146 shellac records · mostly British pressings, 1900s–1950s
146 records matching · page 3 of 4
Manny Klein's Hawaiians performing 'Rainbows over Paradise' and the Hawaiian-language 'Makalpua o Kamakaeha' on Regal MR3376, a mid-1930s Hawaiian music recording.AI summary
Regal MR3376 Hawaiian
A Maori Hawaiian ensemble recorded two German-language songs (oddly billed as Hawaiian music) for Columbia in the 1930s–40s, likely for the German-speaking market.AI summary
Columbia DCW24 Hawaiian
Meloto 1824 Hawaiian
Mario de Pietro's Hawaiian Trio on Broadcast 153, performing 'Hello Aloha how are you' and 'Hawaiian waltz' — a Hawaiian-music side from a small British label.AI summary
Broadcast 153 Hawaiian
The Moana Orchestra, featuring vocalist Vaughn de Leath, recorded 'Aloha Oe Blues' and 'On the Shores of Honolulu' for Columbia; both are Hawaiian-inflected popular songs of the 1920s, and de Leath was a popular female vocalist of the era.AI summary
Columbia 14093 Hawaiian
The Moana Serenaders, a vocal group performing Hawaiian-themed songs "Al Ka Ko" and "On the Beach at Waikiki" on Decca, from the early 1930s catalogue series.AI summary
Decca 144 Hawaiian
The Moana Serenaders on Decca, recording Hawaiian novelty material. A typical 1930s-40s Hawaiian-music group on a mass-market label; Hawaiian 78s of this type are numerous and of modest collector interest.AI summary
Decca F5260 Hawaiian
The Moana Serenaders, a Hawaiian-influenced vocal group, performing "The Beauty Hula" and "Oni Oni" on Decca, from a later catalogue number in the 1930s-40s era.AI summary
Decca 5567 Hawaiian
The Morgan Sisters, a Hawaiian vocal group, recorded "Fish and Poi" and "My Waikiki Girl" for an obscure Hawaiian label, catalogue −1.AI summary
Hawaiian H-1 Hawaiian
Napua Stevens recorded 'Kaiki Hula' and 'Farewell to Hilo' for Pitman Records, a Hawaiian-themed catalogue. Hawaiian music had a sustained British vogue.AI summary
Pitman-Hawaiian 900 Hawaiian
Nellie Taylor singing Hawaiian and sentimental ballad material on His Master's Voice C737, recorded in the 1920s.AI summary
His Master's Voice C737 Hawaiian
A vocal trio (O. Burton, E. Courtland, L. Morgan) performing popular Hawaiian-influenced novelty material on His Master's Voice B818, a high-volume HMV pressing of the mid-1920s.AI summary
His Master's Voice B818 Hawaiian
Orchestre Hawaien Gino Bordin performing 'Lola' and a French-language title on Parlophone 85.265, a European pressing. Gino Bordin led a well-known Hawaiian ensemble of the 1920s–30s active in Paris and on the Continent.AI summary
Parlophone 85.265 Hawaiian
The Pagan Three for an unlabelled label (marked 'St'), performing Hawaiian and South Seas novelties: 'Makin' Wicky Wacky Down in Waikiki' and 'Song of the Islands'. The group and label are both obscure.AI summary
Sterno 680 Hawaiian
Pale K Lua, a Hawaiian vocalist, recorded these two Hawaiian songs for Victor. 'Ua like no a like' is a traditional Hawaiian title; the second side credits the Royal Hawaiians with Irene West as vocalist. Typical of the Hawaiian music recordings that were hugely popular in the 1920s-1930s.AI summary
Victor 17804 Hawaiian
Pale K. Lua and David K. Kaili, early Hawaiian guitarists, play Indiana March and Minnehaha Medley Waltz on Victor 17807.AI summary
Victor 17807 Hawaiian
Palie K. Lua and David K. Kaili performing Hawaiian dance music and traditional waltzes for His Master's Voice; the artists are likely Hawaiian musicians recorded in the inter-war era.AI summary
His Master's Voice B297 Hawaiian
The Palm Beach Hawaiians performing two Hawaiian novelty songs for Decca. This is a commercial Hawaiian dance recording from the mid-1930s.AI summary
Decca caF.2213 Hawaiian
Pierce & Roslyn recorded the Hawaiian-flavoured novelty 'Here Comes the Showboat' and 'Aloha' with Hawaiian harp for Piccadilly 379 in the early 1930s. The Hawaiian harp suggests an attempt to capitalise on the brief Hawaiian music craze of that era.AI summary
Piccadilly 379 Hawaiian
Ray Kinney was a Hawaiian slide-guitar virtuoso who recorded extensively from the 1920s through the 1940s; 'Kolopa' and 'Parting Day' appear on this Musical Library pressing, catalogue 891/2, likely from the 1930s.AI summary
MusicalLibrary 891/2 Hawaiian
Ray Kinney was an American Hawaiian guitarist and vocalist of the 1920s-1940s, a leading figure in Hawaiian music on record. This Decca pressing pairs two Hawaiian instrumental or vocal pieces from his repertoire.AI summary
Decca 3447 Hawaiian
Ray Kinney was an American Hawaiian guitarist and vocalist; this Decca record of 'Ke kali nei au' and 'Hualalai' brings his ukulele and slack-key guitar music to a British audience in the 1930s-1940s.AI summary
Decca 7376 Hawaiian
Ray Kinney, a Hawaiian guitarist and vocalist, on Decca F6233, performing 'To you, sweetheart' and 'Pretty red hibiscus'. Kinney recorded prolifically in the 1920s-40s and was popular with the British public, especially for Hawaiian-themed material.AI summary
Decca F6233 Hawaiian
Ray Kinney, a British ukulele player and Hawaiian music specialist, performing tropical-themed instrumental material on Decca in the 1930s–40s.AI summary
Decca F6560 Hawaiian
Ray Kinney, 'Nani Wale' and 'Mai Poina qe l'au', on Decca F7373; Kinney was a Hawaiian guitarist and singer popular in the 1940s and 1950s, and these Hawaiian-language titles reflect the enduring appeal of Hawaiian music on the commercial record market.AI summary
Decca F7373 Hawaiian
Ray Kinney on Decca, performing Hawaiian vocal music — Kinney was one of the leading Hawaiian vocalists in recordings from the 1920s–40s.AI summary
Decca F7374 Hawaiian
Ray Kinney was a Hawaiian guitarist and one of the early pioneers of the instrument in commercial recording. This Decca 811 pressing of "On a Cocoanut Island" and "Pretty Red Hibiscus" documents Hawaiian-guitar repertoire from the 1920s-1930s Hawaiian-music craze.AI summary
Decca 811 Hawaiian
Reda Caire performing 'My Normandy' and 'Auprès de ma blonde' on Parlophone's R-series, suggesting a Hawaiian or tropical novelty side from the 1930s.AI summary
Parlophone R1668 Hawaiian
Harry Reser recorded 'Swanee Shore' and '(Vorhees) Dawning', two instrumental pieces, for Columbia; Reser was the pre-eminent Hawaiian steel guitarist of the 1920s and 1930s.AI summary
Columbia 4873 Hawaiian
Harry Reser, the celebrated Hawaiian steel guitarist and innovator, recorded two instrumental pieces — 'The Rainbow Man' and '(Dixie Marimba) Sleepy Valley' — for Imperial, a minor British label.AI summary
Imperial 2100 Hawaiian
Sam Koki recorded 'Ebb Tide' and 'Paradise Isle' for Decca—Hawaiian and tropical-themed vocal numbers from the 1940s–1950s.AI summary
Decca 1438 Hawaiian
Sol Hoopi, a Hawaiian guitarist, recorded two instrumental pieces for Decca Records. Hoopi was an accomplished Hawaiian music performer active in the 1930s–40s, and these sides represent the Hawaiian guitar tradition on major-label pressings.AI summary
Decca F7008 Hawaiian
Sol Hoopi performing two Hawaiian songs on Columbia, likely from the 1920s: 'Kilohana' and 'Na Molokama'. The 1786-D catalogue number places this as part of Columbia's Hawaiian series. Hoopi was one of the earliest Hawaiian recording artists and his sides are sought by collectors of early Hawaiian music and world recordings.AI summary
Columbia 1786-D Hawaiian
Sol Hoopi on Brunswick 01658, a Hawaiian slide guitarist, with 'Ten tiny toes' and 'Drifting and dreaming'.AI summary
Brunswick 01658 Hawaiian
Sol Hoopi, a Hawaiian musician, performs 'Stack O Lee Blues' and 'Farewell Blues' on Decca X1717 from the 1930s. Hoopi was known for Hawaiian guitar music.AI summary
Decca X1717 Hawaiian
Sol Hoopi on the Eldee label, performing two religious Hawaiian pieces: 'Hawaii Calls for the Message of Our Saviour' and 'Broadcasting for Jesus'. Hoopi is unrecognised.AI summary
Eldee 122 Hawaiian
Sol Hoopii (or Hoopi), a Hawaiian steel guitar virtuoso of the 1920s–30s, recorded 'Kolo Pa' and 'Wave a Lei' for Regal MR3475.AI summary
Regal MR3475 Hawaiian
Sol Hoopi was a Hawaiian-born ukulele virtuoso and vocalist who recorded extensively for Brunswick in the late 1920s–early 1930s. His Brunswick sides represent some of the finest Hawaiian guitar and vocal music of the era, and UK copies can be scarce.AI summary
Brunswick 55083 Hawaiian
Sol Hoopi on the obscure British label Eldee, with 'End of the Trail' and 'The train song'; Hoopi was a Hawaiian guitarist active in the 1920s–30s.AI summary
Eldee 134 Hawaiian
Sol Hoopii, the Hawaiian steel guitarist and singer, performing 'Don't Stop Loving Me' and 'Iniki Malie' on Regal MR3509, a Hawaiian vocal and instrumental recording.AI summary
Regal MR3509 Hawaiian
Sol K Bright and his Hollywaiians recorded 'Heat Wave' and 'Not for all the tea' for His Master's Voice. A Hawaiian-style group performing popular music of the 1930s.AI summary
His Master's Voice B6524 Hawaiian
Spencer & Scott recorded 'Hawaiian Butterfly' and 'Arizona' for Diamond (411), a small British label from the early 1930s. The artists and label are obscure, but the Hawaiian title suggests this was part of the Hawaiian music boom.AI summary
Diamond 411 Hawaiian
The Sunny Hawaiians on Winner Records with two Hawaiian songs, a small British label from the 1920s-1930s.AI summary
Winner 3758 Hawaiian
Hawaiian instrumental ensemble led by Tau Moe, recorded for His Master's Voice; Moe was a respected Hawaiian musician working in Britain during the 1930s.AI summary
His Master's Voice NE596 Hawaiian
The Hawaiian Serenaders performing 'Aloma' and 'Kona Waltz' for Perf-series (Perf 317), an unidentified label of uncertain date.AI summary
Perfect 317 Hawaiian
The Kilima Hawaiians recorded Hawaiian music for Philips; the titles are in German, suggesting a Continental European pressing or re-release.AI summary
Philips 4083 Hawaiian
The Kilima Hawaiians were a dance band recording for Decca in the 1930s–40s; this side offers Hawaiian-influenced popular song, reflecting the period's fascination with tropical dance-band idioms.AI summary
Decca C16024 Hawaiian
Waikiki Hawaiian Trio performing Hawaiian instrumental music — 'Na lei o Hawaii' and 'Hilo March' — on the Sunset label, a minor British imprint.AI summary
Sunset 1086 Hawaiian