95 shellac records · mostly British pressings, 1900s–1950s
95 records matching · page 2 of 2
Jimmy Bertrand's Washboard Wizards with 'I'm Goin' Huntin'' and 'If You Want to Be My Sugar Papa', a 1927 Chicago session with Louis Armstrong and Johnny Dodds in the band, on British Vocalion.AI summary
Vocalion V1032 Jazz
Jimmy Dixielanders with Gates Blues and, with Wynn, She's Crying for Me on Vocalion V1029.AI summary
Vocalion V1029 Jazz
Jimmy Noone was an influential jazz clarinettist of the New Orleans and Chicago scenes; this UK Vocalion disc reissues two of his small-group recordings as part of a dedicated jazz reissue series.AI summary
Vocalion V1026 Jazz
Jimmie Noone, the New Orleans clarinettist, with 'Bump It' and 'Four or Five Times' in British Vocalion's Swing Series.AI summary
Vocalion S209 Jazz
Jimmie Noone, the New Orleans clarinettist whose Apex Club Orchestra was a fixture of late-1920s Chicago, with 'It's Tight Like That' and 'My Daddy Rocks Me' on British Vocalion.AI summary
Vocalion V1007 Jazz
Jimmy Noone was a New Orleans clarinetist and bandleader. Vocalion V1026 ('Four or Five Times' and 'My Monday Date') is a classic hot-jazz recording of the acoustic era.AI summary
Vocalion V1026 Jazz
Johnny Dodds was a New Orleans clarinetist and one of the most influential voices in early jazz. Vocalion V1025 ('Oh Lizzie' and 'Clarinet Wobble') is a classic hot-jazz recording.AI summary
Vocalion V1025 Jazz
Johnny Dodds, the New Orleans clarinettist, plays 'Joe Turner Blues' and 'When Rastus Plays His Old Kazoo' on British Vocalion.AI summary
Vocalion V1022 Jazz
Johnny Dodds, the New Orleans clarinettist, plays his 1927 'Wild Man Blues', backed by Sharkey Bonano with 'I'm Satisfied with My Girl', in British Vocalion's Swing Series.AI summary
Vocalion S231 Jazz
Johnny Dodds, the New Orleans clarinettist, with 'New Orleans Stomp' and 'Weary Blues', both from his 1927 Chicago recordings, on British Vocalion.AI summary
Vocalion V1008 Jazz
Johnny Dodds was the clarinettist in King Oliver's and Louis Armstrong's bands and one of the defining voices of New Orleans jazz; this Vocalion disc carries his own-name recordings 'Clarinet Wobble' and 'Oh Lizzie'.AI summary
Vocalion V1025 Jazz
Johnny Williams and His Boys play 'Milenberg Joys' and 'My Curly Headed Baby' on Vocalion.AI summary
Vocalion 5077 Jazz
Kid Ory's 'Muskrat Ramble' and 'High Society' for Vocalion V1012. Ory is a canonical New Orleans trombonist; this is a classic hot-jazz recording of the acoustic era.AI summary
Vocalion V1012 Jazz
Kid Ory, the New Orleans trombonist who wrote 'Muskrat Ramble' and led one of the best bands of the 1940s New Orleans revival, plays 'High Society' and 'Muskrat Ramble' on British Vocalion.AI summary
Vocalion V1012 Jazz
Kid Ory led one of the pioneering New Orleans jazz bands; this UK Vocalion issue carries the first catalogue number of a short British series reissuing early American jazz sides for collectors.AI summary
Vocalion V1001 Jazz
Kid Ory, the New Orleans trombonist who wrote 'Muskrat Ramble', plays 'Muskrat Ramble' and 'High Society' on British Vocalion.AI summary
Vocalion V1012 Jazz
Kid Ory, the New Orleans trombonist who wrote 'Muskrat Ramble', plays 'High Society' and 'Muskrat Ramble' on British Vocalion.AI summary
Vocalion V1012 Jazz
This Vocalion pressing reissues the pioneering 1922 Kid Ory Sunshine Orchestra sides, often cited as the first jazz recordings made by a black New Orleans group; Ory was a key trombonist who later worked with both King Oliver and Louis Armstrong.AI summary
Vocalion V1001 Jazz
King Oliver's Vocalion sides 'Wa Wa Wa' and 'Someday Sweetheart' are celebrated recordings from his mid-1920s period, important documents of early jazz.AI summary
Vocalion V1004 Jazz
British Vocalion reissued key American jazz sides for the UK market in the early 1930s under its "V" series; this coupling of King Oliver's "Tin Roof Blues" and "West End Blues" is sought after among collectors of early British jazz pressings.AI summary
Vocalion V1024 Jazz
Lonnie Johnson, blues and jazz guitarist and vocalist. Vocalion 03013 records duets with C Williams and S Williams ('Wipe It Off' and 'Monkey and the Baboon').AI summary
Vocalion 03013 Jazz
Maxine Sullivan, the swing singer who made her name with a jazz Loch Lomond, sings You Went to My Head and It's Wonderful on Vocalion S194.AI summary
Vocalion S194 Jazz
Maxine Sullivan, the swing singer who made her name with a jazz Loch Lomond, sings Nice Work If You Can Get It and Easy to Love on Vocalion S137.AI summary
Vocalion S137 Jazz
Maxine Sullivan sings 'Dark Eyes' and 'A Brown Bird Singing' in British Vocalion's Swing Series.AI summary
Vocalion S144 Jazz
Maxine Sullivan's swing version of 'Loch Lomond', the 1937 record that made her name, with 'I'm Coming Virginia' in British Vocalion's Swing Series.AI summary
Vocalion S116 Jazz
Maxine Sullivan sings 'Annie Laurie' and 'Blue Skies' in British Vocalion's Swing Series.AI summary
Vocalion S122 Jazz
Maxine Sullivan's swing version of 'Loch Lomond', the 1937 record that made her name, with 'I'm Coming Virginia' in British Vocalion's Swing Series.AI summary
Vocalion S116 Jazz
Mildred Bailey, 'The Rockin' Chair Lady', an innovative jazz vocalist. Vocalion S88 records two signature songs from the swing era. Vocalion S-series is scarce.AI summary
Vocalion S88 Jazz
Monette Moore was a classic blues singer recording through the 1920s for several race labels; this Vocalion disc is typical of that catalogue.AI summary
Vocalion 14911 Jazz
Noble Sissle's orchestra with 'Characteristic Blues', a feature for Sidney Bechet, and 'Okey Doke' on American Vocalion.AI summary
Vocalion 3840 Jazz
Vocalion 3099 Jazz
Perry Bradford, the songwriter who persuaded OKeh to make the first blues vocal record with Mamie Smith in 1920, leads his Jazz Phools in 'Lucy Long' and 'I Ain't Gonna Play No Second Fiddle' from 1925, a session with Louis Armstrong in the band.AI summary
Vocalion V1030 Jazz
Red Norvo, the swing xylophonist, with Mildred Bailey singing 'A Porter's Love Song to a Chambermaid', and 'I Know That You Know', in British Vocalion's Swing Series.AI summary
Vocalion S32 Jazz
Vocalion V1020 Jazz
The Rhythm Wreckers play 'Wabash Blues' and 'Somebody Stole My Gal' in British Vocalion's Swing Series, which issued American jazz in the late 1930s.AI summary
Vocalion S135 Jazz
Rosa Henderson, an early blues and jazz vocalist. Vocalion 14635 records 'Where Can That Somebody Be' and 'Down South Blues'.AI summary
Vocalion 14635 Jazz
Vocalion 14795 Jazz
Rosetta Crawford with Stop It Joe and My Man Jumped Salty on Me on Vocalion V1002.AI summary
Vocalion V1002 Jazz
The State Street Ramblers, a Chicago washboard group, play 'Stomp Your Stuff' and 'Wild Man Stomp' on British Vocalion.AI summary
Vocalion V1023 Jazz
Stuff Smith was a pioneering jazz violinist of the swing era; this Vocalion disc presents two of his characteristic small-group sides from the 1930s.AI summary
Vocalion S37 Jazz
Stuff Smith, the swing violinist, with 'It Ain't Right' and 'Old Joe's Hittin' the Jug' in British Vocalion's Swing Series.AI summary
Vocalion S72 Jazz
Taft Jordan, the trumpeter of Chick Webb's band, with 'If the Moon Turns Green' and 'Night Wind' — catalogue S1, the first issue in British Vocalion's Swing Series.AI summary
Vocalion S1 Jazz
Teddy Hill's orchestra with 'Uptown Rhapsody' and 'At the Rug Cutters' Ball' in British Vocalion's Swing Series.AI summary
Vocalion S30 Jazz
Billie Holiday with Teddy Wilson's orchestra on "This Year's Kisses", one of the celebrated 1937 small-group sides that made Holiday's reputation, issued in Britain on Vocalion's "S" series.AI summary
Vocalion S101 Jazz
Trixie Smith was an early blues and jazz singer of the 1920s. Vocalion S217 ('Freight Train Blues' and 'Trixie Blues') is from a scarce series.AI summary
Vocalion S217 Jazz
Trixie Smith, the classic blues singer of the 1920s, sings 'My Daddy Rocks Me' across two sides in British Vocalion's Swing Series.AI summary
Vocalion S235 Jazz
Wingy Manone with 'March Winds and April Showers', backed by Benny Goodman's 'Solitude', in British Vocalion's Swing Series.AI summary
Vocalion S3 Jazz