3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 76 of 77
Paul Whiteman's orchestra performing 'Ah But Is It Love' and 'My Moonlight Madonna' on His Master's Voice.AI summary
His Master's Voice B6399 Dance
Paul Whiteman's orchestra recorded "Bagdad" and "Maybe" for His Master's Voice K-series catalogue 2741. Whiteman was the most commercially successful dance bandleader of the 1920s and early 1930s, and his records are widely collected.AI summary
His Master's Voice K2741 Dance
Paul Whiteman on His Master's Voice B1397, the 'King of Jazz' performing 'K-Lu-A Blue Danube Blues' and a Club Royal side. Whiteman was the most famous American bandleader of the 1920s–30s, and his records remain among the most collected in dance music.AI summary
His Master's Voice B1397 Dance
His Master's Voice B1407 Dance
A Victor record credited only to 'Whiteman' with two popular standards; likely either Paul Whiteman's orchestra or a house band using his name.AI summary
Victor 21240 Dance
Paul Whiteman's orchestra recorded "Taint So Honey Taint So" and "Chiquita" for Columbia catalogue 4981. A mainstream dance and popular record from Whiteman's peak commercial period.AI summary
Columbia 4981 Dance
Whiteman — likely Frankie Whiteman or another member of the Whiteman dance-band circle — recorded for Columbia; 'S'posin'' and 'Laughing Marionette' are light dance-novelty titles of the 1920s–30s.AI summary
Columbia 5520 Dance
His Master's Voice B6275 Dance
Paul Whiteman, the legendary American bandleader and 'King of Jazz', recorded for His Master's Voice in the late 1920s. Whiteman was one of the biggest recording artists of the early phonograph era.AI summary
His Master's Voice B1847 Dance
Paul Whiteman and his orchestra recorded 'I Can't Get the One I Want' and 'Somebody Loves Me' for His Master's Voice, catalogue B1889; Whiteman was the most famous orchestra leader of the 1920s and early 1930s.AI summary
His Master's Voice B1889 Dance
Whiteman performing 'Smoke gets in your Eyes' and 'Learning' (credited to Duchin) on His Master's Voice B6540, likely from the early 1930s.AI summary
His Master's Voice B6540 Dance
Whitey Kaufman, a pianist and bandleader active in the 1920s, on His Master's Voice B1854. This is early material from the mid-1920s, part of HMV's output during the transition from acoustic to electrical recording.AI summary
His Master's Voice B1854 Dance
Whitlock Trio performed 'Dixie Patrol' and 'Beavers Parade' for Regal 7855, a British Regal pressing of the late 1920s or early 1930s.AI summary
Regal 7855 Dance
The Wigwam Orchestra (Gold) is not well-documented. This Imperial label side, numbered 1411, pairs two well-known standards: 'Tea for two' and 'I want to be happy', likely from the 1920s–early 1930s.AI summary
Imperial 1411 Dance
Dominion A164 Dance
Wilbur with Broadway Melody and You Were Meant for Me on Dominion A137, two songs from the 1929 film.AI summary
Dominion A137 Dance
Wilbur with My Ideal and When I Met Connie in the Cornfield on Dominion A156.AI summary
Dominion A156 Dance
Wilbur, an unidentified artist, performs 'Blue Hills of Pasadena' and 'Louise' on DomA, a marginal British label.AI summary
Dominion A164 Dance
A vocal or dance record by Wilbur on the obscure DomA label, catalogue 179, with sides 'I'm just in the Mood tonight' and 'S'posin''.AI summary
Dominion A179 Dance
Credited to Wilbur on Dom (Domophone), performing 'Fairy on the Clock' and 'Toymaker's Dream', a British budget label of the 1920s–30s.AI summary
Dominion A192 Dance
Wilbur (likely a house orchestra) recorded 'Varsity Drag' and 'Good News' from the 1927 musical of that name for DomA, catalogue 2, an early catalogue entry.AI summary
Dominion A2 Dance
Credited to Wilbur on DomA. 'Love' and 'Orange Blossom Time' suggest sentimental popular or light dance material, but neither artist nor label are clearly identifiable from standard discographies.AI summary
Dominion A207 Dance
Wilbur with Am I Blue and My Song of the Nile on Dominion A212.AI summary
Dominion A212 Dance
Wilbur, an unidentified artist, on DomA: 'Shout hallelujah' and 'Don't be like that', likely gospel or religious material from a minor label.AI summary
Dominion A44 Dance
Credited to Wilbur on Dominion (DomA), a small British label; 'I Want to be Alone with Mary Brown' and 'Stay Out of the South' are light-entertainment numbers from the late 1920s–1930s, but the artist and label are obscure.AI summary
Dominion A5 Dance
An artist credited as Wilbur recorded 'If I Had You' and 'I'm Crazy Over You' for DomA. Both the artist and label DomA are not identified in standard discographies.AI summary
Dominion A64 Dance
Wilbur with Misery Farm and I Think of What You Used to Think of Me on Dominion A67.AI summary
Dominion A67 Dance
Wilbur on DomA 68. DomA was a British label imprint, likely short-lived or a house label. The artist is unidentified and the catalogue number is low, suggesting an early or limited pressing, but the record cannot be placed further.AI summary
Dominion A68 Dance
Wilbur recorded 'Pokee okee oh' and 'Casabianca' for DomA 70, an obscure label with an early catalogue number.AI summary
Dominion A70 Dance
Wilbur, an unidentified artist, performs 'Susianna' and 'Madelaine' on DomA, a small British label — likely light vocal or instrumental recordings.AI summary
Dominion A99 Dance
Credited to Wilbur on Rex, a cheap British label. 'Gold Diggers of 1933' refers to the Warner Bros. musical of that year. Wilbur is not identified as a known recording artist.AI summary
Rex 8049 Dance
Jay Wilbur, a British bandleader and composer, on Rex 8070 in the 1930s–1940s.AI summary
Rex 8070 Dance
Credited to Wilbur on the Rex label, a cheap British marque of the early 1930s. The titles suggest popular songs of the period rather than a known recording artist.AI summary
Rex 8072 Dance
Wilbur performing 'It's all forgotten now' and 'Easy come easy go' on Rex 8250, a dance-band side on a cheap British label from the early 1930s.AI summary
Rex 8250 Dance
Wilbur, an unidentified artist, performing nursery rhymes on Rex 8312, a minor label and catalogue number from an unknown period.AI summary
Rex 8312 Dance
Credited to Wilbur on Rex 8363, performing 'London on a Rainy Night' and 'Roll Along Covered Wagon'.AI summary
Rex 8363 Dance
Wilbur recorded 'Round the World with The Music goes Round' for Rex, catalogue 8820, a 1930s popular recording.AI summary
Rex 8820 Dance
Wilbur on Rex (9066) with a 'Hello Blackpool medley', light entertainment and local-interest material from the early 1930s.AI summary
Rex 9066 Dance
Rex 9188 Dance
Jay Wilbur, a British dance bandleader and composer, recorded "Jay Wilbur's Festive Party" for Rex 0870.AI summary
Rex 0870 Dance
Jay Wilbur on Imperial 2339 from the 1930s–1940s.AI summary
Imperial 2339 Dance
Credited to Wilbur on Imperial, a cheap British marque of the 1920s–30s. Neither artist nor titles are recognizable from standard jazz or dance discographies of the period.AI summary
Imperial 2371 Dance
Imperial 2559 Dance
Credited to Wilbur on Imperial, performing 'Please don't mention it' and 'Looking on the bright Side', a British budget label of the 1920s–30s.AI summary
Imperial 2772 Dance
Wilbur on Eclipse with 'Go Home & Tell Your Mother' and 'Maggie Magee', on a very obscure and minor British label.AI summary
Eclipse 14 Dance
Wilbur on Eclipse 288, performing 'Dance of the Cuckoos' (a popular novelty theme) and 'Since I Fell in Love with Emmalina'. Eclipse was a small British label.AI summary
Eclipse 288 Dance
Eclipse 313 Dance
Wilbur, artist and context unknown, on DomA (Dominion), catalogue 17, performing two untitled or unidentified pieces.AI summary
Dominion A17 Dance