15 shellac records · mostly British pressings, 1900s–1950s
15 records matching
Albert Muller, recorded on Odeon, a major European label. 'The Jolly Singer' and 'The Carnival of Venice' are standard light-music and operatic-repertoire pieces. Muller is not identified in standard English-language discographies.AI summary
Odeon 34862 Instrumental
An anonymous instrumental recording on Odeon catalogue 36404 containing 'Berceuse de Jocelyn' (from Godard's opera) and 'Méditation' from Massenet's Thaïs — two of the most popular salon pieces of the acoustic era. The absence of an artist credit is unusual; the Odeon catalogue number suggests a continental pressing.AI summary
Odeon 36404 Instrumental
Borrah Minevitch, a harmonica virtuoso, recorded 'Viza Blues' and 'Tango American' on Odeon 165830. Minevitch was famous for his harmonica ensemble and appeared on radio and film; his records are sought by collectors of novelty instrumental music.AI summary
Odeon 165830 Instrumental
Finck and the London Palace Orchestra recorded light orchestral and novelty instrumental material for the Odeon label in the 1920s; this coupling of two orchestral pieces is typical of dance-era instrumental filler.AI summary
Odeon 0723 Instrumental
Frank Mazziotta on "The Sleighride" and "Danse des Satyrs" for Odeon 032032. Mazziotta was a pianist and composer of light orchestral music, active in the early-to-mid 20th century.AI summary
Odeon 032032 Instrumental
Heinrich Hensel, a German guitarist or classical musician, recorded two short pieces on Odeon RX105, a later electrical issue.AI summary
Odeon RX105 Instrumental
Henry Forsyth recorded this instrumental march medley for Odeon. Marches were popular instrumental recording fare throughout the 78 era, especially as side-fillers. Forsyth is not a well-known bandleader and this appears to be a minor recording.AI summary
Odeon 44845 Instrumental
The H.M. Grenadier Guards recorded a two-part selection—likely from a popular musical or operetta—for Odeon. This represents a military band recording, a common genre in early 20th-century shellac production.AI summary
Odeon 66335 Instrumental
A Belgian accordion player recording in French for the Odeon label; little is known of J Willekens or the reach of Odeon's continental catalogue in Britain.AI summary
Odeon 33287 Instrumental
Johannes Herskind, a Danish musician, recorded these waltzes from *Klokken fra Corneville* (a Danish operetta) on Odeon; the catalogue number suggests a 1920s–1930s pressing.AI summary
Odeon 144253//4 Instrumental
Le Messe de Saint Hubert perform 'Trompes de Chasse', traditional French hunting-horn fanfares, on the Odeon label's international catalogue.AI summary
Odeon 33125 Instrumental
A regimental band of the French Republic recorded these two march-style pieces on Odeon, a major European label, in the early 1930s. These are straightforward military/ceremonial recordings.AI summary
Odeon 030601 Instrumental
Reser was a composer and bandleader who recorded instrumental pieces, likely dance or novelty material. This Odeon pressing is from the acoustic or early electrical era, circa 1920s.AI summary
Odeon 221103 Instrumental
Tony Murena, the French accordionist and guitarist of the musette tradition, with Y'a tant d'amour and La colline aux oiseaux on Odeon 282.490.AI summary
Odeon 282.490 Instrumental
Whit Cunliffe, a British pianist and composer, recorded light classical and popular material for Odeon in the early 1930s.AI summary
Odeon 44662 Instrumental