3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 71 of 77
Swain performing novelty popular songs on Broadcast 689. Broadcast was a small budget British label; artist is unrecognised.AI summary
Broadcast 689 Dance
Credited to Swain on the British Broadcast label; 'Baby's Birthday Party' and 'Cheerful Little Earful' are novelty pieces typical of the early 1930s dance-comedy sides.AI summary
Broadcast 699 Dance
A recording credited to Swain on Columbia, catalogue 3824, with 'Paddlin' Madeleine Home' and a Hylton medley on the B-side; likely from the 1920s-1930s dance era.AI summary
Columbia 3824 Dance
Ray Starita's Havana Band (credited as Swain) recorded 'Muddy Water' and 'Moonlight and You' for Regal, a mid-priced British label, in the early 1930s.AI summary
Regal 8902 Dance
Swain on 'Parkin' in the Moonlight', recorded for Imperial 2544. Imperial was a small British imprint; the catalogue number and artist name alone provide little basis for identification or valuation.AI summary
Imperial 2544 Dance
Swing and Sway, a light popular ensemble, performing two Easter-themed novelty songs on Columbia 39186.AI summary
Columbia 39186 Dance
Swing and Sway, an unidentified dance orchestra, recorded popular dance tunes for Columbia in the early 1930s.AI summary
Columbia 40061 Dance
Syd Baxter's band recorded light dance and popular songs on Mayfair G, a budget British label. These two titles capture the formulaic romantic material of early 1930s dance recordings.AI summary
Mayfair G324 Dance
Syd Dean performing 'A Dreamers Holiday' and 'Scottish Samba' on Columbia FB3538 from the post-war years.AI summary
Columbia FB3538 Dance
Syd Lipton and his band, a British dance orchestra, on Cinecord with a quickstep from 'The Little Colonel' and 'Love's Young Dream'.AI summary
Cinecord 018 Dance
Syd Lipton and his band on Cinecord 018 with 'Quick step from The Little Colonel' and 'Love's young dream'; Cinecord was a British film-music label.AI summary
Cinecord 018 Dance
Syd Roy's band recorded 'Room with a View' and 'I'll Be Lonely' for Imperial 1922. A minor British dance recording on the Imperial label.AI summary
Imperial 1922 Dance
Sydney Kyte's band recorded for Regal, the budget British label, in the early 1930s. This pressing of 'Me' and 'Guilty' represents light dance-band material of the period.AI summary
Regal MR451 Dance
Sydney Kyte led a dance orchestra, recorded here on Regal for 'One Hour with You' and 'We Will Always Be Sweethearts'. The low MR catalogue number suggests the early 1930s.AI summary
Regal MR592 Dance
Sydney Kyte led a dance band that recorded light-music and sentimental sides for Regal in the 1930s; 'Lovable' and 'Paradise' are ballroom pieces.AI summary
Regal MR596 Dance
Sydney Lipton and his Orpheans, a British dance band, performing two swing-era standards for Columbia. Lipton was a successful British bandleader of the 1930s-1940s whose orchestra recorded prolifically for the major labels.AI summary
Columbia DD2208 Dance
Sydney Turner on Pathé, performing 'Marge nègre' and 'Coon Land' — repertoire titles typical of the 1920s dance and novelty era. Pathé was a French company with a British pressing operation active through the interwar period.AI summary
Pathé 77220 Dance
Syncopated Twins on Invicta 302, performing 'Wedding Glide' and 'When the Midnight Choo Choo Leaves for Alabam', likely mid-1920s.AI summary
Invicta 302 Dance
Tommy Dorsey's orchestra recorded 'It's All Yours' and 'This Is It' for Victor, an American label whose UK pressings were distributed by HMV. Dorsey was one of the biggest bandleaders of the 1930s–40s.AI summary
Victor 26149 Dance
Tommy Dorsey, the American trombonist and bandleader, performing 'Not So Quiet Please' and 'I'll Take Tallulah' on Victor 27869, a 1930s dance-band side.AI summary
Victor 27869 Dance
Tommy Dorsey recorded 'I Want to Be Happy Cha Cha' and 'Spooky Takes a Holiday' on Brunswick 05769. Dorsey was a celebrated bandleader and trombonist; this is a later swing-era recording.AI summary
Brunswick 05769 Dance
T. Petersen performing 'Very welcome Home Mr Swanson' and 'Didelidelum didelidelej' on Polyphon 50750, a European label.AI summary
Polyphon 50750 Dance
Tango Band (artists unidentified) on His Master's Voice B5355, performing 'Zulu Wail' and 'A Blue Serenade'. The 'Zulu Wail' suggests an exotic or novelty number; tango and Latin dance music was popular in the 1930s.AI summary
His Master's Voice B5355 Dance
Tanzoni on Winner performing novelty popular dance material.AI summary
Winner 5516 Dance
Tanzoni on Winner 5516, a dance-band record from the prolific British budget label Winner.AI summary
Winner 5516 Dance
Ted Black and his band recorded these two dance numbers—'Maybe It's the Moon' and 'On the Beach with You'—for Panatrope, a budget British pressing label of the 1930s. Ted Black is not documented in standard references.AI summary
Panachord 25066 Dance
Ted Fio Rito was an American bandleader of the 1920s and 1930s whose music was distributed widely in the UK; this Brunswick side pairs two comic novelty numbers, 'And the Big Bad Wolf Was Dead' and 'Hot Dogs and Sasparella'.AI summary
Brunswick 01903 Dance
Ted Hanson band recorded these two dance tunes for Twin, a small British label, likely in the mid-1930s.AI summary
Twin FT1787 Dance
Ted Heath's orchestra performing swing numbers on Decca F11000. Heath was a leading British bandleader and arranger of the 1950s; these sides show his skill in the popular swing style.AI summary
Decca F11000 Dance
Ted Heath was a respected British bandleader and trombonist who recorded for Decca from the late 1930s onwards; 'You keep coming back like a Song' and 'Getting nowhere' date from the 1950s, a later period of his career.AI summary
Decca F8697 Dance
Ted Heath was Britain's most famous big-band leader of the 1950s; this Decca record of 'Swingin' Shepherd Blues' and 'Raunchy' showcases his orchestra in the swing and rock-and-roll era.AI summary
Decca F11000 Dance
Ted Heath, British orchestra leader and composer, recorded 'Swingin' Shepherd Blues' and 'Raunchy' for Decca in the 1950s during the peak of his popularity as a leading British bandleader.AI summary
Decca F11000 Dance
Ted Heath led one of the most swinging and technically accomplished British dance orchestras of the 1940s–50s, and was a major figure in post-war British jazz. 'Tom Hark' is a novelty march; this Decca F-series recording represents his orchestra's later commercial style.AI summary
Decca F11025 Dance
Ted Heath's band on Decca F11093, performing novelty cha-cha numbers 'Ma Curly Headed Baby Cha-Cha' and 'Cha-Cha Black Sheep' from the mid-1950s. Heath was Britain's leading big-band leader of the post-war period.AI summary
Decca F11093 Dance
Ted Heath was a British dance-band leader and trombonist; Beryl Davis was a British-American popular singer. This Decca recording from the late 1940s documents a collaboration between two professional recording artists.AI summary
Decca F8674 Dance
Ted Lewis and his band on Columbia 1789, with 'Roses of Picardy' and 'Limehouse Blues'. Lewis was an American bandleader, clarinetist and singer of the 1920s–1930s, known for novelty and sweet jazz.AI summary
Columbia 1789 Dance
Columbia 3575 Dance
Ted Lewis Band on "I Miss My Swiss" and "Say Arabella" for Columbia 3753. Lewis was a bandleader and clarinettist active in the 1920s–1930s, known for novelty and popular dance material.AI summary
Columbia 3753 Dance
Ted Lewis Band recorded 'Just around the Corner' and 'While we danced till Dawn' for Columbia, catalogue 3865, likely from the late 1920s dance-band era.AI summary
Columbia 3865 Dance
Ted Wallace led a dance orchestra and recorded 'Telling It to the Daisies' and 'Stein Song' for Columbia in the late 1920s, as the low catalogue number indicates. The Stein Song was a popular novelty of the period.AI summary
Columbia 2151D Dance
The Ted Wallace band recorded 'Absence Makes the Heart Grow Fonder' and 'Little White Lies' for Columbia; Wallace was a British or American bandleader active in the dance-band era.AI summary
Columbia CB137 Dance
Ted Weems' orchestra recorded 'Miss Wonderful' and 'I'm a Dreamer' (credited to the HighHatters) for His Master's Voice B5745. Weems was an American bandleader of the swing era whose recordings often appeared on HMV.AI summary
His Master's Voice B5745 Dance
Ted Weems' orchestra featuring vocalist Perry Como, a major star, recorded "Two Blind Loves" and "Goody Goodbye" for Decca in the mid-1930s.AI summary
Decca 2794 Dance
The Ted White Collegians, a typical British dance band of the late 1920s, on Oriole, a budget British label.AI summary
Oriole 1229 Dance
Tedd Wallace's orchestra is little documented. This Columbia CB-series coupling of 'Little white lies' and 'Absence makes the heart grow fonder' represents typical light orchestral material of the early 1930s, pressed on a budget British label.AI summary
Columbia CB137 Dance
Teddy Brown was a British xylophonist and bandleader of the 1920s-1930s, popular for novelty dance-band recordings and vaudeville. This Imperial recording of 'I never knew' and 'Then I'll be happy' with his Café de Paris Band represents his commercial dance-band output.AI summary
Imperial 1583 Dance
The Teddy Foster Band recorded 'A Little on the Lonely Side' and 'Wedding Waltz' for Regal. Foster was a British bandleader and this Regal pressing represents his output during the 1930s-40s dance era.AI summary
Regal MR3759 Dance
Teddy Foster's band recorded two pieces for Regal Records, a British budget label. Regal was a prolific imprint producing cheap dance and popular sides in the 1930s–40s.AI summary
Regal MR3764 Dance