1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 12 of 41
Guitarist Eddie Condon's band with 'Strut Miss Lizzie' and 'It's All Right Here for You' on Commodore, the New York label that recorded Condon's circle of Chicago-style musicians.AI summary
Commodore 530 Jazz
Eddie Condon was a pioneering guitarist and bandleader central to the Chicago and New York jazz scenes. Commodore 531 ('I Ain't Gonna Give Nobody None of My Jelly Roll' and 'Ballin' the Jack') is from Condon's own important label, founded in 1938 to document small-group jazz.AI summary
Commodore 531 Jazz
Eddie Condon, the Chicago-style guitarist and bandleader, on Commodore 532 with Fidgety Feet, a tune associated with the Original Dixieland Jazz Band, and Don't Leave Me Daddy.AI summary
Commodore 532 Jazz
Eddie Condon, a pioneering American jazz guitarist and bandleader, on Odeon PO66 performing two jazz standards. Condon was a central figure in Chicago and New York jazz from the 1920s through the 1950s; this is a pre-war British reissue of American jazz material.AI summary
Odeon PO66 Jazz
Eddie Condon on Parlophone R2932 with 'Oh Baby' and 'Indiana', the influential hot-jazz guitarist and bandleader with iconic dixieland standards.AI summary
Parlophone R2932 Jazz
Eddie Condon's band with 'Ja-Da' and 'Love Is Just Around the Corner' on Commodore, catalogue 500, the first issue in the New York label's 500 series.AI summary
Commodore 500 Jazz
Guitarist Eddie Condon's band with 'Singin' the Blues' and 'Pray for the Lights to Go Out' on Commodore, the New York jazz label.AI summary
Commodore 568 Jazz
Eddie Condon, the influential Chicago-style jazz guitarist and bandleader, on Columbia. The notation suggests these are reissues or compilations of earlier hot-jazz sides from the late 1920s, including a Chocolate Dandies track.AI summary
Columbia 36009 Jazz
Eddie Condon, the pioneering American jazz guitarist and bandleader, recorded these jazz standards for Brunswick in the mid-1930s. Condon's Chicagoland hot-jazz sides are actively collected.AI summary
Brunswick 03055 Jazz
Eddy Reilly's Onyx Club Boys on Brunswick RL pressing from the 1920s or early 1930s.AI summary
Brunswick RL325 Jazz
Eddy South, a renowned violinist and bandleader, performing 'Honeysuckle Rose' and 'Black Gypsy' on Brunswick, likely from the 1930s.AI summary
Brunswick 81504 Jazz
Eddy Walis Jazz Orchestra performing instrumental jazz numbers 'Unerhort kusst die Malwine' and 'Mondscheinfahrt' on Phony 667, a budget British label.AI summary
Phonycord 667 Jazz
Edith Wilson, a pioneering Black American blues and jazz vocalist, recorded 'Dixie Blues' and 'He Used to Be Your Man' for Columbia. Wilson was active in the 1920s and was one of the earliest female blues recording artists; her recordings remain important to collectors of early American blues and vocal jazz.AI summary
Columbia A3787 Jazz
Edith Wilson, an African American jazz and blues singer of the 1920s, recorded 'Frankie' and 'Old Time Blues' for Columbia A3506.AI summary
Columbia A3506 Jazz
Edith Wilson, an African-American blues and jazz singer active in the 1920s, recorded 'Vampin' Liza Jane' and 'Nervous Blues' for Columbia. These are blues titles characteristic of Wilson's work during the early jazz age, recorded for one of the major labels of the period.AI summary
Columbia A3479 Jazz
Columbia A3537 Jazz
Edith Wilson, the blues and jazz vocalist, with trumpeter Johnny Dunn on two blues sides: Birmingham blues and Wicked blues, Columbia A3558. A scarce coupling of two important early jazz soloists.AI summary
Columbia A3558 Jazz
Edith Wilson, an early jazz and blues singer, accompanied by Johnny Dunn's jazz ensemble, performing 'Evil blues' and 'Pensacola blues' on Columbia Records. Both are significant recordings from the hot-jazz era of the early 1920s.AI summary
Columbia A3746 Jazz
Edith Wilson, the blues and jazz vocalist, with trumpeter Johnny Dunn on two blues sides: He used to be your Man but he's my Man now and Dixie Blues, on Columbia A3787.AI summary
Columbia A3787 Jazz
Edmond Hall was a Creole clarinetist from New Orleans who had a long career in swing and traditional jazz. Climax 17, the 'Celestial Express' session, is from a small label and is scarce.AI summary
Climax 17 Jazz
Edna Hicks recorded early blues and jazz material for Vocalion. This pressing of two blues numbers dates to the late 1920s, when Vocalion was an active American and British concern. The title 'Walking and talking blues' suggests classic blues repertoire.AI summary
Vocalion 14650 Jazz
Edna Hicks performing classic blues material, 'Down Hearted Blues' and 'Gulf Coast Blues', on Brunswick 2463. The catalogue number and recording style suggest a 1920s origin.AI summary
Brunswick 2463 Jazz
Edna Hicks performs 'I'm Goin Away' and 'You're Always Messin Round with My Man' on this Victor record, catalogue 19083, likely from the late 1920s.AI summary
Victor 19083 Jazz
Edwin Lehn was an American jazz pianist and composer. 'Mess is Here' and 'Stormy Weather' are early jazz and popular songs. This Brunswick recording, with a very low catalogue number, suggests an early or test pressing.AI summary
Brunswick 78 Jazz
Elisabeth Welch, the British-American vocalist and performer, singing two jazz-influenced ballads on His Master's Voice: 'Far away in Shanty Town' and 'Girl I knew'. Welch was a prominent performer in British theatre and film during the 1930s–40s.AI summary
His Master's Voice C2741 Jazz
Elizabeth Welch, an American jazz and cabaret singer, recorded 'Harlem in My Heart' and 'One Kiss' for His Master's Voice, catalogue B8608. Welch was a cabaret artist and stage performer in London during the 1920s and 1930s, and her recordings remain sought after by jazz collectors.AI summary
His Master's Voice B8608 Jazz
Elkins and the Columbians, a dance band on Columbia, performing jazz-influenced dance music of the late 1920s.AI summary
Columbia 3154 Jazz
Ella Fitzgerald, one of the greatest jazz vocalists of all time, recorded *Swingin' Shepherd Blues* and *Midnight Sun* for His Master's Voice in the 1950s. This is a mainstream British pop pressing of her recordings.AI summary
His Master's Voice POP486 Jazz
Ella Fitzgerald, one of the greatest jazz vocalists, on Brunswick — two sides from her prolific recording career in the 1930s–50s.AI summary
Brunswick 05477 Jazz
Ella Fitzgerald was one of the greatest jazz vocalists of the twentieth century; this Brunswick record of 'Don't You Think I Ought to Know' and 'My Happiness' is an early recording from her vast and much-collected discography.AI summary
Brunswick 03934 Jazz
Ella Fitzgerald on Brunswick 05473, performing 'Hard Hearted Hannah' and 'Pete Kelly's Blues'. Fitzgerald was one of the greatest American jazz singers; this Brunswick issue dates from the swing era when she was recording for Decca subsidiaries.AI summary
Brunswick 05473 Jazz
Ella Fitzgerald on HMV, performing 'Swingin Shepherd Blues' and 'Midnight Sun', from her early 1950s popularity.AI summary
His Master's Voice POP486 Jazz
Ella Fitzgerald performing two jazz standards on Brunswick 05473: 'Hard Hearted Hannah' and 'Pete Kelly's Blues'. Fitzgerald (1917–1996) was one of the greatest jazz singers in history.AI summary
Brunswick 05473 Jazz
Ella Fitzgerald, the renowned American jazz singer, recorded 'Hard Hearted Hannah' and 'Pete Kell's Blues' for Brunswick in the late 1930s or early 1940s. An important early recording by one of the greatest voices in jazz.AI summary
Brunswick 05473 Jazz
Ella Fitzgerald recorded 'It's Only a Paper Moon' and 'I'm Gonna Cry You Out of My Heart' for Brunswick during her early career. Fitzgerald is one of the most important and collected jazz singers in history, and her recordings remain highly valued.AI summary
Brunswick 03619 Jazz
Ella Fitzgerald's early Brunswick recording from 1938, "'Taint What You Do (It's the Way That You Do It)" and "I Can't Stop Loving You", representing her work with the Chick Webb orchestra.AI summary
Brunswick 02777 Jazz
Ella Fitzgerald, one of the greatest jazz vocalists, recorded 'Lullaby of Birdland' (a jazz standard with a melody by George Shearing) and 'Later' for Brunswick, likely in the early 1950s.AI summary
Brunswick 05392 Jazz
Ella Fitzgerald and Louis Armstrong, two of the greatest jazz vocalists, recorded together on Brunswick with 'You Won't Be Satisfied' and 'Frim Fram Sauce'.AI summary
Brunswick 03644 Jazz
Duke Ellington and his orchestra recorded 'Ain't Misbehavin'' and 'Hyde Park' for Decca M439, likely mid-1930s. These recordings represent one of the greatest jazz bandleaders of the 20th century.AI summary
Decca M439 Jazz
Duke Ellington on Brunswick 80000, the classic early Ellington sides 'East St Louis Toodle-oo' and 'Birmingham Breakdown', from his 1927–28 recordings for Brunswick.AI summary
Brunswick 80000 Jazz
Duke Ellington's orchestra performing 'Rockin' in Rhythm' and 'Twelfth Street Rag' on Brunswick, recorded in 1931 — a significant early Ellington recording.AI summary
Brunswick 80001 Jazz
Duke Ellington's iconic 'Mood Indigo' (matrix 30) and 'Wall Street Wail' (matrix 29), recorded for Brunswick's prestigious 80000 series. These are landmark early Ellington sides from the late 1920s or early 1930s, representing some of the most collected jazz recordings of the acoustic and early electrical eras.AI summary
Brunswick 80003 Jazz
Duke Ellington recorded 'Echoes of the Jungle' and 'Limehouse Blues' for His Master's Voice B6066; Ellington was the supreme jazz composer and bandleader, and these pieces exemplify his early 1930s style.AI summary
His Master's Voice B6066 Jazz
Duke Ellington's orchestra recorded these two sides—dated 1929 and 1930 in the titles—for HMV's B-series, capturing the early swing style that defined his band at the Cotton Club.AI summary
His Master's Voice B6106 Jazz
Duke Ellington's orchestra on 'Double check Stomp' and 'Sweet Dreams of Love', issued by His Master's Voice B6277. This is an early Ellington coupling from the late 1920s; UK copies of Ellington's most sought-after recordings from this period are uncommon and highly collectable among jazz enthusiasts.AI summary
His Master's Voice B6277 Jazz
Duke Ellington recorded 'Blues I Love to Sing' and 'Hot Feet' for His Master's Voice, catalogue B6343, likely early 1930s.AI summary
His Master's Voice B6343 Jazz
Duke Ellington recorded 'Memories of you' and 'You're lucky to me' for His Master's Voice (HMV B5954). These are early ballad recordings from Ellington's orchestra in the late 1920s, representing a different side of his work from the hot jazz material for which he is most famous.AI summary
His Master's Voice B5954 Jazz
Duke Ellington on His Master's Voice B4842, performing 'When a Black Man's blue' and the composition 'Mood Indigo'. This is a British pressing of a major jazz composer and orchestra leader.AI summary
His Master's Voice B4842 Jazz