344 shellac records · mostly British pressings, 1900s–1950s
344 records matching · page 5 of 8
Glenn Miller led the most commercially successful swing band of the 1940s, and 'Moonlight Serenade' was his signature tune; this His Master's Voice UK pressing of two of his classic sides is a standard collector's item.AI summary
His Master's Voice BD5942 Jazz
Glenn Miller on His Master's Voice EA2685, the American swing bandleader, with 'What's your story morning glory' and 'In the mood', the latter a signature composition.AI summary
His Master's Voice EA2685 Jazz
A jazz dance recording by Goldkette on His Master's Voice (catalogue B5470). Jean Goldkette was an important American bandleader of the 1920s; his recorded sides are collected by hot-jazz enthusiasts.AI summary
His Master's Voice B5470 Jazz
Jean Goldkette, the pianist and bandleader whose orchestra was one of the most sophisticated jazz ensembles of the mid-1920s, recorded these two sides for HMV's B-series.AI summary
His Master's Voice B5600 Jazz
Jean Goldkette's orchestra—one of the great American dance bands of the 1920s—on His Master's Voice, a premium British pressing from the late 1920s or early 1930s.AI summary
His Master's Voice B5623 Jazz
Goodman recorded 'You're a heavenly Thing' and 'Restless' for His Master's Voice BD182, likely an early 1930s pressing.AI summary
His Master's Voice BD182 Jazz
Jazz ensemble credited as Hamm, performing 'Sugar Foot Stomp' and 'Black Bottom' on His Master's Voice B5173. Identity of the ensemble is unclear.AI summary
His Master's Voice B5173 Jazz
An artist credited as 'Hamm' recorded 'Sugar Foot Stomp' and 'Black Bottom' for His Master's Voice, probably in the mid-1920s. The repertoire suggests a jazz or hot dance side.AI summary
His Master's Voice B5173 Jazz
His Master's Voice B8800 Jazz
His Master's Voice B9395 Jazz
Hampton's instrumental jazz ensemble performs two 'stomp' numbers on His Master's Voice B8800, likely early 1930s.AI summary
His Master's Voice B8800 Jazz
Henry Allen, the American jazz trumpeter, in two blues-inflected sides on His Master's Voice: "Crawl" and "Get the Mop", from the early 1930s.AI summary
His Master's Voice B9537 Jazz
Henry Allen on His Master's Voice B9537, performing 'Crawl' and 'Get the Mop'. Henry Allen was a respected New Orleans jazz cornetist and trumpeter, active from the 1920s.AI summary
His Master's Voice B9537 Jazz
Henry Allen Jr. recorded 'Feeling Drowsy' (29) and 'Swing Out' for His Master's Voice B4970; note this appears to be a duplicate catalogue entry with id 19508.AI summary
His Master's Voice B4970 Jazz
Henry Allen Jr., the New Orleans jazz trumpeter, recorded 'Feeling Drowsy' and 'Swing Out' for His Master's Voice; Allen was an important figure in jazz history and a contemporary of Armstrong.AI summary
His Master's Voice B4970 Jazz
Herbie Fields, an American jazz musician and bandleader, performing two pieces on His Master's Voice: the novelty 'Huggin' and Chalkin'' and his own composition 'Blue Fields'.AI summary
His Master's Voice B9558 Jazz
His Master's Voice B6500 Jazz
Hot Club of France, Django Reinhardt's legendary Parisian jazz ensemble, performing two jazz standards on His Master's Voice: 'Miss Annabelle Lee' and 'Runnin' Wild'. This is from the late 1930s, the height of the Hot Club's fame.AI summary
His Master's Voice B8614 Jazz
Hot Lips Page on "Just Another Woman" and "My Fightin' Gal" for HMV B9261. Page was an American jazz trumpeter and blues singer of the 1930s–1950s, known for hot jazz and swing recordings.AI summary
His Master's Voice B9261 Jazz
The Ink Spots, the influential American vocal group who pioneered swing-era harmony singing, on His Master's Voice. 'Your Feet's Too Big' is one of their signature numbers.AI summary
His Master's Voice BD146 Jazz
Irving Mills on His Master's Voice B6204, credited also to McKinney's Cotton Pickers. Mills was a prolific songwriter and bandleader of the 1920s–1930s hot jazz era, though this particular coupling is not a known standard.AI summary
His Master's Voice B6204 Jazz
J Smith performing 'Left all Alone again Blues' and 'Whose Baby Are You' on His Master's Voice B1130, an early blues or novelty recording on a major British label.AI summary
His Master's Voice B1130 Jazz
Jack Teagarden's Big Eight, featuring the distinguished American jazz trombonist and singer, recorded 'Say it Simple' and 'A Jam Session at Victor' for His Master's Voice. Teagarden was a major figure in early swing jazz.AI summary
His Master's Voice B9613 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer, recorded 'Cannon Ball Blues' and 'Steamboat Stomp' for HMV—two of the New Orleans jazz classics that remain central to jazz discographies.AI summary
His Master's Voice B9979 Jazz
Jelly Roll Morton, the pioneering New Orleans pianist and composer, performing two of his definitive compositions: 'Jelly Roll Blues' and 'Doctor Jazz' on His Master's Voice. Morton is foundational to jazz history.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer (1890–1941), performing 'The Chant' and 'Tank Town Bump' for His Master's Voice. These are sides from Morton's important early solo piano recordings, made in the late 1920s or early 1930s.AI summary
His Master's Voice B10456 Jazz
Jelly Roll Morton, one of the earliest and most influential jazz composers and pianists, recorded 'Oh didn't he ramble' and 'Winnin' Boy Blues' for His Master's Voice. Both are classic jazz compositions from Morton's most creative period.AI summary
His Master's Voice B9217 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, performing two of his own compositions on an HMV reissue, likely from the 1930s.AI summary
His Master's Voice 01270 Jazz
Jelly Roll Morton, the New Orleans jazz pioneer, recorded 'Jelly Roll Blues' and 'Doctor Jazz' for His Master's Voice (HMV), likely the British issue of these classic sides originally from the 1920s.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the legendary jazz pianist and composer, recorded 'Sidewalk Blues' and 'Swamp Blues' (with A. Landry) on His Master's Voice B5212. Morton was one of the greatest figures in early jazz and his recordings are of the highest importance to collectors.AI summary
His Master's Voice B5212 Jazz
Jelly Roll Morton, the pioneering jazz composer and pianist, recorded 'Cannon Ball Blues' and 'Steamboat Stomp' for His Master's Voice. These are iconic sides from one of the most important figures in early jazz history.AI summary
His Master's Voice B9979 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, recorded for His Master's Voice in 1928; 'Beale Street Blues' and 'Pearls' are seminal jazz recordings. UK copies of this B 10341 issue are uncommon — the B 10000 series carried some of the most important jazz of the late 1920s, and British HMV pressings from this series rarely surface.AI summary
His Master's Voice B10341 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, performing 'Fat Frances' and 'Pep' on His Master's Voice B10619, from 1929.AI summary
His Master's Voice B10619 Jazz
His Master's Voice B10762 Jazz
Jelly Roll Morton's 'Oh didn't he ramble' and 'Winin' Boy Blues' on His Master's Voice B9217, landmark New Orleans jazz piano and composition from one of the music's founding figures.AI summary
His Master's Voice B9217 Jazz
Jelly Roll Morton, the New Orleans piano pioneer and jazz composer, recorded sparingly in the 1920s and early 1930s; this His Master's Voice pressing of 'Georgia Swing' and 'Mournful Serenade' is from his most prolific recording period and is highly sought by jazz collectors.AI summary
His Master's Voice B9221 Jazz
Jelly Roll Morton on His Master's Voice B 9848, recorded in 1928; 'Jelly Roll Blues' and 'Doctor Jazz' are essential jazz compositions and recordings. UK copies of HMV B 9000-series jazz sides are uncommon — the series carried some of the most important early jazz recorded in the late 1920s, and British pressings from this series rarely surface.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the legendary New Orleans pianist and jazz composer, recorded these two sides for His Master's Voice; 'Jelly Roll Blues' and 'Doctor Jazz Stomp' are foundational early jazz recordings.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the New Orleans jazz pianist and composer, recorded these two of his own compositions—'Jelly Roll Blues' and the stomp 'Doctor Jazz'—for His Master's Voice, likely reissued from American masters in the 1920s or early 1930s.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the legendary New Orleans jazz pianist, composer, and bandleader, is captured on this His Master's Voice recording of 'Jelly Roll Blues' and 'Doctor Jazz'. These titles carry significant jazz historical importance. However, the catalogue number and matrix details should be verified, as discographical accuracy is crucial for such a major artist.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer, recorded 'Little Lawrence' and 'Pretty Lil'' for His Master's Voice, catalogue SG53. These sides from the SG series are scarce UK pressings of one of jazz's founding figures.AI summary
His Master's Voice SG53 Jazz
Jazz pianist and composer Jelly Roll Morton performing 'Chant' and 'Black Bottom Stomp' on His Master's Voice B5164. Morton was a pioneer of jazz composition and recording, and these are among his most celebrated sides.AI summary
His Master's Voice B5164 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, recorded 'Chant' and 'Black Bottom Stomp' for His Master's Voice. These are seminal hot jazz recordings from the 1920s; UK copies are uncommon.AI summary
His Master's Voice B5164 Jazz
Jelly Roll Morton's Red Hot Peppers, a seminal New Orleans jazz ensemble, recorded 'Black bottom stomp' and 'The Chant' for His Master's Voice, catalogue B5164.AI summary
His Master's Voice B5164 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer (1890–1941), recorded his composition 'Climax Rag' for His Master's Voice; 'West End Blues' is Louis Armstrong's masterpiece, adapted here (likely by a British jazz ensemble rather than by Armstrong himself, who recorded the original for OKeh).AI summary
His Master's Voice B9219 Jazz
Jelly Roll Morton, one of the founding figures of jazz and a pianist, composer and bandleader, on His Master's Voice. 'Cannon Ball Blues' and 'Steamboat Stomp' are compositions from his New Orleans jazz repertoire.AI summary
His Master's Voice B9979 Jazz
Jimmy Yancey, the pioneering Chicago boogie-woogie pianist, performing 'Five O'Clock Blues' and 'Yancey Stomp' on His Master's Voice B9366, from 1939.AI summary
His Master's Voice B9366 Jazz
Joe Venuti, the pioneering jazz violinist, on His Master's Voice with two jazz novelty sides from 1929; Venuti was a leading figure in early jazz violin and a prolific recording artist.AI summary
His Master's Voice B4890 Jazz