1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 6 of 41
Boyd Senter performing two jazz and novelty numbers on Regal MR1316. Senter (1891–1977) was an American saxophonist and novelty performer; 'Wabash Blues' and 'I'm in the Jailhouse Now' are jazz standards.AI summary
Regal MR1316 Jazz
Boyd Senter, the novelty jazz clarinettist, with his Senterpedes in 'Beale Street Blues' and 'Copenhagen Stomp' on American Victor.AI summary
Victor 22303 Jazz
Bram Martin, credited on Columbia FB1679, performing 'West End Blues' and 'Squeeze Me' — both classic New Orleans jazz standards. Limited information available about Martin or this recording.AI summary
Columbia FB1679 Jazz
The Broadway Trio recorded 'Whippoorwill Blues' and 'Emaline' for Puritan Records; an unidentified American ensemble on a small label.AI summary
Puritan Jazz
Bubber Miley, the pioneering jazz cornet player and member of Duke Ellington's orchestra, in two titles on Victor — 'Black Maria' and 'Chinning and Chattin' with May' — from the late 1920s. Miley was a key voice in the early Ellington sound.AI summary
Victor 38146 Jazz
Buchel recorded 'Happy Feet' and 'You Know What I'll Do' for Decca in the mid-to-late 1930s; the artist is not clearly identified.AI summary
Decca F1856 Jazz
Bud Freeman, a pioneering tenor saxophonist of the Chicago jazz school, recorded 'Crazeology' and 'Give me your Telephone Number' for Odeon PO107. Freeman was influential in small-group jazz from the late 1920s onward.AI summary
Odeon PO107 Jazz
Bud Powell was one of the defining pianists of bebop; this is a UK Vogue pressing of a trio recording, part of Vogue's licensed issues of American jazz sides for the British market.AI summary
Vogue V2298 Jazz
Bud Powell, the bebop pianist, leads his trio in 'You Go to My Head' and Charlie Parker's 'Ornithology' on British Vogue.AI summary
Vogue V2017 Jazz
Buddy de Franco, 'Over the Rainbow', on MGM 612; de Franco was a virtuoso clarinetist and a leader of the bebop and cool-jazz movements of the 1950s.AI summary
MGM 612 Jazz
Buddy Rich, the legendary jazz and orchestral drummer, recorded "Sweets Opus 1" and "All Sweets" for Columbia in the late 1940s or early 1950s.AI summary
Columbia LB10038 Jazz
Bunk Johnson, the pioneering New Orleans jazz cornetist, recorded "Darktown Strutters' Ball" and "When the Saints go marching in" for His Master's Voice, one of his recordings made in the 1940s rediscovery sessions that restored his reputation.AI summary
His Master's Voice B9511 Jazz
Bunk Johnson, a pioneering New Orleans jazz cornet player, recorded for His Master's Voice late in his career; "A Closer Walk with Thee" and "High Society" are jazz standards central to New Orleans jazz history.AI summary
His Master's Voice B9820 Jazz
Bunk Johnson, the New Orleans jazz pioneer and trumpeter, on JazzMan Records, catalogue 9. JazzMan was a small American jazz reissue label active in the 1940s, and this is a scarce issue; early Johnson recordings are prized by collectors.AI summary
JazzMan 9 Jazz
Bunk Johnson recorded 'Darktown Strutters' Ball' and 'When the Saints Go Marching In' for HMV B9511. Johnson was a pioneering New Orleans jazz trumpeter; these are iconic jazz standards. HMV B9511 suggests a later pressing in that series.AI summary
His Master's Voice B9511 Jazz
Bunk Johnson, a New Orleans jazz pioneer and early jazz cornet player, performs 'Sister Kate' and 'One sweet Letter from you' on His Master's Voice B9517. Johnson was rediscovered and recorded extensively in the 1940s, making this a significant document of early jazz revival recording.AI summary
His Master's Voice B9517 Jazz
Bunk Johnson, the New Orleans trumpeter rediscovered in the 1940s, with 'You Always Hurt the One You Love' and 'Maryland, My Maryland' on British Vocalion.AI summary
Vocalion V1036 Jazz
Bunk Johnson, the pioneering New Orleans jazz cornetist, recorded 'Sister Kate' and 'One Sweet Letter from You' on His Master's Voice B9517.AI summary
His Master's Voice B9517 Jazz
Bunk Johnson was a New Orleans trumpeter rediscovered in the 1940s and central to the trad-jazz revival; this is a UK Vocalion reissue of his American Music Records sides, part of a small series aimed at British jazz enthusiasts.AI summary
Vocalion V1036 Jazz
Bunk Johnson was one of the pioneering figures of New Orleans jazz, born in the 1870s; this Brunswick pressing of 'Tishomingo Blues' and 'Alexander's Ragtime Band' is from his classic 1945–1947 comeback recordings, which are highly sought by jazz collectors.AI summary
Brunswick 04437 Jazz
Brunswick 04437 Jazz
Bunny Berigan, the swing trumpeter of 'I Can't Get Started', with 'Big Boy Blue' and 'I'm Gonna Kiss Myself Goodbye' on Vocalion.AI summary
Vocalion 547 Jazz
Bunny Berigan was an influential American jazz trumpeter and vocalist; this His Master's Voice recording pairs 'Black Bottom' and 'Trees'.AI summary
His Master's Voice B8907 Jazz
Bunny Berigan was an American jazz trumpet virtuoso of the 1930s; these are his own compositions recorded for HMV, capturing his distinctive hot style.AI summary
His Master's Voice C2939 Jazz
Bunny Berigan, an American jazz trumpeter and bandleader of the swing era, on Brunswick 7784 with "That foolish Feeling" and "Where are you" — Berigan's recordings are sought by jazz collectors.AI summary
Brunswick 7784 Jazz
Henry Busse was an American trumpeter and bandleader best known for his Hot Lips recordings in the late 1920s. This Decca disc pairs two of his signature pieces: 'Hot Lips' and 'Way Down South in New Orleans', capturing the hot-jazz spirit that made him a minor star of the hot-dance era.AI summary
Decca F5330 Jazz
Clarinettist Buster Bailey with 'Am I Blue' and 'Blue Room' on Philips.AI summary
Philips 84 Jazz
Buster Bailey, the pioneering jazz clarinetist, on Decca F5492, performing 'Call of the Delta' and 'Shanghai Shuffle', likely mid-1930s.AI summary
Decca F5492 Jazz
Bix Beiderbecke's only solo piano recording, his own 'In a Mist', coupled with 'Wringin' an' Twistin'', a 1927 trio with Frankie Trumbauer and Eddie Lang, on Vocalion.AI summary
Vocalion 3150 Jazz
A record credited to C King on the Cit label, pressing 'Oh Star of Eve' and a Robbins composition. Cit was a small British imprint of the 1920s–30s, and very little is known of the artist or this recording.AI summary
Citizen 681 Jazz
Cab Calloway, the American jazz legend known as the 'Hi-De-Ho Man', recorded 'Ghost of a Chance' and 'Come on with Me' for Okeh, catalogue 5687; Okeh was a major American jazz label and these sides date from the early 1930s.AI summary
Okeh 5687 Jazz
Cab Calloway, the famous jazz vocalist and bandleader, recorded 'I love to sing' and 'Save me, sister' for Brunswick 02259, from his prolific early-to-mid 1930s recording period.AI summary
Brunswick 02259 Jazz
Cab Calloway, the American jazz and swing star, performing 'Willow Weep for Me' and 'Ghost of a Chance' on Parlophone R2941, a British 1930s release.AI summary
Parlophone R2941 Jazz
Cab Calloway on Brunswick, catalogue 1254. Calloway was a major American jazz and swing star of the 1930s–40s, the 'Hi-De-Ho' man; he was hugely popular and prolific, and Brunswick was a major label.AI summary
Brunswick 1254 Jazz
Cab Calloway, the famous 'Hi-De-Ho' bandleader, recorded 'Old Man of the Mountain' and a band number on Imperial Records — unusual for such a major artist to appear on a cheap British label, suggesting a reissue or licensing arrangement.AI summary
Imperial 2780 Jazz
Cab Calloway, the 'Hi-De-Ho Man' and one of the great jazz entertainers, performs 'Old Man of the Mountain' and '(Kardos) Nightfall' on Imperial 2625.AI summary
Imperial 2780 Jazz
Cab Calloway, the 'Hi-De-Ho Man' and a major jazz bandleader and entertainer of the 1930s, performing 'Hot Toddy' and 'Kickin' the Gong Around' on Brunswick 01417.AI summary
Brunswick 01417 Jazz
Cab Calloway's 'Hi-De-Ho' orchestra on Brunswick, from 1931; Hot Toddy and Kickin' the Gong Around are signature pieces from the height of his popularity as a bandleader and entertainer.AI summary
Brunswick 1417 Jazz
Cab Calloway and his band, a leading American jazz orchestra, on Rex with 'Dinah' and 'Man from Harlem', iconic numbers of the early 1930s.AI summary
Rex 8924 Jazz
The California Ramblers, a prolific American jazz-dance ensemble, recorded 'I Love the College Girls' and 'There Ain't No Maybe in My Baby's Eyes' for Columbia. The Ramblers were a popular hot-dance outfit of the mid-to-late 1920s, recording frequently for multiple labels and known to collectors of hot jazz and dance music.AI summary
Columbia 4369 Jazz
The California Ramblers' 'Shine' and 'It Had to Be You' on Columbia 127D, an early pressing of a prolific 1920s American jazz and dance band recorded for multiple labels.AI summary
Columbia 127D Jazz
The California Ramblers were a hot-dance and early jazz ensemble of the 1920s. This Columbia pressing of 'The Sheik' and a Yerkes arrangement is a typical product of their prolific studio output.AI summary
Columbia is1507 Jazz
The California Ramblers recorded 'Please' and 'Driftwood' for Columbia, catalogue 3537. The Ramblers were one of the earliest and most prolific American jazz-dance ensembles, active from the early 1920s.AI summary
Columbia 3537 Jazz
Columbia 4791 Jazz
California Ramblers on Bell Records performing 'Georgette' and 'Count the Days' — an influential early jazz and dance ensemble on a small American label, likely mid-1920s.AI summary
Bell P160 Jazz
California Ramblers performing 'You Darling you' and 'Morning will come' on Columbia 3377. The Ramblers were a prolific studio jazz ensemble of the 1920s.AI summary
Columbia 3377 Jazz
The California Ramblers, a prolific American jazz and dance band of the 1920s, on Columbia, performing early hot-jazz standards.AI summary
Columbia 3555 Jazz
The California Ramblers, an important American dance orchestra of the early and mid-1920s, recorded 'Then I'll Be Happy' and 'Say Who Is That Baby Doll' (credited to Lanin) for Columbia, catalogue 3917. The Ramblers were one of the most prolific and influential hot-dance ensembles of the era, and their sides remain keenly collected.AI summary
Columbia 3917 Jazz