1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 18 of 41
Goodman recorded these two jazz pieces for Victor 26021, an American label sometimes distributed in Britain.AI summary
Victor 26021 Jazz
The Goofus Five were an early jazz novelty group recording for Parlophone in the 1920s. 'I Wonder What Became of Joe?' and 'Poor Papa' are light novelty jazz sides from the acoustic era. The Goofus (a unique wind instrument) gave the group its distinctive sound. Parlophone pressings from this period survive in moderate quantities.AI summary
Parlophone lE5618 Jazz
The Goofus Five recorded 'Oh How I Love My Darling' and 'Everybody Loves My Baby' for Parlophone E5326. The Goofus was a saxophone-like novelty instrument popular in early jazz; the Goofus Five were an ensemble built around it, active in the late 1920s.AI summary
Parlophone E5326 Jazz
Gorman performs 'Phantom Blues' and 'Swamp Blues' on this Diva record, catalogue 2427, likely from the 1920s or early 1930s.AI summary
Diva 2427 Jazz
Graeme Bell's Australian jazz group recording 'Tiger Rag' and 'Ain't Gonna Give Nobody None of My Jelly Roll' on Pacific. Bell was a pioneering Australian jazz musician.AI summary
Pacific HC90.002 Jazz
Graeme Bell's Australian Jazz Band, whose British tour of the late 1940s gave the trad revival a boost, plays 'Shim-Me-Sha-Wabble' and 'South' on Esquire.AI summary
Esquire 10-007 Jazz
Graeme Bell, the Australian jazz pianist and bandleader, with Creole Belles and Just a Closer Walk with Thee on Ampersand 1201.AI summary
Ampersand 1201 Jazz
Grey Gull, an American jazz ensemble, performing 'Steppin' Along' (from 1929) and 'My Fate Is in Your Hands' on Piccadilly 491, a British reissue of American material.AI summary
Piccadilly 491 Jazz
H Cove and T Jackson recorded 'Where you goin' and 'Row' for Tri, catalogue 20293. Nothing is known of these artists or the label Tri.AI summary
Triumph 20293 Jazz
H Roy recorded 'It had to be you' and 'Barrel House Boogie' for Decca, catalogue F8497, likely from the 1940s.AI summary
Decca F8497 Jazz
Hadda Brooks (1916-2002), the Los Angeles pianist and singer, with Time Was When and All Night Long on Okeh 6865.AI summary
Okeh 6865 Jazz
Hadda Brooks Trio performing 'Hungarian Rhapsody No. 2 in Boogie' and 'Don't Take Your Love from Me' on Modern, the African-American pianist and bandleader in early rhythm-and-blues and boogie-woogie.AI summary
Modern 153 Jazz
Jazz ensemble credited as Hamm, performing 'Sugar Foot Stomp' and 'Black Bottom' on His Master's Voice B5173. Identity of the ensemble is unclear.AI summary
His Master's Voice B5173 Jazz
An artist credited as 'Hamm' recorded 'Sugar Foot Stomp' and 'Black Bottom' for His Master's Voice, probably in the mid-1920s. The repertoire suggests a jazz or hot dance side.AI summary
His Master's Voice B5173 Jazz
His Master's Voice B8800 Jazz
His Master's Voice B9395 Jazz
Hampton's instrumental jazz ensemble performs two 'stomp' numbers on His Master's Voice B8800, likely early 1930s.AI summary
His Master's Voice B8800 Jazz
Handy's Orchestra on Columbia 2914, 'Moonlight Blues' / 'Southern Nights'. Likely led by W.C. Handy, the blues and jazz pioneer, or a group trading on his name.AI summary
Columbia 2914 Jazz
The Happy Six, a small jazz or dance ensemble, recorded 'Shake Your Little Shoulder' and the Yerkes Southern Five's 'Railroad Blues' for Columbia's A-series in the early 1920s. The Yerkes Southern Five were an early jazz group active on the New York recording scene.AI summary
Columbia A2929 Jazz
The Happy Six, a novelty jazz vocal group, perform two songs on Columbia 2998: "Dance-o-Mania" and "Rose of Washington Square," likely from the mid-1920s. This is an early Columbia British pressing of a popular jazz-novelty number.AI summary
Columbia 2998 Jazz
Harlem Hamfats recording hot swing ('Weed Smokers Dream' and 'Let Your Linen Hang Low') on Vocalion V1005. A classic small-group swing recording of the 1930s.AI summary
Vocalion V1005 Jazz
The Harlem Hot Shots performing 'March Winds and April Showers' and Benny Goodman's 'Solitude' on Vocalion 3, an early small-catalogue issue.AI summary
Vocalion 3 Jazz
Harlequinaders recorded 'Yes She Do' for Vocalion, catalogue 236. Identity and nature of the group are unclear.AI summary
Vocalion 236 Jazz
Harry Cove on Mara Records 117: 'Just a Wee Deoch and Doris' and 'My Baby'. No information is readily available on the artist or the label.AI summary
Marathon 117 Jazz
Harry Fay performs two early jazz novelties—'Stick around for the new Jazz Band' and 'On the good Ship Yacki Hicki Dula'—on Zonophone 1877.AI summary
Zonophone 1877 Jazz
Harry Fay on Zonophone, performing 'Put and Take' and 'Better 'n That', popular jazz-influenced novelty pieces of the 1920s.AI summary
Zonophone 2207 Jazz
Harry James, the American trumpeter and bandleader, on Columbia. James was enormously popular and his recordings were issued widely; most survive in quantity.AI summary
Columbia 36672 Jazz
Harry James, the American swing trumpeter and bandleader, recorded for Columbia in the 1940s-1950s. This pressing of two popular ballads reflects his later commercial period.AI summary
Columbia 36672 Jazz
Harry James was a celebrated American bandleader and trumpeter known for swing and big-band music; this Columbia disc couples two novelty numbers, "Sleepy Time Gal" and "Jump Town".AI summary
Columbia DB30242 Jazz
Harry James, the American swing trumpeter, recorded 'Sweet Georgia Brown' and 'Ciribiribin' for Columbia. These jazz standards and novelties show his commercial dance-band side.AI summary
Columbia DB5060 Jazz
Harry James was one of the greatest swing-era trumpeters and bandleaders, celebrated for his hot, blues-inflected tone and his major-label recordings of the 1930s–40s. 'Dukes Mixture' and 'Back Beat Boogie' are characteristic of his swinging style. Associated British Productions was a small British reissue label, likely pressing American material.AI summary
Harry James, the American trumpeter and bandleader, performing "Ultra" and "Manhattan" on Columbia, from the 1930s-40s swing era.AI summary
Columbia DB3134 Jazz
Harry James, the American jazz trumpeter and bandleader, recorded 'I'm Beginning to See the Light' and 'Carnival' for Parlophone in the swing era.AI summary
Parlophone R2991 Jazz
Harry James, the star swing trumpeter and bandleader, plays 'Love Come Back to Me' and his huge 1947 hit 'Heartaches' on a UK Columbia pressing.AI summary
Columbia DB2332 Jazz
Harry James on Columbia DB2341, performing 'Cotton Tail' and 'The Beaumont Ride'. James was one of America's most celebrated big-band leaders and trumpeters, active from the 1930s onward. 'Cotton Tail' is a famous Duke Ellington composition.AI summary
Columbia DB2341 Jazz
Harry James on Parlophone performing 'Trumpet Rhapsody', a virtuoso display piece for the swing-era trumpeter and bandleader.AI summary
Parlophone R2819 Jazz
Harry James on Parlophone R2972, performing 'Easter Parade' and 'Cherry'. James was one of America's most celebrated big-band leaders and trumpeters, active from the 1930s onward.AI summary
Parlophone R2972 Jazz
Harry James and his orchestra performing 'I'm Beginning to See the Light' and 'Carnival' on Parlophone. James was a major American bandleader and trumpeter; this appears to be a British Parlophone pressing of his work.AI summary
Parlophone R2991 Jazz
Harry James, the American trumpeter and bandleader, recorded 'Two O'Clock Jump' and the closely related 'One O'Clock Jump' for Columbia in the swing era. Both are jump-blues numbers that showcase James's facility.AI summary
Columbia 37142 Jazz
Harry James, the American swing trumpeter, on V-Disc 109, performing 'Oh What a Beautiful Morning' and 'Sad Sack'. V-Disc was a US military label (1942–1948) that issued recordings for distribution to troops, not commercial release. UK copies are scarce.AI summary
VDisc 109 Jazz
Harry James was a celebrated American bandleader and trumpeter known for swing and big-band music; "Boo-Woo" and "Woo-Woo" are novelty pieces recorded for Columbia.AI summary
Columbia DB5058 Jazz
Harry James was a celebrated American trumpet virtuoso and bandleader, recorded here on Columbia for 'Home James' and 'Jesse'. This DB series pressing dates to the late 1930s or early 1940s.AI summary
Columbia DB5065 Jazz
Harry James was one of the most successful American swing bandleaders and trumpeters of the 1930s and 1940s, famous for his technically brilliant and driving orchestral sound; this Columbia side captures two of his swing recordings.AI summary
Columbia 36698 Jazz
Harry James, the trumpeter and bandleader, with 'Tuxedo Junction' and 'Hodge Podge' on the Davis label.AI summary
Davis DA13 Jazz
Harry James, the legendary big-band trumpet leader and Hollywood personality, performing 'Record Session' and 'Indiana' on Parlophone. James was one of the most commercially successful jazz musicians of the 1930s-1950s.AI summary
Parlophone R2883 Jazz
Harry Parry's jazz band performing 'At the Jazz Band Ball' and 'Clarinet Blues' on Parlophone R3119 from the swing era.AI summary
Parlophone R3119 Jazz
Harry Perritt performing blues and jazz material for Columbia FB1076, likely dating to the late 1920s or early 1930s. The titles suggest a musician working in the early hot-jazz idiom.AI summary
Columbia FB1076 Jazz
Harry Reser, a leading American banjo and novelty guitarist, on Columbia 3317, performing instrumental jazz-novelty sides from the mid-1920s; an important session in the history of banjo recording.AI summary
Columbia 3317 Jazz