3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 72 of 77
Teddy Joyce was a British dance bandleader of the 1930s–40s; this His Master's Voice BD-series disc carries two popular ballads from the late 1930s.AI summary
His Master's Voice BD144 Dance
Teddy Joyce and his orchestra recorded these two sides for His Master's Voice, a British budget electrical series; Joyce was a British bandleader of the late 1920s and early 1930s.AI summary
His Master's Voice BD162 Dance
Teddy Joyce Band on His Master's Voice, a British dance orchestra, with 'I'll Take the South' and 'Rehearsing a Lullaby'—early dance music from the 1920s-1930s.AI summary
His Master's Voice BD176 Dance
Teddy Joyce led a dance band during the 1930s–40s and recorded for His Master's Voice. This BD177 recording pairs two popular dance standards from the swing era.AI summary
His Master's Voice BD177 Dance
Teddy Joyce led a dance orchestra, recorded here on His Master's Voice for 'Call Me Sweetheart' and 'Here Comes That Rainbow'. The BD series places this in the early 1930s.AI summary
His Master's Voice BD190 Dance
Teddy Joyce's dance band recorded for His Master's Voice with 'Two Tired Eyes' and 'Marina', a British bandleader of the pre-war era.AI summary
His Master's Voice BD191 Dance
Teddy Powell was an American bandleader active in the 1940s; this BB Records (a small American label) pressing of 'Bluebird Boogie Woogie' captures the boogie-woogie craze of the era.AI summary
Bluebird 11082 Dance
Tempo King and His Kings of Tempo recorded 'Someone to Care For Me' and 'Trust in Me' for Regal; a minor British dance ensemble of the 1930s.AI summary
Regal MR2396 Dance
The Tennessee Ten, a dance and novelty band, records 'You've Got to See Mamma Ev'ry Night' alongside Paul Whiteman performing 'Nothin' But' on HMV B1677. Paul Whiteman is among the most collected dance-band names of the 1920s; the Whiteman coupling on a standard HMV B-series electric pressing is of modest dance-band collector interest.AI summary
His Master's Voice B1677 Dance
Terr with Dream Daddy and What Do You Do Sunday, Mary? on Homochord C647.AI summary
Hom C647 Dance
Credited to 'Terr' on Pathé 1650, a popular vocal or dance number from the acoustic era.AI summary
Pathé 1650 Dance
Terr with Susie and Southern Moon on Perfect 14042.AI summary
Perfect 14042 Dance
Terry and Osborn performing 'I Want to Be in Dixie' and 'Piccadilly' on Opera 104, a minor British label.AI summary
Opera 104 Dance
Terry & Osborn performing two popular songs of the dance-band era on Opal (Op), an obscure British label. These appear to be songs from the 1910s-20s theatrical repertoire.AI summary
Opera 100 Dance
Terry and Osborn on Beatall Records, a tiny British label, performing dance-band or novelty song of the 1920s–30s era.AI summary
Beatall 351 Dance
Terry and Penrose recorded two novelty or dance pieces for Sound D Records, 'Hitchy Koo' and 'Puppchen', presumably from the 1920s dance-music era.AI summary
Soundwave D9 Dance
Tex Beneke was an American tenor saxophonist and vocalist who led a popular dance orchestra in the 1940s and 1950s; this MGM side captures the swing-era style that made him a ballroom favourite.AI summary
MGM 397 Dance
After Glenn Miller's death, saxophonist and singer Tex Beneke led the band under the Miller name. This late-1940s HMV issue couples 'Pin-Striped Pants' with 'The Whiffenpoof Song'.AI summary
His Master's Voice BD1252 Dance
Columbia 3537 Dance
The Crackerjacks on Pathé, a French-made disc featuring 'Mosquito's Parade' and 'La Czarine', popular salon and novelty pieces of the early 1900s.AI summary
Pathé 1225 Dance
The Cuban Caballeros with Mexico and Rancho Serenade on Oriole CB1016.AI summary
Oriole CB1016 Dance
The Elliotts recorded two novelty ragtime numbers on Winner, a short-lived British label of the 1920s–1930s. Winner records are scarce in collections today.AI summary
Winner 3296 Dance
The Georgians recorded dance numbers for Columbia in the early 1920s; this coupling pairs a popular song with a novelty dance instruction number.AI summary
Columbia 11D Dance
The Georgians were a prolific dance orchestra of the 1920s, and this Columbia 142D release captures their jaunty instrumental style in early numerical catalogue pressings.AI summary
Columbia 142D Dance
The Harmony Eight with Don't Ye Cry My Honey and Mammy Lou on Metropole 1043.AI summary
Metropole 1043 Dance
Philips P44331 Dance
The Plaza Band with two 1928 songs, 'You're the Cream in My Coffee' and 'She's Funny That Way', on Edison.AI summary
Edison 4924 Dance
The Plaza Band performing 'Firefly' and 'Just Like Darby and Joan' on Winner 4849, a minor British dance label.AI summary
Winner 4849 Dance
The Radio Three, a house group, recorded "I'm Sitting High on a Tree Top" for Regal MR2003, a British budget label series of the 1930s.AI summary
Regal MR2003 Dance
The Rhythm Makers recorded 'Yes Sun! (Si Señor)' and 'Yellow Dog Blues' for Parlophone—dance-band arrangements of popular and blues-influenced novelty numbers from the swing era.AI summary
Parlophone R2810 Dance
The Squadronaires recorded 'Barnyard Red' for Decca (label marked 'SampleDecca', no catalogue number given). The Squadronaires were a British RAF dance band of the 1940s–50s that recorded for Decca; without a full catalogue number, identification is incomplete.AI summary
Decca SAMPLE Dance
The Squadronaires, the RAF dance band that became one of Britain's top swing orchestras, play 'My Blue Heaven' on a Decca sample pressing.AI summary
Decca SAMPLE Dance
The Squadronaires on a Decca sample copy, with a single side marked Sally Wales.AI summary
Decca SAMPLE Dance
The Squadronaires on a Decca sample copy, with a single side marked One ? Two ?.AI summary
Decca SAMPLE Dance
The Squadronaires on a Decca sample pressing with 'This Is Always'; a British military dance band from the 1940s–50s.AI summary
Decca SAMPLE Dance
The Squadronaires on Decca F8644, with 'Saturday Night at the Palais' and 'Cement Mixer'. The Squadronaires were a British military dance band active from the 1940s, known for smart, energetic swing arrangements.AI summary
Decca F8644 Dance
The Three Jinx, a vocal group of the period, sing 'On a Steamer Coming Over' and 'Did You Ever See a Dream Walking?' on the budget Rex label.AI summary
Rex 8091 Dance
The Two Bobs performing 'Alexander's Ragtime Band' and 'Baby Rose' on Columbia, early ragtime-era novelty or dance material.AI summary
Columbia 1971 Dance
The Vernons, a minor British vocal or dance ensemble, recorded 'Who Put the Kink in the Winkle' and 'You Must Have a Little Bit of Fun' for Winner, catalogue 4400, a small British label. Winner issues of this period are scarce.AI summary
Winner 4400 Dance
Thomas performing 'Sahara' and 'I'm Somebody Nobody Loves' on Hom H (Home label), catalogue 714. Artist and label context are not established.AI summary
Hom H714 Dance
Thomas with Indian Dawn and Rose Marie on Vocalion X9564.AI summary
Vocalion X9564 Dance
Thomas & West performing 'Barney Google' and 'I Love Me' on Imperial 1178, a British dance-music pressing of the mid-1920s.AI summary
Imperial 1178 Dance
Hom H171 Dance
The Three Ginx, a vocal or novelty group, recorded 'While We Danced at the Mardi Gras' and 'Old Man of the Mountain' for Broadcast, catalogue 3265; Broadcast was a small independent British label.AI summary
Broadcast 3265 Dance
The Three Rascals, recorded on the Valk label with *The Gaby Glide* and *That Beautiful Band*, two popular dance numbers of the 1910s–1920s. Valk was a short-lived British imprint.AI summary
Valkyrie 315 Dance
The Three Virginians recorded for Piccadilly, a British budget label of the early 1930s; an unidentified vocal or instrumental ensemble.AI summary
Piccadilly 612 Dance
Tiny Hill with I'll Keep on Loving You and Auld Lang Syne on OKeh 5275.AI summary
Okeh 5275 Dance
Parlophone GP91569 Dance