s, common and mass-produced.AI summary
Piccadilly 184 Dance
The Selby Band recorded 'I Never Thought You Wonderful Until Today' and 'Duck Foot Sue' for Piccadilly 528.AI summary
Piccadilly 528 Dance
Ben Selvin and orchestra perform two popular dance numbers on Columbia British 4599 from the late 1920s or early 1930s. Selvin was a prominent American orchestra leader and prolific recording artist.AI summary
Columbia 4599 Dance
Selvin's orchestra with 'Tell Me You're Sorry' and 'When' on Columbia 4911, a dance recording from the mid-1920s.AI summary
Columbia 4911 Dance
Ben Selvin's orchestra, a prolific American dance band of the 1920s–30s, recorded 'I Can't Give You Anything but Love' (Jimmy McHugh and Dorothy Fields, 1928) on Columbia 5072; a standard popular dance number of the era.AI summary
Columbia 5072 Dance
Selvin on Columbia IS1824, a dance side from the mid-1920s. Selvin was a prolific bandleader of the jazz age whose recordings appear across many labels.AI summary
Columbia is1824 Dance
Ben Selvin's orchestra, one of the most prolific American dance bands, performing two sentimental popular standards on Olympian, a cheap British reissue label. These dance-band sides were mass-produced.AI summary
Oly 1468 Dance
Selvin with Now and Then and, by Yerkes' Marimba Band, On the Shores of Tripoli on Vocalion X9052.AI summary
Vocalion X9052 Dance
Selvin (likely Ben Selvin or his orchestra) on Clar (Clarion, a US budget label), with 'South Sea Isle' and 'Moon River'.AI summary
Clarion 1111 Dance
Selvin with It's the Darndest Thing and Everyone in Town Loves Little Mary Brown on Clarion 5394.AI summary
Clarion 5394 Dance
Ben Selvin and his orchestra, a prolific and popular dance band of the 1920s, perform light instrumental selections on Columbia CB21 — an early small-label pressing, catalogue number suggesting 1920s origin.AI summary
Columbia CB21 Dance
Selvin with Wonderful One and, by the Bar Harbor band, Red Moon on Vocalion M1138.AI summary
Vocalion M1138 Dance
Selvin for Vocalion, a minor American label, performing 'I Cried for You' and 'When June Comes Along'. Selvin is unrecognised. UK copies of American Vocalion pressings are scarce.AI summary
Vocalion M1173 Dance
Selvin with After the Storm and, by the Ambassadors, Remember'ing on Vocalion X9453.AI summary
Vocalion X9453 Dance
Ben Selvin was a prolific American orchestra leader and recording artist of the 1920s. 'Titina' and 'O Katharina' are typical light popular songs of the era, recorded by Selvin for Columbia.AI summary
Columbia 3690 Dance
Selvin performing 'Collegiate' and 'Row row Rosie' (credited to Gresh) on Columbia 3743, likely from the 1920s-1930s.AI summary
Columbia 3743 Dance
Ben Selvin and his orchestra on Columbia J952 with 'When it's Springtime in the Rockies' and 'Dancing with Tears in my Eyes' (with Ruth Etting). Selvin was one of the most prolific dance-band leaders of the 1920s and early 1930s, recording hundreds of sides across multiple labels.AI summary
Columbia J952 Dance
Selvin's orchestra on Columbia, recording light dance material 'Let's Wander Away' with a Reisman composition. A typical dance-band side from Selvin's prolific 1920s recording career.AI summary
Columbia 3818 Dance
Ben Selvin's orchestra recording two sentimental ballads on Columbia from the late 1920s or early 1930s.AI summary
Columbia 3913 Dance
Ben Selvin led one of the most prolific American dance orchestras of the 1920s; this Columbia recording of 'Sweet and Low Down' and 'That Certain Feeling' is typical of his output, here attributed to a Mackey composition on the B-side.AI summary
Columbia 4063 Dance