8 shellac records · mostly British pressings, 1900s–1950s
8 records matching
A.E. Nickolds performing 'Yankee Grit' and 'Big Guns' on Aco, catalogue 16068. Aco was a small, short-lived British label active in the late 1920s.AI summary
Aco 16068 Music Hall
Billy Williams performs 'I've got a Lover up in Scotland' and 'My Lass frae Glasgie Toon' on Aco, a minor British label. Both titles play on Williams' Scottish identity and repertoire.AI summary
Aco 15762 Music Hall
Billy Williams recorded British music hall and sentimental songs ('The Hobnailed Boots My Father Wore', 'I Wish It Was Sunday Night') for Aco Records. Williams was a British singer of the 1920s–1930s era.AI summary
Aco 15761 Music Hall
Charles Coborn on two Victorian and Edwardian music-hall standards: "The Man Who Broke the Bank at Monte Carlo" and "Two Lovely Black Eyes", recorded for Aco (Acolian) 15588. Coborn was a music-hall legend and a major star of the Victorian era, and these songs are closely associated with his name.AI summary
Aco 15588 Music Hall
Cruikshank on Aco 15249, a British budget label of the 1920s–30s.AI summary
Aco 15249 Music Hall
Dick Henderson, an English performer, singing novelty or sentimental comic material on Aco 16061.AI summary
Aco 16061 Music Hall
Fred Gibson performing 'Let's all join the Mustard Club' and 'I've never seen a straight Banana' on Aco, a British budget label, catalogue 16124.AI summary
Aco 16124 Music Hall
Malcolm Scott, the female impersonator and music-hall comedian known for his elaborate historical character sketches, performs 'Adventures of Catherine Parr' in two parts on Aco 16195. Aco (Acousitc/Aeolian) was a small British label; Scott is a recognised music-hall name and his character sketches are unusual items in the collecting world.AI summary
Aco 16195 Music Hall