1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 7 of 41
Columbia 4369 Jazz
Regal 8629 Jazz
Candullo performs two early jazz or novelty dance numbers on General 3358 — likely a 1920s pressing of jazz-age material.AI summary
Gen 3358 Jazz
The Capitol Jazzmen, a small-label jazz ensemble, recorded these standards for Tele, an obscure British imprint. The group and label are not identifiable from standard reference.AI summary
Telefunken 283396 Jazz
Carl Halen Washboard Five, an obscure jazz-novelty group, recorded these two sides on Knick, a tiny American label of the 1920s. The catalogue number is extremely early. Both titles are period jazz standards.AI summary
Knickerbocker 3 Jazz
Carroll Gibbons was a pianist and bandleader who led the Savoy Hotel Orpheans in the 1920s-1930s; this Columbia recording, catalogue FB3074, features him paying tribute to Fats Waller, one of jazz's most influential composers and performers.AI summary
Columbia FB3074 Jazz
Casa Loma, a major American jazz and dance band of the 1930s, performs 'Rose of the Rio Grande' and 'Bugle Call Rag' on Brunswick. Casa Loma was a significant hot-dance and jazz orchestra.AI summary
Brunswick 02262 Jazz
Brunswick 01560 Jazz
Brunswick RL203 Jazz
Casa Loma orchestra, a celebrated American jazz-dance band of the late 1920s–30s, performing two standards on Brunswick 1310; a major swing-era dance orchestra.AI summary
Brunswick 1310 Jazz
Casa Loma Orchestra was a prominent American swing orchestra of the 1930s, fronted by violinist Gene Gifford. This Brunswick 03000-series side captures their energetic swing style. US-pressed Casa Loma sides are common, but UK pressings are less frequently encountered.AI summary
Brunswick 03013 Jazz
Casa Loma Orchestra performing 'Black Jazz' and 'Maniac's Ball' on Brunswick 1279, a British pressing of the influential American swing band.AI summary
Brunswick 1279 Jazz
Celestin's Tuxedo Jazz Band performing two important early jazz standards—"The Saints" (a New Orleans classic) and "That Old Time Religion"—on Purist, a small British jazz reissue label without a catalogue number listed.AI summary
Purist Jazz
Champion Jack Dupree, the New Orleans blues pianist, performing on the small jazz label JazzJS. Dupree was a significant figure in blues history but recorded for many small labels; this pressing is scarce.AI summary
JazzJS 559 Jazz
Charles Pierce, an early jazz and novelty recording artist, performing 'Sister Kate' and 'Nobody's Sweetheart' for Columbia in the mid-1920s.AI summary
Columbia 35950 Jazz
Charles Sargent and J Marvin are credited to this OK Records pressing of jazz standards 'Farewell Blues' and 'Go Long Mule' from the early 1920s. OK was a small American label with limited distribution in Britain.AI summary
Okeh 40139 Jazz
Columbia FB1108 Jazz
The Charleston Chasers, a hot jazz ensemble, on 'Red Hair and Freckles' and 'Lovable and sweet', Columbia 1925D. This is a mid-1920s American jazz recording; the Charleston Chasers are an important early jazz group.AI summary
Columbia 1925D Jazz
The Charleston Chasers were a hot-dance band of the 1920s, and their Columbia sides such as 'Someday sweetheart' and 'Wabash blues' capture the syncopated energy of the era.AI summary
Columbia 4419 Jazz
The Charleston Chasers, a white hot-dance ensemble, recorded 'Feelin' no Pain' and 'Five Pennies' for Columbia 4797. This is an important early jazz dance recording from the mid-1920s.AI summary
Columbia 4797 Jazz
The Charleston Chasers, a hot-jazz ensemble, perform Fats Waller's famous "Ain't Misbehavin'" and another jazz number on Columbia 5610, a British pressing from the late 1920s. This is an important early jazz recording, and UK Columbia pressings of hot-jazz sides are increasingly sought after.AI summary
Columbia 5610 Jazz
Charleston Chasers, a dance orchestra, on Columbia catalogue 4562, performing 'Delirium' and 'Down in our Alley Blues' (Ellington). A jazz-influenced dance recording from the late 1920s.AI summary
Columbia 4562 Jazz
The Charleston Chasers, a hot-jazz group, on Columbia FB1108. The Chasers were active in the late 1920s and their sides are sought by jazz collectors; the catalogue number places this in the late acoustic era.AI summary
Columbia FB1108 Jazz
The Charleston Chasers performing 'After You've Gone' and 'Davenport Blues' on Columbia, a hot-dance recording from the mid-1920s.AI summary
Columbia 4453 Jazz
The Charleston Chasers on Columbia 4453, performing two classic hot jazz numbers from the 1920s: 'After you've gone' and 'Davenport Blues'. The Chasers were a significant early jazz ensemble of the hot jazz era.AI summary
Columbia 4453 Jazz
Charlie Barnet's orchestra with Ill Wind and All the Things You Are on Capitol CL13261.AI summary
Capitol CL13261 Jazz
Charlie Barnet, an American jazz saxophonist and bandleader, recorded 'The Moose' and 'Sky Liner' for Brunswick Records in the swing era.AI summary
Brunswick 03601 Jazz
Charlie Barnet, the American swing bandleader and tenor saxophonist, recorded 'The Moose' and 'Sky Liner'—likely instrumental swing pieces—for Brunswick. Barnet was a major figure in American swing and his Brunswick sides document his work during the late 1930s-40s swing era.AI summary
Brunswick 03601 Jazz
Charlie Barnet's orchestra, a major swing bandleader, recorded 'Things Ain't What They Used to Be' and 'Victory Walk' for Brunswick during the big-band era.AI summary
Brunswick 03451 Jazz
Charlie Barnet and his orchestra performing 'And So Do I' and 'Rhumboogie' on Regal Records. Barnet was a major American swing bandleader; this Regal pressing represents a British issue of his work.AI summary
Regal MR3410 Jazz
Charlie Barnet, a major jazz bandleader of the swing era, recording on His Master's Voice's new (electric) series—'Girl with the Pigtails in Her Hair' is a novelty swing number.AI summary
His Master's Voice NE777 Jazz
Chicago Footwarmers on a dub (dubbing or test pressing) performing 'Get Me Again' and 'Brush Stomp'. The Chicago Footwarmers were a hot-jazz group of the 1920s; the label information is incomplete.AI summary
dub Jazz
The Chicago Rhythm Kings were an important American hot-jazz group of the 1920s, bringing early jazz to the Midwest. This Brunswick 01000-series side shows their energetic jazz style. UK pressings of hot-jazz sides from this era are not commonly found and remain sought by jazz collectors.AI summary
Brunswick 01737 Jazz
The Chicago Rhythm Kings on UHCA 7/8, a classic hot jazz group from the late 1920s recording two jazz standards; UK copies of jazz from this period are uncommon, and this small British label is extremely difficult to trace—UK copies are rare, and the recording has historical significance for collectors of early jazz.AI summary
UHCA 7/8 Jazz
The Chick Syncopaters recorded 'Baby's Blue' and 'There's a Trick in Pickin' a Chicken', two jazz-flavoured novelty numbers of the late 1920s. The label is not recorded on this copy.AI summary
Jazz
Chris Barber's Jazz Band on Columbia DC672, performing Christmas material — a post-war British jazz revivalist, recorded in the 1950s.AI summary
Columbia DC672 Jazz
Chris Barber's Jazz Band with Petite Fleur and Bugle Boy March on Pye NJ2026. Petite Fleur was Barber's 1959 hit with Monty Sunshine.AI summary
Pye NJ2026 Jazz
Chris Barber's Washboard Wonders on Esquire 10-180, performing 'Whoop It Up' and 'Everybody Loves My Baby'. Barber was a pioneering British trombonist and bandleader of the 1950s trad jazz revival; this early ensemble recording captures the energetic, New Orleans-influenced style of the movement.AI summary
Esquire 10-180 Jazz
The Christie Brothers Stompers, the British traditional-jazz band of trombonist Keith and clarinettist Ian Christie, play 'Rum and Coca-Cola' and 'Moonshine' on Esquire.AI summary
Esquire 10-130 Jazz
Chubby Jackson performing 'Mom Jackson' and 'L'Ana' on Parlophone R3071. Jackson was an American jazz bassist and bandleader of the 1940s–50s, known for his bebop and progressive jazz work.AI summary
Parlophone R3071 Jazz
Chubby Jackson, a respected bebop bandleader and bass player, with his sextet on the Queen label, a minor 1940s–50s British imprint.AI summary
Queen 4101 Jazz
Chuck Thomas and his Dixieland band with Rose of the Rio Grande and Oh, Gee, Say, Gee on Capitol CL13222.AI summary
Capitol CL13222 Jazz
Clara Smith, an American blues and jazz singer of the 1920s, recorded two blues numbers on Columbia's race series 14034D.AI summary
Columbia 14034D Jazz
Clara Smith — the 'Queen of the Moaners', one of the great classic blues singers of the 1920s and a Columbia recording artist — sings 'Awful Moanin' Blues' and 'I Never Miss the Sunshine' on Columbia A4000. The A4000 Columbia number places this at the very start of Columbia's race-record series, circa 1923–24. UK copies of American Columbia race-series pressings are extremely uncommon, and Clara Smith is a significant figure in blues history.AI summary
Columbia A4000 Jazz
Clara Smith — no relation to Bessie despite sharing the billing title 'Queen of the Moaners' — was one of the most recorded blues singers of the 1920s for Columbia. The A3966 number places this around 1924, in the heart of her most productive period. UK copies of the Columbia A-series blues issues are considerably scarcer than their American counterparts and are sought by blues collectors.AI summary
Columbia A3966 Jazz
Clara Smith recorded 'You don't know my Mind' and 'I gonna tear your Playhouse down' for Columbia 14013D. Smith was a prominent African-American blues and jazz singer of the 1920s, active during the classic blues era.AI summary
Columbia 14013D Jazz
Clarence Profit, an innovative stride pianist, recorded 'Tea for two' and 'There'll be some changes made' for Brunswick 8341 in the 1930s.AI summary
Brunswick 8341 Jazz
Clarence Williams was an influential jazz pianist, composer and producer of the 1920s; this disc on the Jazz Collection label is a later reissue rather than an original pressing.AI summary
Jazz Collection L9 Jazz