965 shellac records · mostly British pressings, 1900s–1950s
965 records matching · page 5 of 21
Billy Mayerl, the celebrated British pianist and composer of light syncopated piano music, on his own Mayerl label. 'Modern Syncopation' is part of a teaching or performance series, part 9 with continuation on side B.AI summary
Mayerl Instrumental
Billy Mayerl, Britain's leading stride-piano composer and performer, on his own Mayerl Records label performing 'Modern Syncopation 7 and 8' — part of his systematic instructional and performance series.AI summary
Mayerl Instrumental
Billy Mayerl, a celebrated British light-music composer and pianist, recorded 'By the Fireside' and 'Try to Remember Me' for Columbia, catalogue DB806, in the 1930s. Mayerl's piano recordings capture sophisticated light-music idiom of the era.AI summary
Columbia DB806 Instrumental
Billy Mayerl, a British pianist and light-music composer, on Columbia DB16, performing his own light piano arrangements of classical themes and folk songs.AI summary
Columbia DB16 Instrumental
Billy Mayerl recorded 'Love Race' and 'Sons o' Guns' for Columbia DB188. Mayerl was a British pianist and composer known for light piano music and dance compositions.AI summary
Columbia DB188 Instrumental
Billy Mayerl, the renowned British composer and pianist, performing two novelty jazz pieces for His Master's Voice: 'Jazzaristrix' and 'Virginia Creeper'—examples of his distinctive syncopated style.AI summary
His Master's Voice B2203 Instrumental
Billy Mayerl, the influential British light-music composer and pianist, performing two of his own piano pieces—"Marigold" and "Sweet William"—on Decca F8250.AI summary
Decca F8250 Instrumental
Billy Mayerl, a British light-music composer and pianist, recorded 'All of a Twist' and 'Eskimo Shivers' on His Master's Voice B2130; Mayerl was known for novelty and salon-style piano music of the 1920s–30s.AI summary
His Master's Voice B2130 Instrumental
Billy Whitlock with Erin's Pride and Messenger March on Citizen 527.AI summary
Citizen 527 Instrumental
Billy Whitlock recorded 'Torchlight March' and 'Welcome Back March' for Scala, a small British label active in the early 1900s.AI summary
Scala 740 Instrumental
Billy Whitlock on Imperial 959, a dance-era instrumental from the mid-1920s.AI summary
Imperial 959 Instrumental
Billy Whitlock on Winner 2044, performing 'Skaters Waltz' and 'Dainty Daisy Dimple'.AI summary
Winner 2044 Instrumental
Billy Whitlock on Winner 2047 with 'Laughing Billy' and 'International Jig'.AI summary
Winner 2047 Instrumental
Billy Whitlock recorded 'Erin's Pride' and 'King Charles Gavotte' for Belt, a small British label. The artist and exact date are otherwise undocumented.AI summary
Beltona 256 Instrumental
Billy Whitlock on Guards Records, a short-lived British label, with 'Bow Bells' and 'Dance of the Goblins'.AI summary
Guardsman 1225 Instrumental
Billy Whitlock, a performer, recorded "On the Lake" and "Colonel Bogey" (with band) for Melot, a British label.AI summary
Meloto 1055 Instrumental
Billy Whitlock recorded two pieces for Oly, a small British label: 'Moonlight Capers' and 'Keep on March'.AI summary
Oly 132 Instrumental
Billy Whitlock recorded 'British Empire March' and 'Bow Bells' for Belt, a small British label of the early 1920s.AI summary
Beltona 257 Instrumental
Billy Whitlock performs two light instrumental selections on Broadcast, a small British label, catalogue Jr112.AI summary
Broadcast Jr112 Instrumental
Billy Whitlock on J. Bullman B21, two instrumental dance pieces from the early 1920s. J. Bullman was a very small British label operating in the acoustic era.AI summary
John Bull B21 Instrumental
Billy Whitlock, credited to Broadcast Records, performs two novelty or light instrumental pieces.AI summary
Broadcast 246 Instrumental
Billy Whitlock recorded 'She Loved That Melody' and 'Playtime March' for Broadcast, a small British label; Whitlock appears to have been a minor instrumental or dance performer.AI summary
Broadcast 311 Instrumental
Billy Whitlock on Regal Records, performing two early-twentieth-century dances — 'Jollity One Step' and 'Happy Days Schottische' — instrumental dance-music typical of the 1920s.AI summary
Regal 7124 Instrumental
Billy Whitlock recorded piano pieces 'Silver Moonbeams' and 'Evening Echoes' for Regal in the 1930s, instrumental salon or light-classical fare typical of the period.AI summary
Regal 7516 Instrumental
Billy Whitlock, recorded on JBull (J. Bull Gramophone Company), performing descriptive novelty pieces 'Billy Whitlock's Aeroplane' and 'Billy Whitlock's Wedding.' J. Bull was a minor British imprint whose recordings are scarce.AI summary
John Bull 40820 Instrumental
Billy Whitlock with King Charles Gavotte and Purple Heather on Duophone M144.AI summary
Duophone M144 Instrumental
Billy Whitlock performing two traditional pieces, 'Purple Heather' and 'King Charles Gavotte', on Duo U.B. 2025. Duo U.B. was a minor British label and Whitlock is not readily placed.AI summary
Duophone UB2025 Instrumental
Billy Whitlock on Bull 520, a British label of the 1920s–30s.AI summary
Bulldog 520 Instrumental
Billy Whitlock on Parlophone E5059, performing 'Islander March' and 'Pride of Erin'. Whitlock was a British organist and pianist of the 1920s–30s; E-series Parlophone 78s are moderately collectible.AI summary
Parlophone E5059 Instrumental
Billy Whitlock, credited on Winner, a cheap British budget label, with instrumental or character piece titles suggesting folksong or novelty arrangement.AI summary
Winner 4535 Instrumental
Billy Whitlock on Pigmy 4, an extremely early catalogue number on an unidentified British label, suggesting a short-lived or experimental imprint.AI summary
Pigmy 4 Instrumental
The Birmingham City Police Band on Regal, a cheap British marque, recording march and novelty material: 'Tiger's Tail March' and 'Watermelon Fete'. Local or regional police band recording, typical of 1920s–30s output.AI summary
Regal 7717 Instrumental
Birmingham City Police Band recorded "Tiger's Tail March" and "Watermelon Fete" for Regal 7717, a British budget label.AI summary
Regal 7717 Instrumental
The Black Dyke Mills Band, the famous Yorkshire brass band, on an early G&T.AI summary
G&T 496 Instrumental
The Blue River Band performing instrumental material on Piccadilly 416, a small British label of the 1920s-1930s.AI summary
Piccadilly 416 Instrumental
Bohumir Kryl, a Bohemian cornet virtuoso, performs "Eileen Allanna" for Imperial — Kryl was one of the great cornet soloists of the early 20th century.AI summary
Imperial 45305 Instrumental
Bormioli and Semprini on Parlophone GP92280, performing "Tomorrow is another Day" and an Italian song. Semprini was a British pianist and entertainer known for light classical and novelty recordings from the 1930s onward.AI summary
Parlophone GP92280 Instrumental
Borrah Minevitch's harmonica ensemble recorded these standards for Brunswick in the late 1920s or early 1930s; Minevitch was a prominent harmonica virtuoso and showman.AI summary
Brunswick 01967 Instrumental
Borrah Minevitch was a harmonica player and entertainer; this Columbia side captures him in two popular songs from the 1930s.AI summary
Columbia FB2617 Instrumental
Borrah Minevitch, a harmonica virtuoso, recorded 'Viza Blues' and 'Tango American' on Odeon 165830. Minevitch was famous for his harmonica ensemble and appeared on radio and film; his records are sought by collectors of novelty instrumental music.AI summary
Odeon 165830 Instrumental
Borrah Minevitch, the Russian-American harmonica virtuoso and bandleader, recorded 'Limehouse Blues' and 'You are my lucky Star' for Decca F5833, a UK pressing from the mid-1930s. Minevitch's 'Harmonica Rascals' were a popular stage and recording act.AI summary
Decca F5833 Instrumental
Borrah Minevitch was an American harmonica virtuoso and bandleader who recorded extensively in the 1930s–1940s; this Brunswick side showcases his swing style.AI summary
Brunswick 01998 Instrumental
Borrah Minevitch was a harmonica virtuoso and bandleader popular in the 1930s, known for novelty and swing arrangements. This Brunswick pressing of 'Moonglow' and 'Daybreak Express' dates from the early LP era of the label's numbering.AI summary
Brunswick 01918 Instrumental
Borrah Minevitch, a harmonica virtuoso who led the Harmonica Rascals, a popular novelty group of the 1920s-1940s, recorded 'Hora Staccato' and 'Liebestraum' for Brunswick; these showcase the harmonica in classical and virtuoso style.AI summary
Brunswick 03826 Instrumental
The Boudini Brothers performing 'Irish Medley of Reels' and 'Irish Medley of Jigs' on Pathé 22092, an instrumental dance record from the 1920s.AI summary
Pathé 22092 Instrumental
'Bow Bells Full Peal', a two-sided recording of the famous London church bells on HomS 020, a small British label.AI summary
Hom S020 Instrumental
Boyd Senter, a popular clarinet and saxophone soloist of the 1920s, on Victor with two instrumental blues numbers. Senter was a prolific recording artist and his sides are relatively common.AI summary
Victor 21864 Instrumental
The Brighouse and Rastrick Band, a famous Yorkshire brass band, play Senator and Melody in F on Jamco BR1403.AI summary
Jamco BR1403 Instrumental