1,957 shellac records · mostly British pressings, 1900s–1950s
1,957 records matching · page 34 of 41
Red Nichols, the influential American jazz cornetist and bandleader, recorded these hot jazz standards for Brunswick. Both titles are jazz classics of the 1920s. UK copies of early Brunswick jazz are uncommon.AI summary
Brunswick 01104 Jazz
Red Nichols on Brunswick 01591, 'Dinah' / 'Indiana'. Red Nichols was a leading hot-jazz cornetist of the 1920s–1930s, famous for his 'Five Pennies' and recordings with leading jazz and swing musicians.AI summary
Brunswick 01591 Jazz
Red Nichols, a prominent American hot-dance and jazz bandleader, recorded 'Nobody's Sweetheart' and 'Avalon' for Brunswick 01569. Red Nichols' Five Pennies and related ensembles were highly popular in the 1920s-30s.AI summary
Brunswick 01569 Jazz
Red Nichols, the American jazz cornetist, performing 'I Have to Have You' and 'Oh Lady Be Good' on Brunswick 02676, from the late 1920s.AI summary
Brunswick 02676 Jazz
Red Nichols on Brunswick 01300, two jazz standards 'I got Rhythm' and 'Sweet and hot', from the bandleader's extensive catalogue in the 1930s–40s.AI summary
Brunswick 01300 Jazz
Red Nichols, a pioneering jazz cornet player and bandleader of the 1920s, performing two jazz standards on Brunswick 03499. The catalogue number indicates a very early Brunswick pressing, circa 1927–1928.AI summary
Brunswick 03499 Jazz
Red Nichols, the American jazz cornetist and bandleader, recorded 'Ida Sweet as Apple Cider' and 'Feelin' No Pain' for Brunswick 80069 in 1927. Nichols was a prolific hot-jazz recording artist of the 1920s and early 1930s.AI summary
Brunswick 80069 Jazz
Red Nichols and his Five Pennies, the cornettist's recording band of the late 1920s and early 1930s, whose shifting line-ups drew on many of the leading New York jazz players of the day, play 'Corrine Corrina' and 'Bug-a-boo' on British Brunswick.AI summary
Brunswick 1120 Jazz
Red Nichols and his band recorded 'Short survey of modern rhythm' for Brunswick, catalogue 02000, an early Brunswick release, likely from the late 1920s.AI summary
Brunswick 02000 Jazz
Red Nichols and his Stompers, a leading hot-jazz ensemble of the 1920s, recorded 'Make My Cot Where the Cot Cot Cotton Grows' and 'Sugar' for His Master's Voice. This is a hot-dance side from the dance-band era.AI summary
His Master's Voice B5433 Jazz
Red Nichols' Stompers, the hot-dance ensemble led by American cornet virtuoso Red Nichols, recorded 'Make My Cot' and 'Sugar' for His Master's Voice B5433.AI summary
His Master's Voice B5433 Jazz
Red Nichols and his world-famous Pennies performing two instrumentals on Regal—'Rollin' Home' (credited to the Pennies) and 'Night on the Desert' (credited to Ted Hanson's band). Red Nichols was a pioneering American jazz cornet player and bandleader of the 1920s–30s; this is a scarce UK pressing of important jazz.AI summary
Regal MR1365 Jazz
Red Norvo, the swing xylophonist, with Mildred Bailey singing 'A Porter's Love Song to a Chambermaid', and 'I Know That You Know', in British Vocalion's Swing Series.AI summary
Vocalion S32 Jazz
Red Norvo, the American swing vibraphonist, in two novelty recordings on Decca: "Polly Wolly Doodle" and "By the Waters of Minnetonka", from the late 1930s.AI summary
Decca F7806 Jazz
Red Norvo performing 'Says my Heart' and 'You Leave Me Breathless' on Brunswick 8135. Norvo was a major American vibraphone player and bandleader, a key figure in swing jazz.AI summary
Brunswick 8135 Jazz
'Cake Walking Babies from Home' by the Red Onion Jazz Babies is a celebrated 1924 recording featuring Louis Armstrong and Sidney Bechet; this Jazz Collection disc is a later reissue rather than the original pressing.AI summary
Jazz Collection 36 Jazz
Regal 7570 Jazz
Reginald Foresythe, the British pianist and composer, performing his own composition 'Because It's Love' and the jazz standard 'St Louis Blues' on Columbia FB1141, a 1930s British recording.AI summary
Columbia FB1141 Jazz
Reginald Foresythe was a British pianist and composer known for sophisticated jazz-influenced arrangements; this Columbia side pairs two pieces from the early 1930s.AI summary
Columbia FB1031 Jazz
Harry Reser, influential jazz banjoist and composer, recording two instrumental pieces for Columbia in the mid-1920s; Reser was a prolific recording artist and innovator on the instrument.AI summary
Columbia 4437 Jazz
Harry Reser, a pioneering American jazz banjo and ukulele player, recorded 'Someone Is Losin' Susan' and 'Who Wouldn't' for Columbia, catalogue 4135, in the 1920s.AI summary
Columbia 4135 Jazz
Harry Reser was an American banjo virtuoso and bandleader of the 1920s–30s; 'Susie's Feller' is a novelty title, and 'That Night in Araby' is a known popular standard. Columbia 4206 indicates a 1920s pressing. Reser's banjo and jazz-novelty sides are sought by hot-jazz and novelty collectors.AI summary
Columbia 4206 Jazz
Harry Reser was a pioneering jazz banjo and ukulele player; this Columbia recording from the mid-1920s features his hot-jazz style with the Columbians dance band.AI summary
Columbia 4558 Jazz
Harry Reser's Imperial label recording of popular dance tunes from the 1920s-30s; Reser was a pioneering jazz banjo player.AI summary
Imperial 2132 Jazz
Vocalion V1020 Jazz
Rex Stewart's Hot Club Berlin ensemble, an American hot-jazz group working in Berlin, performing 'Blue Lou' and 'Bei dir war es immer so schön' on Amiga, the German state label. Stewart was a Duke Ellington sideman and cornetist; his Berlin recordings are sought by jazz collectors, though UK pressings are uncommon.AI summary
Amiga 1164 Jazz
The Rhythm Wreckers play 'Wabash Blues' and 'Somebody Stole My Gal' in British Vocalion's Swing Series, which issued American jazz in the late 1930s.AI summary
Vocalion S135 Jazz
Rich performing 'Man I Love' and 'Dolly Dimples' for Columbia 4786, a catalogue number from the 1920s–30s.AI summary
Columbia 4786 Jazz
Rodemich performing 'Hot roasted Peanuts' and 'Dream Daddy' on Brunswick, the American label widely distributed in Britain during the 1920s-1930s.AI summary
Brunswick 2525 Jazz
Adrian Rollini, a multi-instrumentalist of the 1920s–30s jazz and dance era, recorded these sides for Rex Records.AI summary
Rex 8035 Jazz
Adrian Rollini, the hot-jazz reed and keyboard player, on Columbia DB5006, performing 'Swing Low' and 'Tap Room Swing', likely 1930s.AI summary
Columbia DB5006 Jazz
Adrian Rollini, an American jazz musician and composer, recorded two standards for His Master's Voice in the early 1930s.AI summary
His Master's Voice B8382 Jazz
Ronnie Munro with B. Mills (piano) performing jazz standards 'Deed I Do' and 'Blue Skies' on Parlophone E series. This appears to be a British jazz vocal recording from the 1950s.AI summary
Parlophone E5834 Jazz
Ronnie Scott, the tenor saxophonist who founded London's famous jazz club, with 'Humble Pie' and 'I Get a Kick Out of You' on Esquire, the British modern-jazz label.AI summary
Esquire 10-361 Jazz
Ronnie Scott's orchestra recording 'With Every Breath I Take' and 'Bang' for Esquire. Scott was a pioneering British modern-jazz musician and club owner.AI summary
Esquire 10-466 Jazz
Roosevelt Sykes, the blues pianist known as 'The Honeydripper', recorded prolifically for Okeh's race catalogue; this disc dates from the early 1930s.AI summary
Okeh 6709 Jazz
Rosa Henderson, an early blues and jazz vocalist. Vocalion 14635 records 'Where Can That Somebody Be' and 'Down South Blues'.AI summary
Vocalion 14635 Jazz
Vocalion 14795 Jazz
Rosa Henderson and Lizzie Miles in 'Midnight Blues' and 'Cotton Belt Blues' on Victor 19124. Henderson was a blues and vaudeville singer of the 1920s, and her recordings are of interest to early blues collectors, though this pairing requires verification.AI summary
Victor 19124 Jazz
Rosetta Crawford with Stop It Joe and My Man Jumped Salty on Me on Vocalion V1002.AI summary
Vocalion V1002 Jazz
Sister Rosetta Tharpe, pioneering gospel and jump-blues artist, recorded for Decca. 'Didn't It Rain' and 'Stretch Out' are traditional spirituals in her electrified style. This M-series pressing is from the mid-1940s.AI summary
Decca M32432 Jazz
Roy Cooper and his Jazz Band on the obscure ClassJazz label, a tiny British imprint of which almost nothing is known. The A-side 'Jenny's Ball' and B-side 'Ory's Creole Trombone' suggest hot-jazz repertoire in the 1920s style.AI summary
ClassicJazz 0002 Jazz
Roy Cooper's Jazz Band recorded 'Ory's Creole Trombone', a classic New Orleans jazz composition by Kid Ory, for the ClassicJazz label. UK copies of small jazz labels from this era are scarce.AI summary
ClassicJazz 002 Jazz
Roy Eldridge, the swing trumpeter who bridged Louis Armstrong and Dizzy Gillespie, with 'Jumbo the Elephant' and 'Baby, What's the Matter with You' on American Mercury.AI summary
Mercury 8996 Jazz
Roy Eldridge (trumpet) and Benny Carter (alto sax) co-leading an orchestra performing jazz standards on Columbia; two major jazz soloists in a collaborative recording from the 1930s–1940s.AI summary
Columbia LB10008 Jazz
Roy Fox's dance band, a sophisticated hot-jazz ensemble, recorded 'They Can't Take That Away from Me' and 'Let's Call the Whole Thing Off' on His Master's Voice; Fox was a leading British dance bandleader of the 1920s–30s.AI summary
His Master's Voice B5226 Jazz
Roger Bell's Jazz Band (listed as 'Rpger Bell's') recorded 'Oh That Sign' and 'Ja da' for Ampersand 1, an extremely obscure British label.AI summary
Ampersand 1 Jazz
Rube Bloom's Bayou Boys on Columbia CB75: 'St James Infirmary' and 'One Girl' (Selvin). Rube Bloom was a composer and pianist active in the 1920s–1930s; the Bayou Boys were a hot-jazz ensemble. This is an early Columbia race-series pressing.AI summary
Columbia CB75 Jazz