344 shellac records · mostly British pressings, 1900s–1950s
344 records matching · page 1 of 8
Jazz and popular standards recorded by Aaronson on His Master's Voice (catalogue B5667), likely from the late 1920s. The artist may be Carl Fenton's Aaronson or a similar early jazz figure, but attribution is uncertain.AI summary
His Master's Voice B5667 Jazz
Adelaide Hall, a renowned jazz vocalist, and Fats Waller, the stride pianist and entertainer, recorded 'I Can't Give You Anything but Love' and 'That Old Feeling' for His Master's Voice, catalogue B8849, likely early 1930s.AI summary
His Master's Voice B8849 Jazz
Adrian Rollini recorded 'Honeysuckle Rose' and 'Bouncin' in Rhythm' for His Master's Voice JF series (39), a swing-era side from the 1930s. Rollini was a multi-instrumentalist (vibraphone, saxophone) and a respected swing musician, and his HMV sides are sought by jazz collectors.AI summary
His Master's Voice JF39 Jazz
Adrian Rollini, a virtuoso multi-instrumentalist (saxophone, harmonica, xylophone) and important figure in 1920s–30s jazz and hot dance, on His Master's Voice B8660. Rollini's recordings are collected by jazz and dance-band enthusiasts.AI summary
His Master's Voice B8660 Jazz
Adrian Rollini, a pioneering jazz vibraphonist and saxophonist, recorded two jazz pieces for His Master's Voice: 'Weather Man' and 'Bouncin' in Rhythm', probably in the early 1930s.AI summary
His Master's Voice B8660 Jazz
The All Star Trio on His Master's Voice B1262, performing 'Twelfth Street Rag' and Hylton's 'Campanas', jazz-influenced instrumental pieces from the 1920s-30s.AI summary
His Master's Voice B1262 Jazz
Alstone is not identified in standard discographies. 'Black Joe' and 'Cinquième Avenue' are recorded on His Master's Voice K8716, a K-series catalogue number consistent with the early 1920s.AI summary
His Master's Voice K8716 Jazz
Arden-Ohman (likely referring to Victor Arden and Phil Ohman, the American piano duo) recording 'Should I' and the High Hatters' 'A Bundle of Old Love Letters' for His Master's Voice B5791, mid-1920s.AI summary
His Master's Voice B5791 Jazz
Armstrong (forename not given) performing two jazz sides for His Master's Voice: 'I hate to leave you now' and 'Hello (McKinney)'.AI summary
His Master's Voice B6335 Jazz
Armstrong performing 'Dusky Stevedore' and 'Mississippi Basin' on His Master's Voice B6387, likely Louis Armstrong in the mid-1920s.AI summary
His Master's Voice B6387 Jazz
Artie Shaw, the virtuoso clarinetist and bandleader, recorded "Serenade to a Savage" and "Traffic Jam" for His Master's Voice. Shaw was one of the most important big-band leaders of the 1930s–1940s.AI summary
His Master's Voice B9006 Jazz
Artie Shaw, the clarinet virtuoso and big-band leader, recorded 'I Surrender Dear' and 'Lady Be Good' for His Master's Voice. Shaw was a major American swing star; this HMV B9018 is a standard swing-era pressing.AI summary
His Master's Voice B9018 Jazz
Artie Shaw's clarinet-led orchestra on "King for a Day" and "April in Paris" for HMV B9105. Shaw was one of the finest hot-jazz and swing clarinetists of the 1930s–1940s, leading one of the most popular American dance orchestras.AI summary
His Master's Voice B9105 Jazz
Artie Shaw, the American clarinetist and swing bandleader, recorded 'Moonglow' and 'My Blue Heaven' for His Master's Voice in the late 1930s; this is a British pressing of one of the swing era's major figures.AI summary
His Master's Voice B9269 Jazz
Artie Shaw, the virtuoso clarinetist and bandleader, recorded 'Carnival' and 'Needlenose' for HMV.AI summary
His Master's Voice B9291 Jazz
Artie Shaw, one of the finest swing clarinetists of the 1930s and 1940s, recorded 'Who's excited' and 'Alone together' for His Master's Voice; both were popular standards of the swing era.AI summary
His Master's Voice B9341 Jazz
Artie Shaw, the American jazz clarinetist and bandleader, recorded 'Say It with a Kiss' for His Master's Voice; this represents early swing from one of jazz's major figures.AI summary
His Master's Voice B9351 Jazz
Artie Shaw was an American jazz clarinetist and bandleader, a major figure in swing music from the mid-1930s onward. 'Dancing in the Dark' and 'Yolanda' are swing standards. This His Master's Voice B9476 pressing is from the late 1930s–early 1940s.AI summary
His Master's Voice B9476 Jazz
Artie Shaw, the American swing bandleader and clarinetist, on His Master's Voice; the titles and catalogue number suggest late 1930s–early 1940s.AI summary
His Master's Voice B8869 Jazz
Artie Shaw, the American clarinetist and bandleader, recorded 'Summit Ridge Drive' and 'Special Delivery Stomp' for His Master's Voice, representing the swing era and Shaw's sophisticated jazz arrangements.AI summary
His Master's Voice B9146 Jazz
Artie Shaw, the virtuoso clarinetist and bandleader, recorded 'Moonglow' and 'My blue heaven' for HMV; 'Moonglow' was one of his signature tunes.AI summary
His Master's Voice B9269 Jazz
Artie Shaw, the jazz clarinetist and bandleader, recorded 'Comin' On' and 'Copenhagen' for His Master's Voice B8880. Shaw was one of the most important American jazz figures of the swing era, and both sides are well-documented recordings.AI summary
His Master's Voice B8880 Jazz
Artie Shaw and his ensemble performing two numbers on His Master's Voice B8894. Shaw (1910–2004) was an American clarinetist and bandleader; one of the major swing era bandleaders of the late 1930s–40s.AI summary
His Master's Voice B8894 Jazz
His Master's Voice BD5041 Jazz
Sidney Bechet, the legendary soprano saxophonist and early jazz pioneer, recorded 'Preachin' Blues' and 'Indian Summer' for His Master's Voice B9061 in the late 1920s. These recordings document one of the most influential voices in early jazz history.AI summary
His Master's Voice B9061 Jazz
Sidney Bechet, the pioneering jazz soprano saxophonist, on His Master's Voice: 'Nobody knows the Way I feel dis Morning' and 'Old Man Blues', two important early jazz recordings from the early 1930s British pressing.AI summary
His Master's Voice B9131 Jazz
Sidney Bechet on HMV B9368, with 'Slippin' and Slidin'' (1941) and 'I Ain't Gonna Give Nobody None o' This Jelly Roll' — performances by the New Orleans soprano saxophonist and clarinet virtuoso, recorded in or for the British market during the 1940s.AI summary
His Master's Voice B9368 Jazz
Sidney Bechet, the pioneering jazz soprano saxophonist, on His Master's Voice: 'I know that you know' and 'Baby won't you please come Home', two important jazz pieces recorded in the early 1930s and marking Bechet's period with the British Swing label.AI summary
His Master's Voice B9385 Jazz
Ben Pollack, a legendary American jazz bandleader and drummer, recorded two pieces for His Master's Voice — 'Deed I Do' and '(Shilkret) Look and Smile' — probably in the early 1930s.AI summary
His Master's Voice B5281 Jazz
Ben Pollack's Californians on HMV B5281, a hot-jazz recording by a respected American jazz ensemble with a British pressing.AI summary
His Master's Voice B5281 Jazz
Bennie Moten, the pioneering Kansas City jazz bandleader, recorded 'Harmony blues' and 'Thick lip stomp' for His Master's Voice B5302, a British pressing of American jazz from the late 1920s–early 1930s.AI summary
His Master's Voice B5302 Jazz
Bennie Moten, a pioneering Kansas City jazz bandleader, with 'Lafayette' (1932) and Fats Waller's 'Ridin' but Walkin'' (1929) on His Master's Voice B6390 — jazz recordings from the early swing era.AI summary
His Master's Voice B6390 Jazz
Bennie Moten recorded 'Moten's Swing' and 'Patrol Wagon Blues' for HMV, catalogue B6377, in the early 1930s; Moten was a Kansas City jazz pioneer and this is early big-band jazz.AI summary
His Master's Voice B6377 Jazz
Bennie Moten's 'Harmony Blues' and 'Thick Lip Stomp', pressed by His Master's Voice on the B5302. Moten was a pioneering Kansas City jazz pianist and bandleader whose influence on swing was profound; these sides date from the late 1920s.AI summary
His Master's Voice B5302 Jazz
Benny Goodman, the 'King of Swing', on His Master's Voice B8450 with two standards from his hot-jazz repertoire.AI summary
His Master's Voice B8450 Jazz
Benny Goodman, the American jazz clarinetist and bandleader, performing the jazz standards 'My Melancholy Baby' and 'Whispering' on His Master's Voice B8533.AI summary
His Master's Voice B8533 Jazz
Benny Goodman's orchestra on His Master's Voice, including the standards 'Loch Lomond' and 'One O'Clock Jump', recorded in the swing era.AI summary
His Master's Voice B8745 Jazz
Benny Goodman's 'King of Swing' orchestra on two popular numbers, 'Russian Lullaby' and 'Margie', for HMV. Both are Goodman standards.AI summary
His Master's Voice B8827 Jazz
Benny Goodman, the American jazz clarinetist and bandleader, recording 'Louise' and 'Whispering' for His Master's Voice B8878, likely mid-1930s.AI summary
His Master's Voice B8878 Jazz
Benny Goodman's His Master's Voice recording from the early 1930s, early in the career of the bandleader who would become the King of Swing by the mid-1930s.AI summary
His Master's Voice BD5152 Jazz
Benny Goodman on His Master's Voice with 'Did You Mean It' and 'Taint No Use'—additional swing recordings from his extensive recording sessions of the 1930s.AI summary
His Master's Voice B8535 Jazz
Benny Goodman and his orchestra perform 'Someday Sweetheart' and 'Who' on the UK His Master's Voice label, part of the swing era output that reached British listeners through HMV's American licensing arrangements.AI summary
His Master's Voice B8402 Jazz
Benny Goodman, the 'King of Swing', on His Master's Voice with two swing standards: 'I've Found a New Baby' and 'Swingtime in the Rockies'—quintessential 1930s hot dance from one of jazz's most influential figures.AI summary
His Master's Voice B8481 Jazz
Benny Goodman's trio recorded "More Than You Know" and "China Boy" for His Master's Voice during the swing era. Goodman was one of the defining figures of 1930s–40s jazz and swing, and his small-group recordings are classic hot jazz.AI summary
His Master's Voice B8467 Jazz
Benson Chicago, credited on His Master's Voice B1404, performs novelty instrumental selections — likely a jazz or dance ensemble, circa 1920s–early 1930s.AI summary
His Master's Voice B1404 Jazz
Benson Chicago performing two jazz standards—"Tea for Two" and "I Want to Be Happy" (arranged by Guy Arnheim or Garber)—on His Master's Voice B1978.AI summary
His Master's Voice B1978 Jazz
Beryl Orde on His Master's Voice B8104, a jazz-novelty recording from the 1930s or 1940s; HMV B-series was mass-commercial.AI summary
His Master's Voice B8104 Jazz
His Master's Voice B2131 Jazz