344 shellac records · mostly British pressings, 1900s–1950s
344 records matching · page 7 of 8
Cornetist Phil Napoleon performing two novelty jazz numbers with risqué titles, 'Go Joe go' and 'Take your Finger out of your Mouth', on His Master's Voice B5331. Napoleon led the Original Memphis Five and was a prominent hot-jazz soloist of the 1920s.AI summary
His Master's Voice B5331 Jazz
Phil Napoleon with His Master's Voice BD120, 'You Can't Cheat a Cheater' (recorded 1929) and 'Swingin' Uptown' (recorded 1934, credited to Jimmy Lunceford). Napoleon was a trumpet player and bandleader, and this disc pairs two different-era jazz recordings on one release—a common reissue practice.AI summary
His Master's Voice BD120 Jazz
Phil Napoleon with His Master's Voice BD120, 'You Can't Cheat a Cheater' (recorded 1929) and 'Swingin' Uptown' (recorded 1934, credited to Jimmy Lunceford). Napoleon was a trumpet player and bandleader, and this disc pairs two different-era jazz recordings on one release—a common reissue practice.AI summary
His Master's Voice BD120 Jazz
Piano Red was an American blues and boogie-woogie pianist (William Perryman, 1911–1985); this His Master's Voice pressing of 'Rockin' with Red' and 'Red's Boogie' brings US boogie-woogie to a British audience in the early 1950s.AI summary
His Master's Voice JO244 Jazz
Piano Red on His Master's Voice B10246: 'Hey Good Lookin'' and 'Just Right Bounce'. Piano Red (Willie Preston) was an R&B and boogie-woogie pianist of the 1950s, influential in early rock and roll.AI summary
His Master's Voice B10246 Jazz
The Quintette du Hot Club de France, Django Reinhardt's legendary swing ensemble featuring violin and guitar, performing two jazz standards for HMV. This B-series issue documents one of Europe's most important jazz groups, recorded in the mid-1930s.AI summary
His Master's Voice B8463 Jazz
The Quintette du Hot Club de France, featuring the legendary guitarist Django Reinhardt, on His Master's Voice B8669 with two romantic swing-jazz standards from the 1930s.AI summary
His Master's Voice B8669 Jazz
Red Nichols was a pioneering American jazz cornet-player and bandleader of the 1920s and early 1930s, known for hot dance and small-group jazz sides. 'Sugar' and 'Make my Cot where the Cotcot Cotton grows' are recorded on His Master's Voice B5433, a catalogue number consistent with late 1920s release.AI summary
His Master's Voice B5433 Jazz
Red Nichols on His Master's Voice B5977, performing 'I'm Tickled Pink with a Blue-Eyed Baby' and 'Yours and Mine' by the Southerners. Nichols was one of the most important American jazz cornetists of the 1920s–1930s; HMV B-series sides are moderately scarce.AI summary
His Master's Voice B5977 Jazz
Red Nichols, a leading jazz cornetist of the 1920s hot-dance era, recorded by His Master's Voice—'Davenport Blues' is a classic jazz composition from 1925.AI summary
His Master's Voice B9028 Jazz
Red Nichols and his Stompers, a leading hot-jazz ensemble of the 1920s, recorded 'Make My Cot Where the Cot Cot Cotton Grows' and 'Sugar' for His Master's Voice. This is a hot-dance side from the dance-band era.AI summary
His Master's Voice B5433 Jazz
Red Nichols' Stompers, the hot-dance ensemble led by American cornet virtuoso Red Nichols, recorded 'Make My Cot' and 'Sugar' for His Master's Voice B5433.AI summary
His Master's Voice B5433 Jazz
Adrian Rollini, an American jazz musician and composer, recorded two standards for His Master's Voice in the early 1930s.AI summary
His Master's Voice B8382 Jazz
Roy Fox's dance band, a sophisticated hot-jazz ensemble, recorded 'They Can't Take That Away from Me' and 'Let's Call the Whole Thing Off' on His Master's Voice; Fox was a leading British dance bandleader of the 1920s–30s.AI summary
His Master's Voice B5226 Jazz
Samuels performing 'Ching a Ling's Jazz Bazaar' and an Irene selection on His Master's Voice C988.AI summary
His Master's Voice C988 Jazz
Savoy Havana Band on His Master's Voice B5002—a late-1920s or early-1930s jazz-age recording from one of the house bands associated with London's fashionable Savoy Hotel.AI summary
His Master's Voice B5002 Jazz
Savoy Havana, a hot dance band of the late 1920s, with a speech introduction and the jazz number 'Bam Bammy Shore' on His Master's Voice, catalogue B2186.AI summary
His Master's Voice B2186 Jazz
Savoy Orpheans on His Master's Voice B5369, performing 'Yale Blues' and 'Moonlit Waters'. The Savoy Orpheans were a British dance band active in the 1920s, popular for their recordings of jazz and dance music.AI summary
His Master's Voice B5369 Jazz
The Savoy Orpheans on 'I want a lovable baby' and 'Brown Eyes why are you blue', from HMV B2252. The Savoy Orpheans were a British dance band active in the mid-1920s; their recordings for HMV are important examples of early British dance music and swing.AI summary
His Master's Voice B2252 Jazz
Savoy Orpheans on His Master's Voice B1970—a mid-to-late 1920s recording from one of the most celebrated British dance bands of the early jazz age.AI summary
His Master's Voice B1970 Jazz
The Savoy Orpheans on HMV B1935, performing 'Out of a Million' and 'In Shadowland' (credited to Savoy Havana). The Savoy Orpheans were a prominent British jazz band of the 1920s–early 1930s, resident at the Savoy Hotel; they are keenly collected by jazz enthusiasts.AI summary
His Master's Voice B1935 Jazz
Sid Phillips was a British jazz clarinettist and bandleader; this His Master's Voice side pairs two classic jazz numbers of the 1920s–1930s.AI summary
His Master's Voice BD6174 Jazz
Sid Phillips was a British bandleader and xylophonist who led a popular swing band in the 1940s. This His Master's Voice BD-series side of Rodgers and Hart standards shows his swing style. Phillips' recordings are moderately sought by British swing enthusiasts.AI summary
His Master's Voice BD6050 Jazz
Sidney Bechet was an American jazz pioneer, one of the first great soprano saxophone soloists. This His Master's Voice recording of 'Sweetie Dear' and 'Maple Leaf Rag' captures him in his prime, likely from the late 1920s or early 1930s.AI summary
His Master's Voice B9408 Jazz
Sis Phillips was a 1920s jazz and blues singer who recorded "My Sweetie Went Away" and "Royal Garden Blues" for His Master's Voice. These are early jazz-era vocal recordings.AI summary
His Master's Voice B9904 Jazz
Sissle recorded 'Camp Meeting Day' and 'Miranda' for HMV in the early 1930s; this is likely Noble Sissle, the American jazz and vaudeville performer and Shuffle Along star.AI summary
His Master's Voice B5709 Jazz
The Six Brown Brothers, a famous novelty saxophone sextet from the 1910s, recorded 'That moaning Saxophone Rag' and an Original Fox Trot on His Master's Voice B526; an iconic early jazz-age ensemble.AI summary
His Master's Voice B526 Jazz
Svend Asmussen, a virtuoso Danish jazz violinist, performing 'My Blue Heaven' and 'Tiger Rag' on His Master's Voice X4570. Asmussen was one of Europe's finest jazz violinists from the 1930s onward; his HMV recordings are collectible.AI summary
His Master's Voice X4570 Jazz
Tampa Red, a pioneering slide guitarist and blues composer, recorded 'Since Baby's been gone' and 'Pretty Baby blues' for His Master's Voice. This JO series pressing is from the early 1930s, when Tampa Red was at the height of his influence on Chicago blues and hokum style.AI summary
His Master's Voice JO301 Jazz
Teddy Foster and his Kings of Swing on His Master's Voice BD5301. Foster was a British bandleader and recording artist of the swing era; his sides were pressed in moderate quantities.AI summary
His Master's Voice BD5301 Jazz
Tex Beneke, the American bandleader and saxophonist who fronted the Glenn Miller orchestra in the 1940s and led his own band thereafter, recorded 'Sunrise Serenade' and 'An Old Sombrero' for His Master's Voice; 'Sunrise Serenade' was a Glenn Miller signature tune.AI summary
His Master's Voice BD1198 Jazz
Tommy Dorsey, later one of the biggest names of the swing era, plays the early jazz sides 'Stomp It Off' and 'Night Glow' on a UK His Master's Voice pressing.AI summary
His Master's Voice B9019 Jazz
Tommy Dorsey (1905–1956), one of the most successful bandleaders and trombonists of the swing era, recorded these jazz standards for His Master's Voice.AI summary
His Master's Voice B9661 Jazz
Tommy Dorsey's swing orchestra recorded 'There's No You' and 'On the Sunny Side of the Street' for His Master's Voice, the British imprint of RCA Victor. Both are standards of the late 1940s, when Dorsey's trombone section was among the most admired in American jazz.AI summary
His Master's Voice BD5909 Jazz
Tommy Dorsey, the American trombonist and bandleader famous for his technically brilliant playing and his 1930s–1940s swing orchestra, recorded 'There's No You' and 'On the Sunny Side of the Street' for His Master's Voice; both are popular standards.AI summary
His Master's Voice BD5909 Jazz
Tommy Dorsey, the American trombonist and bandleader, recorded 'Sleep' and 'I'm Gettin' Sentimental Over You' for His Master's Voice; the latter was Dorsey's theme song and a signature recording.AI summary
His Master's Voice X4936 Jazz
Tommy Ladnier, a pioneering American jazz trumpet player, on His Master's Voice performing classic early jazz. Ladnier was active in the 1920s and represented the New Orleans tradition.AI summary
His Master's Voice B9236 Jazz
Tommy Ladnier was a New Orleans jazz cornet player of the 1920s, celebrated for his blues work with Sidney Bechet and others; this HMV pressing of 'Ja-Da' and 'Really The Blues' may be from a 1930s reissue of earlier material.AI summary
His Master's Voice B9236 Jazz
The Virginians were an American jazz ensemble active in the 1920s; this HMV B series pressing pairs two of their jazz-age songs from the early electrical recording era.AI summary
His Master's Voice B1520 Jazz
The Virginians, a hot-dance jazz ensemble of the early-to-mid 1920s, performing 'Blue' and Zez Confrey's 'Struttin' at the Strutters Ball' on His Master's Voice B1408. These are seminal early jazz recordings.AI summary
His Master's Voice B1408 Jazz
The Virginians, an important early jazz and dance band, in two titles on His Master's Voice — 'Nobody Lied' and 'Yankee Doodle Blues' — from the early 1920s. The Virginians were a leading American jazz-dance ensemble.AI summary
His Master's Voice B1421 Jazz
The Virginians, a jazz ensemble of the 1920s, recorded these popular jazz and novelty dance numbers for His Master's Voice — "Sister Kate" became one of the decade's best-loved pieces.AI summary
His Master's Voice B1459 Jazz
The Virginians, a hot-jazz band, recorded 'Kiss Mama Kiss Papa' and '(Doerr) Swanee Smiles' for His Master's Voice B1520 in the mid-1920s.AI summary
His Master's Voice B1520 Jazz
His Master's Voice JF26 Jazz
The Washboard R Kings performing 'My Pretty Girl' and 'Shoutin' at the Amen Corner' (credited to Tinsley) on HMV B8655, a mid-1930s jazz and jug-band side.AI summary
His Master's Voice B8655 Jazz
Washboard Rhythm Kings performing two novelty jazz and blues pieces on His Master's Voice. The Kings were a popular American rhythm novelty group of the 1930s, and their recordings are sought by jazz collectors.AI summary
His Master's Voice B6362 Jazz
Paul Whiteman, the 'King of Jazz', performs 'Sensation Stomp' and 'Whiteman Stomp' on His Master's Voice B5577. Whiteman was the most commercially successful bandleader of the 1920s–1930s.AI summary
His Master's Voice B5577 Jazz
Paul Whiteman, the 'King of Jazz', recorded this side for His Master's Voice; the B-side 'Ol' Man River' is a major standard.AI summary
His Master's Voice B8929 Jazz