300 shellac records · mostly British pressings, 1900s–1950s
300 records matching · page 6 of 7
Red Nichols (spelled Nicholls here) on Brunswick 118, 'New Orleans' and a second side, from the hot-jazz cornet player and bandleader's prolific output, likely from the late 1920s.AI summary
Brunswick 118 Jazz
Red Nicholls, a jazz cornettist associated with the Original Memphis Five and other early jazz ensembles, recorded "After You've Gone" and "The Sheik" for Brunswick 1104, a numbered series from the mid-1920s.AI summary
Brunswick 1104 Jazz
Red Nicholls, an American jazz banjoists and bandleader of the 1920s, recorded 'It's no Bargain' and 'Washboard Blues' for Brunswick 3407 in the hot-jazz style.AI summary
Brunswick 3407 Jazz
Red Nichols, pioneering jazz cornet player and bandleader of the 1920s, recorded for Brunswick; this 3000-series side couples two hot-jazz novelties from the jazz-age era.AI summary
Brunswick 3597 Jazz
Red Nichols, the American jazz cornettist and bandleader, recorded these two sides for Brunswick, likely in the early 1930s; both are important early jazz standards.AI summary
Brunswick 3855 Jazz
Red Nichols and his Five Pennies, one of the most important white jazz groups of the 1920s, recorded 'China Boy' and 'Peg O' My Heart' for Brunswick 01019. Both are jazz standards of the era.AI summary
Brunswick 01019 Jazz
Red Nichols, the white jazz cornetist and bandleader, recorded "Ida, Sweet as Apple Cider" and "Feelin' No Pain" for Brunswick in the late 1920s. Nichols was influential in early jazz and hot dance.AI summary
Brunswick 3626 Jazz
Red Nichols was a prominent American jazz cornetist and bandleader of the 1920s, leading the Pennies and Five Pennies and recording extensively for Brunswick. 'I Got Rhythm' and 'Sweet and Hot' are typical of his uptempo jazz style and represent early hot jazz on a major American and British label.AI summary
Brunswick 1300 Jazz
Red Nichols and his Five Pennies on Brunswick 01804 with 'Alabama Stomp' and 'Hurricane', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary
Brunswick 01804 Jazz
Red Nichols, an influential American jazz cornetist and bandleader of the 1920s–1930s, performing 'Five Pennies' (his signature piece) and 'Japanese Sandman' on Brunswick 01851 — an early electrical-era recording.AI summary
Brunswick 01851 Jazz
Red Nichols, the innovative white jazz cornetist and bandleader, recorded these two standards for Brunswick in the mid-1920s. 'Rockin' Chair' and 'Whispering' are both hallmarks of the hot jazz era, and Nichols was a central figure in that style; his Miff Mole collaborations and Five Pennies records are collected seriously.AI summary
Brunswick 01852 Jazz
Red Nichols, the influential New York jazz cornet player, recorded 'Haunting Blues' and 'Yaaka Hula Hickey Dula' for Brunswick Records. Nichols was a prolific and well-documented jazz bandleader active in the 1920s–30s, best known for his 'Five Pennies' ensemble.AI summary
Brunswick 1262 Jazz
Red Nichols, the pioneering American jazz cornetist, performing 'I got Rhythm' and 'Sweet and hot' on Brunswick, recorded in the late 1920s with his widely-collected Five Pennies ensemble or successor band.AI summary
Brunswick 01300 Jazz
Red Nichols was the most prolific and technically accomplished jazz cornetist of the 1920s, leading the Five Pennies and recording prolifically for all major labels. This Brunswick side from 1926 is part of his classic early jazz catalogue.AI summary
Brunswick 1441 Jazz
Red Nichols, a prominent American jazz bandleader of the 1920s–30s, recorded 'I Want to Be Happy' and 'Tea for Two' for Brunswick, UK pressing—two jazz-era standards that were widely issued.AI summary
Brunswick 01032 Jazz
Red Nichols, the influential American hot-jazz cornettist and bandleader, on Brunswick 1062, performing "Who" and "Carolina in the morning".AI summary
Brunswick 1062 Jazz
Red Nichols, an important jazz cornetist of the 1920s–30s, recorded 'How Long Blues' and 'Fan It' for Brunswick 1213; these are hot jazz standards of the period.AI summary
Brunswick 1213 Jazz
Red Nichols was a pioneering hot-jazz cornet player and bandleader of the 1920s; this Brunswick coupling of 'Junk man blues' and 'Bass drum Dan' is from his prolific early recording period.AI summary
Brunswick 1225 Jazz
Red Nichols, the cornet-playing pioneer of hot dance and jazz, recorded 'Waitin' for the Evenin' Mail' and 'Slow and Easy' for Brunswick; Nichols was one of the most important figures in 1920s jazz.AI summary
Brunswick 1312 Jazz
Red Nichols, a pioneering American jazz cornetist and bandleader of the 1920s, recorded two hot jazz numbers on Brunswick, a major British and American label. 'Alabama Stomp' and 'Hurricane' are characteristic of his prolific output during the jazz age and are sought by hot jazz collectors.AI summary
Brunswick 3550 Jazz
Red Nichols, the pioneering American jazz cornetist, recorded two hot jazz sides on Brunswick. Nichols was a prolific jazz bandleader whose sides are collected by enthusiasts of 1920s hot jazz.AI summary
Brunswick 3597 Jazz
Red Nichols and his Five Pennies on Brunswick 3801 with 'Avalon' and 'Nobody's Sweetheart', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary
Brunswick 3801 Jazz
Red Nichols and his ensemble recorded 'Allah's Holiday' and 'Roses of Picardy' for Brunswick (3960) in the late 1920s. Nichols was a prominent jazz cornet player and bandleader of the hot-jazz era, and his Brunswick sides are collected by serious jazz enthusiasts.AI summary
Brunswick 3960 Jazz
Red Nichols, the American jazz cornetist and bandleader, recorded Vincent Youmans's 'Tea for two' and 'I want to be happy' for Brunswick 1032 in the late 1920s.AI summary
Brunswick 1032 Jazz
Red Nichols, a pioneering jazz cornet player and bandleader of the 1920s–30s, recorded 'I'm Marching Home to You' and 'I Used to Love Her in the Moonlight' for Brunswick 3991. Nichols was an influential figure in early jazz and dance music.AI summary
Brunswick 3991 Jazz
Red Nichols, the influential American jazz cornetist and bandleader, recorded these hot jazz standards for Brunswick. Both titles are jazz classics of the 1920s. UK copies of early Brunswick jazz are uncommon.AI summary
Brunswick 01104 Jazz
Red Nichols on Brunswick 01591, 'Dinah' / 'Indiana'. Red Nichols was a leading hot-jazz cornetist of the 1920s–1930s, famous for his 'Five Pennies' and recordings with leading jazz and swing musicians.AI summary
Brunswick 01591 Jazz
Red Nichols, a prominent American hot-dance and jazz bandleader, recorded 'Nobody's Sweetheart' and 'Avalon' for Brunswick 01569. Red Nichols' Five Pennies and related ensembles were highly popular in the 1920s-30s.AI summary
Brunswick 01569 Jazz
Red Nichols, the American jazz cornetist, performing 'I Have to Have You' and 'Oh Lady Be Good' on Brunswick 02676, from the late 1920s.AI summary
Brunswick 02676 Jazz
Red Nichols on Brunswick 01300, two jazz standards 'I got Rhythm' and 'Sweet and hot', from the bandleader's extensive catalogue in the 1930s–40s.AI summary
Brunswick 01300 Jazz
Red Nichols, a pioneering jazz cornet player and bandleader of the 1920s, performing two jazz standards on Brunswick 03499. The catalogue number indicates a very early Brunswick pressing, circa 1927–1928.AI summary
Brunswick 03499 Jazz
Red Nichols, the American jazz cornetist and bandleader, recorded 'Ida Sweet as Apple Cider' and 'Feelin' No Pain' for Brunswick 80069 in 1927. Nichols was a prolific hot-jazz recording artist of the 1920s and early 1930s.AI summary
Brunswick 80069 Jazz
Red Nichols and his Five Pennies, the cornettist's recording band of the late 1920s and early 1930s, whose shifting line-ups drew on many of the leading New York jazz players of the day, play 'Corrine Corrina' and 'Bug-a-boo' on British Brunswick.AI summary
Brunswick 1120 Jazz
Red Nichols and his band recorded 'Short survey of modern rhythm' for Brunswick, catalogue 02000, an early Brunswick release, likely from the late 1920s.AI summary
Brunswick 02000 Jazz
Red Norvo performing 'Says my Heart' and 'You Leave Me Breathless' on Brunswick 8135. Norvo was a major American vibraphone player and bandleader, a key figure in swing jazz.AI summary
Brunswick 8135 Jazz
Rodemich performing 'Hot roasted Peanuts' and 'Dream Daddy' on Brunswick, the American label widely distributed in Britain during the 1920s-1930s.AI summary
Brunswick 2525 Jazz
Rudy Wiedoeft, a jazz saxophonist of the 1920s, recorded 'Saxarella' and 'Danse hongroise' for Brunswick 2825, jazzy novelty and dance material from the early acoustic era.AI summary
Brunswick 2825 Jazz
Rudy Wiedoeft, an American saxophonist, recorded 'Velma' and 'Saxophone Fantasie' for Brunswick—instrumental novelty and jazz sides from the 1920s acoustic era, when Wiedoeft was a popular recording artist.AI summary
Brunswick 2071 Jazz
Sioux City Six performing 'Flock o' Blues' and 'I'm Glad' on Brunswick, catalogue 02207. The Sioux City Six were a jazz ensemble active in the late 1920s; this is an early Brunswick jazz recording.AI summary
Brunswick 02207 Jazz
Noble Sissle and Sidney Bechet, two of the most important figures in early jazz, recorded together for Brunswick 02652 in the late 1920s. 'Viper Mad' and 'Sweet Patootie' are hot jazz titles from the peak of the jazz age.AI summary
Brunswick 02652 Jazz
Noble Sissle and Sidney Bechet, pioneering African-American jazz musicians, on Brunswick 02702 performing 'Blackstick' and 'Southern Sunset'.AI summary
Brunswick 02702 Jazz
The Six Jumping Jacks on Brunswick 3684, performing 'Here Comes the Show Boat' and 'Go Home and Tell Your Mother' — a jazz or novelty dance number from the Brunswick catalogue.AI summary
Brunswick 3684 Jazz
Tommy Dorsey, a leading American jazz trombonist and bandleader of the swing era, recording on Brunswick—two popular ballads arranged in the relaxed style Dorsey favoured.AI summary
Brunswick 05757 Jazz
Teddy Wilson, the pioneering jazz pianist, recorded 'Sailin'' and 'I can't give you anything but love' (with Billie Holiday) for Brunswick 7781, from the important mid-1930s small-group swing sessions.AI summary
Brunswick 7781 Jazz
The Ink Spots, the American vocal quartet and pioneering rhythm-and-blues group, on Brunswick 03075 with two of their hits from the late 1930s or early 1940s.AI summary
Brunswick 03075 Jazz
The Ink Spots were a highly successful American vocal group, and 'Java Jive' and 'Do I Worry?' are characteristic recordings of their smooth, harmonised style. Their recordings remain widely collected and are important documents of American popular song in the swing era.AI summary
Brunswick 03197 Jazz
The Spirits of Rhythm, a vocal harmony group, on Brunswick; the Spirits of Rhythm were a respected American vocal ensemble of the 1930s–1940s, influential in group singing and percussion.AI summary
Brunswick 02058 Jazz
Brunswick 01545 Jazz