1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 15 of 41
Fats Waller, the brilliant jazz pianist, organist and entertainer, on His Master's Voice. 'Ain't Misbehavin' is his most famous song and signature tune, recorded many times throughout his career.AI summary
His Master's Voice C3737 Jazz
Fats Waller was an American jazz pianist, organist, and entertainer, and 'Valentine Stomp' and 'Gladsye' are characteristic recordings of his playful, swinging style. His recording for His Master's Voice under the JF label (likely a reissue or special series) represents scarce UK pressings of a widely collected jazz artist.AI summary
His Master's Voice JF4 Jazz
Fats Waller, the American stride pianist, organist and entertainer, recorded these two sides for His Master's Voice. Both are typical of his witty, jazz-inflected swing-era compositions and performances.AI summary
His Master's Voice JF7 Jazz
Fats Waller, the American jazz pianist and entertainer, recorded 'Ain't Misbehavin'', his signature novelty hit, for HMV in the 1930s.AI summary
His Master's Voice C3737 Jazz
Fats Waller, the major American jazz pianist and entertainer, performing 'I wanna hear Swing Songs' and 'That gets it Mr Joe' on His Master's Voice BD1028. Waller was prolific on HMV in the 1930s–40s.AI summary
His Master's Voice BD1028 Jazz
Fats Waller, the American jazz pianist, organist and entertainer, on His Master's Voice BD1229. These are festive novelty recordings, 'Send Me Jackson' and 'Jingle Bells', from Waller's prolific recording output.AI summary
His Master's Voice BD1229 Jazz
Fats Waller, the virtuoso pianist and entertainer, playing early blues material recorded for what appears to be an HMV catalogue number. The original E flat blues and the playful 'Eep, Ipe, Wanna Piece of Pie' are typical of Waller's 1920s output, recorded during his most fertile creative period.AI summary
Jazz
His Master's Voice BD5377 Jazz
His Master's Voice BD5387 Jazz
Fats Waller, the American jazz pianist and entertainer, recorded 'Little curly Hair in a High Chair' and 'Stayin' at Home' for His Master's Voice in the 1930s. This is a major artist, but the titles and pressing are routine.AI summary
His Master's Voice BD1235 Jazz
Fats Waller recorded 'Truckin'' and '12th Street Rag' for HMV BD262. Waller was an American jazz pianist, composer and entertainer; his recordings are major items in jazz and swing collecting.AI summary
His Master's Voice BD262 Jazz
Fats Waller performing novelty jazz numbers 'Imagine My Surprise' and 'Your Socks Don't Match' on His Master's Voice BD1073. Waller was one of the greatest stride pianists and entertainers in jazz history, known for his comic timing and prolific output.AI summary
His Master's Voice BD1073 Jazz
Fats Waller, 'Waller Stomp' and 'Red Hot Dan', on His Master's Voice B10472; Waller was a virtuoso stride pianist and entertainer, one of the most important figures in jazz and popular music, and his HMV recordings date to the early swing era.AI summary
His Master's Voice B10472 Jazz
Fats Waller on His Master's Voice JF 1, performing two novelty jazz numbers. Waller was a virtuoso stride pianist, organist, and entertainer, one of the great figures of American jazz and popular music.AI summary
HMV JF1 Jazz
Freddy Randall, the British jazz trumpeter and bandleader, recorded two jazz blues numbers—'I Ain't Gonna Give Nobody None o This Jelly Roll' and 'Dark Night Blues'—for Parlophone. Randall was a significant figure in British revivalist jazz of the 1950s.AI summary
Parlophone R3525 Jazz
A musician named Felix Mendelssohn (not the composer, who died in 1847) recorded "Crazy Rhythm" and "St Louis Blues" for Columbia FB2882, early swing-era arrangement in the late 1930s.AI summary
Columbia FB2882 Jazz
Fess Williams, a renowned saxophonist and leader of the Royal Flush Orchestra, on HMV B4944 with 'Playing My Saxophone' and a 'New Orleans Feet Warmers' side called 'Shag'. Williams was a significant jazz and hot-dance recording artist of the 1920s-30s.AI summary
His Master's Voice B4944 Jazz
Fletcher Henderson, whose orchestra was the most important big band of the 1920s, plays 'After the Storm', backed by Onivas with 'The Grass Is Always Greener', on Homochord.AI summary
Hom C682 Jazz
Fletcher Henderson, a pioneering jazz bandleader, recorded 'Stampede' (matrix 26) and 'Money Blues' (matrix 25) for Columbia, catalogue 35669, likely early 1920s.AI summary
Columbia 35669 Jazz
Columbia 35670 Jazz
Fletcher Henderson's orchestra, one of the most important American jazz ensembles of the 1920s, recorded for Brunswick on 'Clarinet Marmalade' and 'Fidgety Feet' — both seminal hot jazz recordings. This UK pressing (catalogue 02634) represents a significant early jazz issue.AI summary
Brunswick 02634 Jazz
Fletcher Henderson was a central architect of big-band jazz arranging; Harmony was Columbia's budget subsidiary label, which often issued his sides under pseudonyms.AI summary
Harmony 353 Jazz
Fletcher Henderson, a pioneering hot-dance and jazz bandleader, recorded 'Sugar Foot Stomp' (1925) and 'Young Woman's Blues' with Bessie Smith (1926) for Columbia S10002, representing some of the most important jazz and blues of the mid-1920s; UK copies of the OKeh 8000 series are extremely uncommon, and this Columbia special issue brings serious jazz collector attention.AI summary
Columbia S10002 Jazz
'Dicty Blues' and 'Do Doodle Oom' are among Fletcher Henderson's earliest recordings as a bandleader, important documents of the formative big-band jazz sound of the 1920s.AI summary
Vocalion 14654 Jazz
Fletcher Henderson, one of the most important big-band leaders and arrangers, recording 'Christopher Columbus' and 'Blue Lou' on Vocalion 3211.AI summary
Vocalion 3211 Jazz
Fletcher Henderson's orchestra performing 'Honeysuckle Rose' and 'Underneath the Harlem Moon' on Columbia CB584, from the jazz hot-dance era of the late 1920s.AI summary
Columbia CB584 Jazz
Fletcher Henderson, the pioneering African-American bandleader and arranger, leading his orchestra on 'Whiteman Stomp' and 'I'm Coming Virginia' on Columbia 4561. Both are important early jazz recordings from the mid-1920s hot-jazz era.AI summary
Columbia 4561 Jazz
Fletcher Henderson was one of the most important figures in jazz history — a pioneering bandleader, arranger and pianist whose Roseland Ballroom orchestra in the 1920s was a foundational big band. Brunswick 2592 is from the early to mid-1920s, in Henderson's most creative period. UK pressings of Henderson's Brunswick sides are less common than American copies and are sought by hot-jazz and early big-band collectors. This is one of the more significant jazz items in the list.AI summary
Brunswick 2592 Jazz
Fletcher Henderson's orchestra performing jazz on Columbia, a British pressing of the American hot-jazz pioneer.AI summary
Columbia CB678 Jazz
Fletcher Henderson's orchestra on Imperial 1321, with 'Charley My Boy' and 'Doodle-Doo-Doo' — a mid-1920s hot-dance coupling. Imperial was a British label that licensed American material, and Henderson sides on British pressings are scarce; Henderson himself is a foundational figure in big-band jazz and his 1920s recordings are keenly sought by hot-jazz collectors.AI summary
Imperial 1321 Jazz
Fletcher Henderson, the pioneering American big-band jazz leader, recorded 'Alabamy Bound' and 'Peter Pan I Love You' (Terr) for Imperial Records 1420.AI summary
Imperial 1420 Jazz
Fletcher Henderson, the influential jazz bandleader and arranger, recorded for the Imperial label; 'There's a Rickety Rackety Shack' represents dance-band material from Henderson's prolific recording career.AI summary
Imperial 1858 Jazz
Fletcher Henderson, the pioneering jazz bandleader and arranger, recorded these sides for Brunswick. Henderson's orchestra was one of the most influential groups in early jazz, and these recordings document hot jazz from the late 1920s.AI summary
Brunswick 01659 Jazz
Untitled
Fletcher Henderson, the pioneering American jazz bandleader and arranger, on Columbia performing jazz material. Henderson was foundational to hot jazz and swing.AI summary
Columbia 4421 Jazz
Flip Phillips, the tenor saxophonist of Woody Herman's Herd and Jazz at the Philharmonic, with 'Cookie' and 'This Can't Be Love' on American Mercury.AI summary
Mercury 8908 Jazz
Four Star Rhythm recorded two standard instrumental jazz pieces for Rhythm Records, a small American independent label from the 1930s–40s.AI summary
Rhythm 101 Jazz
Fox on Decca F2252, with jazz and novelty material—"Them There Eyes" is a jazz standard, but "Drink Brothers Drink" is probably a drinking song or comic number.AI summary
Decca F2252 Jazz
A His Master's Voice pressing credited to Fox performing 'Whispering', a jazz standard of the 1920s era; the BD prefix suggests a 1930s release.AI summary
His Master's Voice BD391 Jazz
Frances Faye and her Rhythm with On a Raft and I Wish I Could Shimmy Like My Sister Kate on Capitol CL13882.AI summary
Capitol CL13882 Jazz
Frank Froeba, an American jazz pianist and bandleader, recorded two swing-era dance numbers for Columbia in the early 1940s.AI summary
Columbia DB5029 Jazz
Frank Signorelli and colleagues recorded these ragtime and novelty standards for Stinson, an American independent label, in the 1940s–50s.AI summary
Stinson 365 Jazz
Frank Trumbauer, the American jazz saxophonist and bandleader, recorded these jazz standards for Columbia. Trumbauer was a leading jazz soloist of the 1920s, known for his C-melody saxophone tone and influential recordings with Bix Beiderbecke.AI summary
Columbia 37807 Jazz
Frank Trumbauer, the jazz saxophonist and bandleader, recorded 'My Pet' and 'Lila' for Parlophone, catalogue R141. Trumbauer was a key figure in 1920s jazz and his recordings are widely collected.AI summary
Parlophone R141 Jazz
Frank Trumbauer performing 'Blue Moon' and 'Down t'Uncle Bill's' on His Master's Voice BD119, capturing the saxophonist's influential jazz style in the mid-1920s.AI summary
His Master's Voice BD119 Jazz
Frank Trumbauer, the pioneering C-melody saxophonist and key figure in 1920s hot jazz, on His Master's Voice BD158 performing 'Plantation Moods' and 'Troubled'.AI summary
His Master's Voice BD158 Jazz
Frankie Trumbauer and his orchestra play 'Deep Harlem' and 'Get Happy' on American OKeh.AI summary
Okeh 41431 Jazz
Frank Trumbauer, legendary jazz saxophonist, on Brunswick 01979 with two classic jazz standards from the hot jazz era. Trumbauer is a major figure in jazz history; Brunswick early catalogue numbers are scarce in UK copies.AI summary
Brunswick 01979 Jazz
Frank Trumbauer, an American saxophonist and bandleader famous for his C-melody sax and smooth jazz style, on Brunswick 7663, performing 'Swonderful' and 'Mayor of Alabam'—jazz standards from one of the 1920s-30s' most distinctive voices.AI summary
Brunswick 7663 Jazz