1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 21 of 41
Jean Wiener, a French jazz pianist and composer, recorded 'Je Te Veux' and 'Les Hirondelles' (with C. Doucet) for Columbia D15005. Wiener was an important jazz and stride-piano figure in 1920s Paris; these are likely French recordings issued on British Columbia.AI summary
Columbia D15005 Jazz
Jean Wiener and Clement Doucet were French jazz pianists and composers; this Columbia side captures the hot-jazz idiom of 1920s Paris in two piano novelties.AI summary
Columbia 4859 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer, recorded 'Cannon Ball Blues' and 'Steamboat Stomp' for HMV—two of the New Orleans jazz classics that remain central to jazz discographies.AI summary
His Master's Voice B9979 Jazz
Jelly Roll Morton, the pioneering New Orleans pianist and composer, performing two of his definitive compositions: 'Jelly Roll Blues' and 'Doctor Jazz' on His Master's Voice. Morton is foundational to jazz history.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer (1890–1941), performing 'The Chant' and 'Tank Town Bump' for His Master's Voice. These are sides from Morton's important early solo piano recordings, made in the late 1920s or early 1930s.AI summary
His Master's Voice B10456 Jazz
Jelly Roll Morton, one of the earliest and most influential jazz composers and pianists, recorded 'Oh didn't he ramble' and 'Winnin' Boy Blues' for His Master's Voice. Both are classic jazz compositions from Morton's most creative period.AI summary
His Master's Voice B9217 Jazz
Jelly Roll Morton, the New Orleans piano pioneer and jazz composer, recorded "Blue Blood Blues" and "Mushmouth Shuffle" for the Hot Jazz label. These are reissues of material from the 1920s, not original first pressings.AI summary
HotJazz 46 Jazz
Jelly Roll Morton, the foundational jazz composer and pianist, recorded 'The Pearls' and 'King Porter Stomp' for Brunswick in the mid-1920s. These are canonical early jazz piano recordings, capturing Morton's sophisticated stride and compositional genius.AI summary
Brunswick 03564 Jazz
Jelly Roll Morton was a pioneering jazz pianist and composer, often called the 'inventor of jazz'. 'Sidewalk Blues' and 'Dead Man Blues' are seminal jazz recordings. This Victor 40-0118 pressing is a later re-pressing or issue, catalogue number format suggesting 1930s or later, of recordings that were originally made in the 1920s.AI summary
Victor 40-0118 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, performing two of his own compositions on an HMV reissue, likely from the 1930s.AI summary
His Master's Voice 01270 Jazz
Jelly Roll Morton's two masterpieces of early jazz piano: 'High Society' and 'Thought I Heard Buddy Bolden Say', recorded for Bluebird. Morton was the first important jazz composer, and these sides—especially the complex 'High Society'—show why; UK copies of this catalogue number are scarce.AI summary
Bluebird 10434 Jazz
Jelly Roll Morton, the pioneering New Orleans pianist and jazz composer, recorded 'Original Rags' and 'Mamie's Blues' for the JazzSelection label, a reissue imprint. The original recordings date from the 1920s but this pressing's date is unknown.AI summary
JazzSelection Jazz
Jelly Roll Morton, the New Orleans jazz pioneer, recorded 'Jelly Roll Blues' and 'Doctor Jazz' for His Master's Voice (HMV), likely the British issue of these classic sides originally from the 1920s.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton's 'Boogaboo' and 'Kansas City Stomps' on Victor date from his celebrated Red Hot Peppers period, among the most studied small-group jazz recordings of the era.AI summary
Victor 38010 Jazz
Jelly Roll Morton, the legendary jazz pianist and composer, recorded 'Sidewalk Blues' and 'Swamp Blues' (with A. Landry) on His Master's Voice B5212. Morton was one of the greatest figures in early jazz and his recordings are of the highest importance to collectors.AI summary
His Master's Voice B5212 Jazz
Jelly Roll Morton, the pioneering jazz composer and pianist, recorded 'Cannon Ball Blues' and 'Steamboat Stomp' for His Master's Voice. These are iconic sides from one of the most important figures in early jazz history.AI summary
His Master's Voice B9979 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, recorded for His Master's Voice in 1928; 'Beale Street Blues' and 'Pearls' are seminal jazz recordings. UK copies of this B 10341 issue are uncommon — the B 10000 series carried some of the most important jazz of the late 1920s, and British HMV pressings from this series rarely surface.AI summary
His Master's Voice B10341 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, performing 'Fat Frances' and 'Pep' on His Master's Voice B10619, from 1929.AI summary
His Master's Voice B10619 Jazz
His Master's Voice B10762 Jazz
Jelly Roll Morton's 'Oh didn't he ramble' and 'Winin' Boy Blues' on His Master's Voice B9217, landmark New Orleans jazz piano and composition from one of the music's founding figures.AI summary
His Master's Voice B9217 Jazz
Jelly Roll Morton, the New Orleans piano pioneer and jazz composer, recorded sparingly in the 1920s and early 1930s; this His Master's Voice pressing of 'Georgia Swing' and 'Mournful Serenade' is from his most prolific recording period and is highly sought by jazz collectors.AI summary
His Master's Voice B9221 Jazz
Jelly Roll Morton on His Master's Voice B 9848, recorded in 1928; 'Jelly Roll Blues' and 'Doctor Jazz' are essential jazz compositions and recordings. UK copies of HMV B 9000-series jazz sides are uncommon — the series carried some of the most important early jazz recorded in the late 1920s, and British pressings from this series rarely surface.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the legendary New Orleans pianist and jazz composer, recorded these two sides for His Master's Voice; 'Jelly Roll Blues' and 'Doctor Jazz Stomp' are foundational early jazz recordings.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the New Orleans jazz pianist and composer, recorded these two of his own compositions—'Jelly Roll Blues' and the stomp 'Doctor Jazz'—for His Master's Voice, likely reissued from American masters in the 1920s or early 1930s.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the legendary New Orleans jazz pianist, composer, and bandleader, is captured on this His Master's Voice recording of 'Jelly Roll Blues' and 'Doctor Jazz'. These titles carry significant jazz historical importance. However, the catalogue number and matrix details should be verified, as discographical accuracy is crucial for such a major artist.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer, recorded 'Little Lawrence' and 'Pretty Lil'' for His Master's Voice, catalogue SG53. These sides from the SG series are scarce UK pressings of one of jazz's founding figures.AI summary
His Master's Voice SG53 Jazz
Jelly Roll Morton with 'Fat Meat and Greens' and 'Sweetheart o' Mine' on British Vocalion.AI summary
Vocalion V1019 Jazz
Jelly Roll Morton was one of the most innovative and historically important jazz musicians of all time, a pioneering pianist, composer and bandleader. 'Wolverine Blues' and 'My Gal' are among his most celebrated and frequently recorded compositions. This is a reissue pressing, likely from the 1930s or 1940s, preserving acoustic-era recordings from the early 1920s.AI summary
Reissue 8 Jazz
Jazz Collection 11 Jazz
'Tia Juana' and 'Mamamita' credited to Jelly Roll Morton on JazzCo, a tiny British reissue label that pressed material from other catalogues in unknown quantity and with no clear dating or pressing runs.AI summary
Jazz Collection 5 Jazz
Jazz pianist and composer Jelly Roll Morton performing 'Chant' and 'Black Bottom Stomp' on His Master's Voice B5164. Morton was a pioneer of jazz composition and recording, and these are among his most celebrated sides.AI summary
His Master's Voice B5164 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, recorded 'Chant' and 'Black Bottom Stomp' for His Master's Voice. These are seminal hot jazz recordings from the 1920s; UK copies are uncommon.AI summary
His Master's Voice B5164 Jazz
Two of Jelly Roll Morton's best-known numbers, 'Doctor Jazz' with Morton's own vocal and his 'Original Jelly Roll Blues', both recorded with his Red Hot Peppers for Victor in Chicago in 1926, here on the Nu-Range label.AI summary
Nu-Range Jazz
Jelly Roll Morton's Red Hot Peppers, a seminal New Orleans jazz ensemble, recorded 'Black bottom stomp' and 'The Chant' for His Master's Voice, catalogue B5164.AI summary
His Master's Voice B5164 Jazz
Another Jelly Roll Morton's Red Hot Peppers disc, but issued in Victor's later 40-0000 reissue series rather than as an original pressing, making it more accessible than the first-issue 20000-series discs.AI summary
Victor 40-0121 Jazz
Jelly Roll Morton's Red Hot Peppers made some of the most admired small-group recordings of the 1920s, and 'Beale Street Blues' and 'The Pearls' on US Victor are classic examples sought by jazz collectors.AI summary
Victor 20948 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer (1890–1941), recorded his composition 'Climax Rag' for His Master's Voice; 'West End Blues' is Louis Armstrong's masterpiece, adapted here (likely by a British jazz ensemble rather than by Armstrong himself, who recorded the original for OKeh).AI summary
His Master's Voice B9219 Jazz
Jelly Roll Morton, one of the founding figures of jazz and a pianist, composer and bandleader, on His Master's Voice. 'Cannon Ball Blues' and 'Steamboat Stomp' are compositions from his New Orleans jazz repertoire.AI summary
His Master's Voice B9979 Jazz
Jerry Jerome on Asch Records performing 'People Will Say We're in Love' (from Rodgers and Hammerstein's Oklahoma!) and a jazz instrumental. Jerry Jerome was a jazz saxophone player and session musician of the 1940s; Asch was an American independent label known for jazz and folk recordings.AI summary
Asch 1503 Jazz
Jess Stacey was a pioneering swing pianist. Commodore 517 ('Ain't Goin' Nowhere' and 'Candlelights') is from Condon's important small label founded to document jazz.AI summary
Commodore 517 Jazz
Jesse Stafford recorded 'Cinderella blues' and 'Shine' for Brunswick, catalogue 4048. Stafford was an American jazz or novelty artist of the 1920s; these are likely jazz-novelty dance sides.AI summary
Brunswick 4048 Jazz
Jim Dorsey on Brunswick 03074, performing 'Contrasts' and 'Dolimite'. Dorsey was an American saxophone and clarinet player, brother of Tommy Dorsey, and a bandleader in his own right. Brunswick was a major American label.AI summary
Brunswick 03074 Jazz
Jimmy Dorsey was a celebrated American jazz saxophonist and bandleader; this Brunswick recording of two Latin-tinged standards represents his dance-band output from the swing era.AI summary
Brunswick 03200 Jazz
Jimmie Lunceford, the influential African-American jazz bandleader, performing the jazz standards 'Liza' and 'Uptown Blues' on Parlophone R2828, a swing-era recording.AI summary
Parlophone R2828 Jazz
Jimmie Lunceford's 'Chocolate Boogie Woogie' and 'Battle Axe', recorded for Brunswick in the late 1930s swing era; Lunceford led one of the most disciplined and innovative big bands of the swing period, and his recordings remain prized by jazz and swing collectors.AI summary
Brunswick 03224 Jazz
Jimmie Lunceford's orchestra, a celebrated swing ensemble, recorded 'You're Just a Dream' and 'Time's a Wastin'' on Parlophone, representing one of the most sophisticated and rhythmically innovative big bands of the swing era.AI summary
Parlophone R2865 Jazz
Jimmy Bertrand's Washboard Wizards with 'I'm Goin' Huntin'' and 'If You Want to Be My Sugar Papa', a 1927 Chicago session with Louis Armstrong and Johnny Dodds in the band, on British Vocalion.AI summary
Vocalion V1032 Jazz
Jimmy Bertrand's Washboard Wizards with 'I'm Goin' Huntin'' and 'If You Want to Be My Sugar Papa', a 1927 Chicago session with Louis Armstrong and Johnny Dodds in the band, on British Vocalion.AI summary
Vocalion V1032 Jazz