1,957 shellac records · mostly British pressings, 1900s–1950s
1,957 records matching · page 33 of 41
The Quintette du Hot Club de France, featuring the legendary guitarist Django Reinhardt, on His Master's Voice B8669 with two romantic swing-jazz standards from the 1930s.AI summary
His Master's Voice B8669 Jazz
R. Starita recorded 'Crazy Rhythm' and 'Where Have You Been All My Life' for Columbia, catalogue 5137, in the late 1920s. An obscure dance or hot-jazz recording.AI summary
Columbia 5137 Jazz
Columbia 5523 Jazz
Rabin on Decca F 7856, performing two jazz standards of the 1930s–1940s era.AI summary
Decca F7856 Jazz
The Radio Rhythm Rascals perform hot jazz numbers 'Sweet Sue' and 'Dinah' on Columbia. The band is not well documented in standard discographies.AI summary
Columbia FB1107 Jazz
Decca 8508-2 Jazz
Ralph Sutton on Down Home, performing 'Frog Legs Rag' and 'Black and White Rag'. Sutton was an accomplished stride pianist; Down Home was a small American label. This is an early or small-label recording.AI summary
Down Home 9 Jazz
Ray Linn's Hollywood Swing Stars, a West Coast swing ensemble, recorded 'East Side Jump' and 'The Mad Monk' for Parlophone, catalogue R3186.AI summary
Parlophone R3186 Jazz
Ray Starita's Piccadilly Revels Band, a British dance ensemble, performing jazz-inflected dance material on Columbia 4641. Starita was active in the 1920s-30s British dance scene.AI summary
Columbia 4641 Jazz
The Raymond Scott Quintette with Toy Trumpet and Powerhouse on Master 111, from Irving Mills's short-lived Master label.AI summary
Master 111 Jazz
The Raymond Scott Quintet on Brunswick, performing 'Happy Farmer' and 'Egyptian Barn Dance'. Scott was a prolific American composer and bandleader known for novelty and novelty-orchestral works; Brunswick was a major label.AI summary
Brunswick 8144 Jazz
Red Allen was a New Orleans trumpet virtuoso who played with nearly everyone who mattered in jazz. Okeh 6281 ('Ol' Man River' and 'KK Boogie') captures him in the swing era.AI summary
Okeh 6281 Jazz
Red Callender was a prolific Los Angeles session musician and bandleader of the 1940s–50s; this Sunset label side captures the swing-era jazz-ballad repertoire.AI summary
Sunset 10056 Jazz
Red Heads, an early jazz band. Actuelle 11236 ('Brown Sugar' and 'Alabama Stomp') records hot dance music from the 1920s; UK copies are uncommon.AI summary
Actuelle 11236 Jazz
The Red Heads, an unknown jazz or dance group, on Perf (Perfection), a small British label. Both sides are blues or jazz standards.AI summary
Perfect 15684 Jazz
Red MacKenzie on Parlophone R1071, performing two jazz-influenced songs from the early 1930s. MacKenzie was a jazz vocalist and bandleader of the 1920s and 1930s.AI summary
Parlophone R1071 Jazz
Red McKenzie, the singer and comb-player behind the Mound City Blue Blowers, with It's the Talk of the Town and Wherever There's Love on Commodore 562.AI summary
Commodore 562 Jazz
Red Nichols (spelled Nicholls here) on Brunswick 118, 'New Orleans' and a second side, from the hot-jazz cornet player and bandleader's prolific output, likely from the late 1920s.AI summary
Brunswick 118 Jazz
Red Nichols, the white jazz cornet player and bandleader, in two classic hot-jazz standards on Columbia — 'Wabash Blues' and 'Someday Sweetheart' — likely from the late 1920s–early 1930s. Nichols was an important figure in early jazz recording.AI summary
Columbia 4419 Jazz
Red Nicholls, a jazz cornettist associated with the Original Memphis Five and other early jazz ensembles, recorded "After You've Gone" and "The Sheik" for Brunswick 1104, a numbered series from the mid-1920s.AI summary
Brunswick 1104 Jazz
Red Nicholls, an American jazz banjoists and bandleader of the 1920s, recorded 'It's no Bargain' and 'Washboard Blues' for Brunswick 3407 in the hot-jazz style.AI summary
Brunswick 3407 Jazz
Red Nichols, pioneering jazz cornet player and bandleader of the 1920s, recorded for Brunswick; this 3000-series side couples two hot-jazz novelties from the jazz-age era.AI summary
Brunswick 3597 Jazz
Red Nichols, the American jazz cornettist and bandleader, recorded these two sides for Brunswick, likely in the early 1930s; both are important early jazz standards.AI summary
Brunswick 3855 Jazz
Red Nichols and his Five Pennies, one of the most important white jazz groups of the 1920s, recorded 'China Boy' and 'Peg O' My Heart' for Brunswick 01019. Both are jazz standards of the era.AI summary
Brunswick 01019 Jazz
Red Nichols, the white jazz cornetist and bandleader, recorded "Ida, Sweet as Apple Cider" and "Feelin' No Pain" for Brunswick in the late 1920s. Nichols was influential in early jazz and hot dance.AI summary
Brunswick 3626 Jazz
Red Nichols was a prominent American jazz cornetist and bandleader of the 1920s, leading the Pennies and Five Pennies and recording extensively for Brunswick. 'I Got Rhythm' and 'Sweet and Hot' are typical of his uptempo jazz style and represent early hot jazz on a major American and British label.AI summary
Brunswick 1300 Jazz
Red Nichols was a pioneering American jazz cornet-player and bandleader of the 1920s and early 1930s, known for hot dance and small-group jazz sides. 'Sugar' and 'Make my Cot where the Cotcot Cotton grows' are recorded on His Master's Voice B5433, a catalogue number consistent with late 1920s release.AI summary
His Master's Voice B5433 Jazz
Red Nichols was an influential jazz cornetist active through the 1920s and 30s; Variety was a cut-price American label of the 1930s that reissued earlier jazz material.AI summary
Variety 545 Jazz
Red Nichols and his Five Pennies on Brunswick 01804 with 'Alabama Stomp' and 'Hurricane', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary
Brunswick 01804 Jazz
Red Nichols, an influential American jazz cornetist and bandleader of the 1920s–1930s, performing 'Five Pennies' (his signature piece) and 'Japanese Sandman' on Brunswick 01851 — an early electrical-era recording.AI summary
Brunswick 01851 Jazz
Red Nichols, the innovative white jazz cornetist and bandleader, recorded these two standards for Brunswick in the mid-1920s. 'Rockin' Chair' and 'Whispering' are both hallmarks of the hot jazz era, and Nichols was a central figure in that style; his Miff Mole collaborations and Five Pennies records are collected seriously.AI summary
Brunswick 01852 Jazz
Red Nichols, the influential New York jazz cornet player, recorded 'Haunting Blues' and 'Yaaka Hula Hickey Dula' for Brunswick Records. Nichols was a prolific and well-documented jazz bandleader active in the 1920s–30s, best known for his 'Five Pennies' ensemble.AI summary
Brunswick 1262 Jazz
Red Nichols, the pioneering American jazz cornetist, performing 'I got Rhythm' and 'Sweet and hot' on Brunswick, recorded in the late 1920s with his widely-collected Five Pennies ensemble or successor band.AI summary
Brunswick 01300 Jazz
Red Nichols on His Master's Voice B5977, performing 'I'm Tickled Pink with a Blue-Eyed Baby' and 'Yours and Mine' by the Southerners. Nichols was one of the most important American jazz cornetists of the 1920s–1930s; HMV B-series sides are moderately scarce.AI summary
His Master's Voice B5977 Jazz
Red Nichols, a leading jazz cornetist of the 1920s hot-dance era, recorded by His Master's Voice—'Davenport Blues' is a classic jazz composition from 1925.AI summary
His Master's Voice B9028 Jazz
Red Nichols was the most prolific and technically accomplished jazz cornetist of the 1920s, leading the Five Pennies and recording prolifically for all major labels. This Brunswick side from 1926 is part of his classic early jazz catalogue.AI summary
Brunswick 1441 Jazz
Red Nichols was an American jazz cornetist and bandleader of the 1920s, leading the influential 'Five Pennies'. 'Sugar Babe' and 'Blue Jay' are jazz sides from the hot-dance era. This NorthAm pressing represents an American issue on a small American label.AI summary
NorthAm 500 Jazz
Red Nichols, a prominent American jazz bandleader of the 1920s–30s, recorded 'I Want to Be Happy' and 'Tea for Two' for Brunswick, UK pressing—two jazz-era standards that were widely issued.AI summary
Brunswick 01032 Jazz
Red Nichols, the influential American hot-jazz cornettist and bandleader, on Brunswick 1062, performing "Who" and "Carolina in the morning".AI summary
Brunswick 1062 Jazz
Red Nichols, an important jazz cornetist of the 1920s–30s, recorded 'How Long Blues' and 'Fan It' for Brunswick 1213; these are hot jazz standards of the period.AI summary
Brunswick 1213 Jazz
Red Nichols was a pioneering hot-jazz cornet player and bandleader of the 1920s; this Brunswick coupling of 'Junk man blues' and 'Bass drum Dan' is from his prolific early recording period.AI summary
Brunswick 1225 Jazz
Red Nichols, the cornet-playing pioneer of hot dance and jazz, recorded 'Waitin' for the Evenin' Mail' and 'Slow and Easy' for Brunswick; Nichols was one of the most important figures in 1920s jazz.AI summary
Brunswick 1312 Jazz
Red Nichols, a pioneering American jazz cornetist and bandleader of the 1920s, recorded two hot jazz numbers on Brunswick, a major British and American label. 'Alabama Stomp' and 'Hurricane' are characteristic of his prolific output during the jazz age and are sought by hot jazz collectors.AI summary
Brunswick 3550 Jazz
Red Nichols, the pioneering American jazz cornetist, recorded two hot jazz sides on Brunswick. Nichols was a prolific jazz bandleader whose sides are collected by enthusiasts of 1920s hot jazz.AI summary
Brunswick 3597 Jazz
Red Nichols and his Five Pennies on Brunswick 3801 with 'Avalon' and 'Nobody's Sweetheart', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary
Brunswick 3801 Jazz
Red Nichols and his ensemble recorded 'Allah's Holiday' and 'Roses of Picardy' for Brunswick (3960) in the late 1920s. Nichols was a prominent jazz cornet player and bandleader of the hot-jazz era, and his Brunswick sides are collected by serious jazz enthusiasts.AI summary
Brunswick 3960 Jazz
Red Nichols, the American jazz cornetist and bandleader, recorded Vincent Youmans's 'Tea for two' and 'I want to be happy' for Brunswick 1032 in the late 1920s.AI summary
Brunswick 1032 Jazz
Red Nichols, a pioneering jazz cornet player and bandleader of the 1920s–30s, recorded 'I'm Marching Home to You' and 'I Used to Love Her in the Moonlight' for Brunswick 3991. Nichols was an influential figure in early jazz and dance music.AI summary
Brunswick 3991 Jazz