10 shellac records · mostly British pressings, 1900s–1950s
10 records matching
The Blue River Band performing instrumental material on Piccadilly 416, a small British label of the 1920s-1930s.AI summary
Piccadilly 416 Instrumental
Brooks on Piccadilly with cross-reference to Grey Gull. Piccadilly was a cheap British reissue label; this appears to be a reissue of earlier American material. The artist is unidentified.AI summary
Piccadilly 496 Instrumental
Carlos Ames, a harpist, recorded 'Welsh Fantasia' and 'Irish Melodies' for Piccadilly Records, catalogue 761. Piccadilly was a cheap British budget label of the 1930s–40s.AI summary
Piccadilly 761 Instrumental
Darewski performing ukulele material on Piccadilly, a cheap British budget imprint of the 1920s-30s.AI summary
Piccadilly 189 Instrumental
A descriptive instrumental recording, 'Haunted Room' in two parts, on Piccadilly, catalogue 874 — sound-effect or theatrical evocation material from the early 1930s.AI summary
Piccadilly 874 Instrumental
Eugene Earle on Piccadilly, a cheap British marque of the early 1930s; a banjo novelty and light instrumental.AI summary
Piccadilly 152 Instrumental
Harold Fairhurst performing classical instrumental repertoire on Piccadilly; catalogue 5079 suggests early 1930s pressing.AI summary
Piccadilly 5079 Instrumental
Henry Steele's 'Keyboard Kapers' and 'Shower of Notes' on Piccadilly 446. Piccadilly was a cheap British dance and novelty label of the 1930s; nothing further is known of this pianist.AI summary
Piccadilly 446 Instrumental
Louis Revel on Piccadilly Records, catalogue C359, with 'Vive la Libertà' and 'Poet and Peasant'. Piccadilly was a cheap British marque of the 1930s, and this catalogue number suggests an early pressing.AI summary
Piccadilly c359 Instrumental
Maxim Turganoff, credited on Piccadilly 5116, performs 'Elegie' and 'Chanson Hindoue'. Piccadilly was a cheap British label of the early 1930s.AI summary
Piccadilly 5116 Instrumental