1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 17 of 41
Gene Krupa, the influential swing-era drummer and bandleader, leads his orchestra on 'Jam on Toast' and 'Tutti Frutti', recorded for Columbia's DB series in the late 1940s.AI summary
Columbia DB5050 Jazz
Gene Krupa, the pioneering American jazz drummer and bandleader, recorded 'Opus No. 1' and 'Leave us Leap' for Columbia. 'Opus No. 1' was Krupa's signature piece and a major jazz recording.AI summary
Columbia M192 Jazz
Gene Krupa's orchestra performing swing jazz on OK Records, an American label that was distributed in the UK in the late 1930s.AI summary
Okeh 5997 Jazz
Gene Krupa was the drummer who defined the swing era's rhythmic energy. Okeh 6210 ('Let Me Off Uptown' and 'Flamingo') are classic swing recordings of the late 1930s.AI summary
Okeh 6210 Jazz
Gene Krupa, the star swing drummer and bandleader, performs 'Tuxedo Junction' and 'Drummin' Man' on a UK Parlophone pressing.AI summary
Parlophone R2730 Jazz
Gene Krupa, the celebrated American jazz drummer and bandleader, recorded 'By the sleepy lagoon' and 'Little white lies' for Columbia LB-series. These are popular songs in the swing idiom.AI summary
Columbia LB10029 Jazz
Geno Foreman recorded "Go Tell Aunt Rhodie" and "Foggy Mountain Top" on an unlabeled or unidentified disc, catalogue ..7778/4. These are American folk or rural titles, and the catalogue format is unclear.AI summary
..7778/4 Jazz
George Auld's orchestra featuring vocalist Sarah Vaughan performing jazz standards on Musicraft Records, an American jazz label of the mid-1940s.AI summary
Musicraft 394 Jazz
George Barnes was an American jazz guitarist active from the 1930s. These sentimental vocal sides on Beka, a German label, are obscure even by Barnes standards.AI summary
Beka M182 Jazz
George Brunies, the trombonist of the New Orleans Rhythm Kings, with 'That Da Da Strain' and 'Ugly Chile' on Commodore, the New York jazz label.AI summary
Commodore 546 Jazz
George Buck recorded 'The Egg' and 'People I Have Never Met' for Vocalion, probably in the early 1930s. Buck was a minor bandleader and recording artist of the swing era.AI summary
Vocalion M1073 Jazz
George Chisholm, the celebrated Scottish trombonist, with Ambrose's orchestra on Decca F8176. 'Red Duster Rag' and 'I Don't Want to Walk Without You' are typical of his hot-dance and swing repertoire from the late 1940s.AI summary
Decca F8176 Jazz
George Chisholm, a Scottish trombonist and bandleader, on Decca F6867 with 'Let's Go' and 'Archer Street Drag'.AI summary
Decca F6867 Jazz
George Chisholm, a leading British jazz trombonist, recorded the novelty titles 'Penalty £5' and 'No Smoking' for Decca F6939 in the 1940s. Chisholm was a significant figure in British jazz.AI summary
Decca F6939 Jazz
George Chisholm, Scottish jazz trombonist and bandleader, performed in the British jazz scene; this Decca F-series side couples a Chisholm original with an Ambrose composition from the swing era.AI summary
Decca F8176 Jazz
George Chisholm was a Scottish trombonist and bandleader prominent in British jazz and dance-band music from the 1930s onwards. 'Broadhurst Garden Blues' and 'Mood for Trumpet' showcase his improvising style, recorded for Decca during the swing era.AI summary
Decca F8458 Jazz
George Chisholm, the Scottish jazz trombonist and a founding member of the Clyde Valley Stompers, on Decca F8507, performing 'Little Earle' and 'All Is Not Gold That Jitters', likely late 1930s.AI summary
Decca F8507 Jazz
George Chisholm, the distinguished British trombonist, on Decca F8176: a ragtime number and a swing-era instrumental, recorded in the late 1930s.AI summary
Decca F8176 Jazz
Hom H412 Jazz
George Lewis, the New Orleans clarinetist and bandleader. Tempo A94 ('Mama Don't Allow' and 'Willie the Weeper') is from a small British label and represents traditional New Orleans jazz.AI summary
Tempo A94 Jazz
George Lewis, a legendary New Orleans clarinet player, recorded "Mama Don't Allow It" and "Willie the Weeper" for Good Time Jazz GV2253, a US jazz reissue label of the 1950s.AI summary
GoodTimeJazzGV 2253 Jazz
George Lewis was an American New Orleans clarinetist (1900–1968) and a major figure in traditional jazz; his 'Deep Bayou Blues' and 'Climax Rag' were recorded in the 1940s, but this appears to be a VogV (Vogue, a French label) pressing, not a British one.AI summary
Vogue V2051 Jazz
George Lewis, the New Orleans clarinettist at the heart of the 1940s revival, plays 'Two Jim Blues' and 'Milenberg Joys' on British Vogue.AI summary
Vogue V2052 Jazz
George Melly, the jazz and blues singer and later writer and surrealist, with 'Send Me to the 'Lectric Chair' and 'Rock Island Line' on Tempo.AI summary
Tempo 96 Jazz
George Melly with Mick Mulligan's band sings 'Death Letter' and 'Cemetery Blues' on Tempo.AI summary
Tempo A147 Jazz
George Shearing Quartet, a hugely successful modern jazz pianist and his group, on MGM 795 with 'Basso Profundo' and 'Cool Mambo' from the 1950s.AI summary
MGM 795 Jazz
George Webb, a British pianist and bandleader, recorded 'Muskrat Ramble' and 'Jenny's Ball' for Decca in the early 1950s. Webb was part of the British traditional jazz revival of the period, leading a jazz band that became influential in postwar British jazz.AI summary
Decca F9385 Jazz
George Webb's Dixielanders on Decca performing 'South' and 'London Blues', the British traditional jazz revival band recording in the post-war years.AI summary
Decca F8735 Jazz
George Wettling, the jazz drummer, recorded 'I Wish I Could Shimmy Like My Sister Kate' and 'Bugle Call Rag' for Brunswick, early jazz and ragtime standards from the late 1920s.AI summary
Brunswick 03059 Jazz
Georges Ulmer, a French guitarist and singer, recorded for Columbia in the post-war period. Ulmer was known for Django Reinhardt-influenced jazz guitar and chanson.AI summary
Columbia BF558 Jazz
The Georgians, an early dance and jazz ensemble, performing 'I've got a cross-eyed Papa' and 'You'd better keep babying baby' on Columbia, from the early 1920s.AI summary
Columbia 3412 Jazz
The Georgians on Vocalion Transfer (VT) 2034, performing two jazzy popular numbers with vocal backing. The Georgians were a minor American jazz-influenced vocal ensemble of the 1920s.AI summary
VT 2034 Jazz
The Georgians, an American dance band of the early 1920s, performing two jazz-inflected novelty numbers on Columbia 3297. The Georgians recorded sporadically in the early 1920s and are known to collectors of early jazz.AI summary
Columbia 3297 Jazz
The Georgians, a jazz and dance band, performing 'Farewell Blues' and 'A Kiss in the Dark' for Regal 7993.AI summary
Regal 7993 Jazz
Glenn Miller led the most commercially successful swing band of the 1940s, and 'Moonlight Serenade' was his signature tune; this His Master's Voice UK pressing of two of his classic sides is a standard collector's item.AI summary
His Master's Voice BD5942 Jazz
Glenn Miller's orchestra recorded 'Sleepy Town Train' and 'Moon Dreams' on V-Disc, the US Armed Forces transcription label used during World War II.AI summary
VDisc 201 Jazz
Glenn Miller on His Master's Voice EA2685, the American swing bandleader, with 'What's your story morning glory' and 'In the mood', the latter a signature composition.AI summary
His Master's Voice EA2685 Jazz
The Glenn Miller Uptown Hall Gang with I Must Have That Man and 'S Wonderful on Esquire 10-097.AI summary
Esquire 10-097 Jazz
Esquire 10-043 Jazz
Okeh 40289 Jazz
A jazz dance recording by Goldkette on His Master's Voice (catalogue B5470). Jean Goldkette was an important American bandleader of the 1920s; his recorded sides are collected by hot-jazz enthusiasts.AI summary
His Master's Voice B5470 Jazz
Jean Goldkette, the pianist and bandleader whose orchestra was one of the most sophisticated jazz ensembles of the mid-1920s, recorded these two sides for HMV's B-series.AI summary
His Master's Voice B5600 Jazz
Jean Goldkette's orchestra—one of the great American dance bands of the 1920s—on His Master's Voice, a premium British pressing from the late 1920s or early 1930s.AI summary
His Master's Voice B5623 Jazz
Biltmore 1012 Jazz
Nat Gonella, a British trumpeter and bandleader popular in the 1930s swing era, recorded 'Georgia on my Mind' and 'Sweet Sue' for Decca. These were among his signature numbers, showcasing his punchy, swing style.AI summary
Decca F3992 Jazz
Nat Gonella was a celebrated British swing-era trumpeter, and this Columbia recording with Claes captures him in hot dance-band style. Gonella is extensively collected by jazz enthusiasts.AI summary
Columbia FB2688 Jazz
Goodman recorded 'You're a heavenly Thing' and 'Restless' for His Master's Voice BD182, likely an early 1930s pressing.AI summary
His Master's Voice BD182 Jazz
Benny Goodman, the 'King of Swing', recorded these two sides for Victor, the major US label; Victor 25840 catalogue places it in the mid-to-late 1930s swing era.AI summary
Victor 25840 Jazz