1,957 shellac records · mostly British pressings, 1900s–1950s
1,957 records matching · page 35 of 41
Rudy Wiedoeft, a jazz saxophonist of the 1920s, recorded 'Saxarella' and 'Danse hongroise' for Brunswick 2825, jazzy novelty and dance material from the early acoustic era.AI summary
Brunswick 2825 Jazz
Rudy Wiedoeft, an American saxophonist, recorded 'Velma' and 'Saxophone Fantasie' for Brunswick—instrumental novelty and jazz sides from the 1920s acoustic era, when Wiedoeft was a popular recording artist.AI summary
Brunswick 2071 Jazz
Russell Wooding led a New York band, the Grand Central Red Caps, that recorded for Victor in the early 1930s; this is Victor 22718 with That's My Desire and I Can't Get Enough of You.AI summary
Victor 22718 Jazz
Sidney Bechet with Humphrey Lyttelton's band, 'Who's Sorry Now' and 'Sleepy Time Down South', from their 1949 London session, a landmark for the British traditional jazz revival.AI summary
Melotone 1104 Jazz
A pairing of the American jazz pioneer Sidney Bechet with the British trad-jazz leader Humphrey Lyttelton, issued on Melotone, a cheap UK label of the period.AI summary
Melotone 1105 Jazz
Sam 'The Man' Taylor, an American saxophonist and r&b session musician, recorded 'S'posin' and 'Tara's theme' for MGM in the early 1950s.AI summary
MGM 793 Jazz
Sam Donahue was an American tenor saxophonist and bandleader known for his work in swing and big-band music from the 1930s onward. This BB 11479 pressing of "I'll Never Tire of You" and "Flo" represents his popular output.AI summary
Bluebird 11479 Jazz
Samuels performing two jazz or blues standards on Sil (Silvertone), a budget British label. Samuels is not a known major recording artist.AI summary
Silvertone 2205 Jazz
Samuels performing 'Ching a Ling's Jazz Bazaar' and an Irene selection on His Master's Voice C988.AI summary
His Master's Voice C988 Jazz
Sandy Brown's Jazz Band with Nothing Blues and Africa Blues on Vogue A128. Brown was a Scottish clarinettist and a leading name in British jazz.AI summary
Vogue A128 Jazz
Sandy Brown's Jazz Band with Special Delivery and African Queen on Tempo A124.AI summary
Tempo A124 Jazz
Sandy Williams's Big Eight, a Harlem jazz group, recorded 'Mountain Air' and 'Chili Con Carney' for HRS, a small independent label founded in 1937 to reissue and issue jazz; UK copies of HRS material are extremely uncommon.AI summary
HRS 1007 Jazz
Santo and his Dixie-land Jazz Band with Canal Street Romp and Rose of the Rio Grande on Mercury 8914.AI summary
Mercury 8914 Jazz
Sara Martin was a prolific classic blues singer of the 1920s recording for Okeh; this disc pairs her versions of 'Sugar Blues' and 'Achin' Hearted Blues' from Okeh's celebrated 8000 'race' series.AI summary
Okeh 8041 Jazz
Sara Martin was a prolific classic blues singer of the 1920s, and this disc is part of Okeh's historically important 8000 'race' series, which seldom surfaces in British collections.AI summary
Okeh 8093 Jazz
Sara Martin was a classic blues singer of the 1920s recorded for Okeh's influential race-record series; this disc carries two of her blues sides, and UK survivals of the American Okeh 8000 series are uncommon.AI summary
Okeh 8203 Jazz
The blues singer Sara Martin with 'Keeps on A-Rainin'' and 'Michigan Water Blues' in the OKeh 8000 'race' series. Original copies of the series are seldom found in Britain; it carried some of the most important blues and jazz of the 1920s.AI summary
Okeh 8060 Jazz
The blues singer Sara Martin with Fats Waller at the piano, 'Tain't Nobody's Bus'ness If I Do' and 'You've Got Everything a Sweet Mama Needs But Me', from 1922. These were among Waller's very first recordings. Original copies of the OKeh 8000 'race' series are seldom found in Britain; the series carried some of the most important blues and jazz of the 1920s.AI summary
Okeh 8043 Jazz
Sarah Vaughan, one of the greatest jazz and popular singers of the era, recorded these two songs for Columbia, likely in the early 1950s.AI summary
Columbia DB3197 Jazz
Sarah Vaughan with Come Along with Me and It's Easy to Remember on Mercury 3114.AI summary
Mercury 3114 Jazz
Sarah Vaughan with Make Yourself Comfortable and Old Devil Moon on Mercury 3180.AI summary
Mercury 3180 Jazz
Sarah Vaughan with Lorenzo Fuller and Eddie Sledge on Columbia C1294 performing 'Bianca' and 'Too Darn Hot', a sophisticated jazz-vocal pairing on Columbia's early C-series.AI summary
Columbia C1294 Jazz
Savannah Churchill was an American R&B and jazz vocalist of the 1940s; this Gen Records side from that era carries the style that won her a following among collectors of early rhythm and blues.AI summary
Gen 7106 Jazz
Savoy Havana band recorded the Gershwin standards 'S'Wonderful' and 'Crazy Rhythm' for Broadcast 312, a short-lived British label of the late 1920s.AI summary
Broadcast 312 Jazz
Savoy Havana, the influential late-1920s hot dance band, performing 'Bonnie' and 'Non stop Dancing' on Regal, the British budget label, catalogue 8062.AI summary
Regal 8062 Jazz
Savoy Havana Band recorded 'Dream Daddy' and 'After the Storm' for Columbia in the early 1930s, dance-band material in the hot-jazz idiom.AI summary
Columbia 3518 Jazz
The Savoy Havana Band performing 'Jazz Band Partout' and 'Billets Doux' on Columbia 3097, a hot-jazz recording from the early 1920s.AI summary
Columbia 3097 Jazz
Savoy Havana Band on His Master's Voice B5002—a late-1920s or early-1930s jazz-age recording from one of the house bands associated with London's fashionable Savoy Hotel.AI summary
His Master's Voice B5002 Jazz
Savoy Havana, a hot dance band of the late 1920s, with a speech introduction and the jazz number 'Bam Bammy Shore' on His Master's Voice, catalogue B2186.AI summary
His Master's Voice B2186 Jazz
Savoy Havana Band, a recording name used for various session groups, performing two 1920s jazz-age novelties on Columbia; Mr Gallagher and Mr Shean was a famous comedy song.AI summary
Columbia 3276 Jazz
The Savoy Havana Band, a well-known early jazz and dance ensemble, recorded 'Horsey Keep your Tail up' and 'It's you' for Regal 8172. The Savoy Havana Band's recordings are sought by early jazz collectors.AI summary
Regal 8172 Jazz
The Savoy Orpheans were one of Britain's finest jazz ensembles, active at the Savoy Ballroom in London in the late 1920s. This Columbia recording couples two jazz standards, 'I Love You Little Jessie James' and 'Linger a While' (credited to the Savoy Havana band), capturing the height of British hot jazz.AI summary
Columbia 3376 Jazz
The Savoy Orpheans were a respected British jazz and dance band of the 1920s, recorded here on Columbia for 'Oh Eva' and 'It Had to Be You'. The low catalogue number (3494) dates this to the early 1920s.AI summary
Columbia 3494 Jazz
Savoy Orpheans on His Master's Voice B5369, performing 'Yale Blues' and 'Moonlit Waters'. The Savoy Orpheans were a British dance band active in the 1920s, popular for their recordings of jazz and dance music.AI summary
His Master's Voice B5369 Jazz
The Savoy Orpheans on 'I want a lovable baby' and 'Brown Eyes why are you blue', from HMV B2252. The Savoy Orpheans were a British dance band active in the mid-1920s; their recordings for HMV are important examples of early British dance music and swing.AI summary
His Master's Voice B2252 Jazz
Savoy Orpheans on His Master's Voice B1970—a mid-to-late 1920s recording from one of the most celebrated British dance bands of the early jazz age.AI summary
His Master's Voice B1970 Jazz
The Savoy Orpheans on HMV B1935, performing 'Out of a Million' and 'In Shadowland' (credited to Savoy Havana). The Savoy Orpheans were a prominent British jazz band of the 1920s–early 1930s, resident at the Savoy Hotel; they are keenly collected by jazz enthusiasts.AI summary
His Master's Voice B1935 Jazz
The Scott Wood Six Swingers were a British swing group led by the Scottish bandleader Scott Wood; this Columbia side captures two classic jazz standards ('Tiger Rag' and 'Basin Street Blues') in swing arrangements.AI summary
Columbia FB1520 Jazz
Scott Wood and his Six Swingers perform 'Hot Pie' and 'Second Helping' on Columbia. Wood was a British harmonica virtuoso and bandleader of the 1940s–50s.AI summary
Columbia FB1556 Jazz
Scott Wood's Six Swingers were a British jazz-swing group of the 1930s–40s. This later Columbia FB-series side pairs two American jazz standards: 'Star dust' and 'I'm getting sentimental over you', representing their mature swing-era style.AI summary
Columbia FB1852 Jazz
Scott Wood's Six Swingers were a British jazz-swing group of the 1930s–40s. This Columbia FB-series side pairs 'Toy trumpet', a novelty instrumental, and 'Twilight in Turkey', a popular standard of the era.AI summary
Columbia FB1765 Jazz
Seger Ellis, an American jazz pianist and vocalist from the 1920s-30s, on Ar (an obscure label) with 'Don't Be Like That' and 'T'Ain't So Honey'.AI summary
Ariel 4353 Jazz
Seger Ellis, an American swing-era jazz pianist and vocalist, recorded 'If I had a Talking picture of You' for Ar Records. Ellis was active in the late 1920s and early 1930s.AI summary
Ariel 4527 Jazz
Selvin on Columbia 3714, performing 'Steppin in Society' and Markel's 'Don't bother me', jazz-influenced dance recordings from the 1920s-30s.AI summary
Columbia 3714 Jazz
The Seven Hot Air Men, a jazz or hot-dance band, on Columbia. The title 'Low down Rhythm' and the band name suggest a 1920s jazz or hot-dance ensemble.AI summary
Columbia 5562 Jazz
The Seven Hot Air Men, an early jazz or novelty group, recorded 'Navy Blues' and 'Harlem Madness' for Columbia. The catalogue CB53 suggests a jazz or dance recording from the late 1920s.AI summary
Columbia CB53 Jazz
Seven Little Polar Bears, likely a novelty ensemble group, on Domino (DomA), a small American label occasionally imported to Britain; catalogue 27 is a very low number, suggesting very early Domino production or UK reissue.AI summary
Dominion A27 Jazz
The Sevn Hot Air Men, a jazz ensemble, on Columbia performing hot jazz of the late 1920s; these British dance band sides reflect the American jazz influence on UK dance music.AI summary
Columbia CB53 Jazz