2,703 shellac records · mostly British pressings, 1900s–1950s
2,703 records matching · page 13 of 57
Burt Shepard performs Laughing Song on Gramophone Company 2-2803, a single-sided issue.AI summary
Gramophone Company 2-2803 Music Hall
Regal 6505 Music Hall
Burt Shepard recorded 'Sahara' and 'I will I won't' for Zonophone, catalogue 57. Extremely scarce catalogue information exists on this artist and these recordings.AI summary
Zonophone 57 Music Hall
C Collins on Zonophone, performing two comedic Welsh-themed songs of the early 1900s.AI summary
Zonophone 1650 Music Hall
C Collins on Zonophone with Welsh novelty and music-hall material from the 1920s or early 1930s.AI summary
Zonophone 1650 Music Hall
Cicely Courtneidge and Jack Hulbert, a husband-and-wife team and major British musical theatre and revue performers, recorded 'Ever Open Door' for Columbia. The duo was a celebrated stage act in the 1920s and 1930s, and their theatrical recordings are of interest to collectors of British musical theatre and variety.AI summary
Columbia 9927 Music Hall
Cicely Hulbert, Bobbie Comber, Phyllis England and Muriel Kester, British stage and revue entertainers, recorded 'Taking the Air' parts 1 and 2 for Decca, a theatrical sketch or novelty piece.AI summary
Decca F2597 Music Hall
A music-hall sketch or comedic performance by C Hulbert, B Comber, P England and M Kester, 'Taking Possession', recorded in two parts on HMV B8003.AI summary
His Master's Voice B8003 Music Hall
Credited to C Penrose on Zonophone; this is a comic music-hall novelty of the acoustic era, likely from the early 1920s.AI summary
Zonophone 1352 Music Hall
C. Penrose and B. Whitlock performing 'Father & Son' (parts 1 and 2) on Cinch, a budget British label of the 1920s.AI summary
Cinch 5374 Music Hall
C. Penrose and B. Whitlock, likely British music-hall performers, recorded for Winner, a budget label; 'A Bottle of Port' and 'The Nervous Policeman' are comic songs typical of British variety entertainment.AI summary
Winner 2819 Music Hall
C Penrose and L Hope performing Irish comedy-song repertoire ('The Prodigal's Return', 'An Irish Courtship') on Regal 8284 from the mid-1920s.AI summary
Regal 8284 Music Hall
C. Penrose and R. Hazell performing an extended dramatic comic sketch, 'The Parson and the Squire – Village Concert', on Regal 8455, a major British label. This appears to be part 4 of a multi-part recording, typical of music-hall and comedy repertoire of the 1920s–30s.AI summary
Regal 8455 Music Hall
Charles Penrose and Stanley Coltham on His Master's Voice, performing fairy-tale sketches.AI summary
His Master's Voice B2364 Music Hall
C Rose and O Fox performing music-hall novelty material on Zonophone, a British label of the 1920s.AI summary
Zonophone 5811 Music Hall
Nassau D168 Music Hall
Catcheside-Warrington on Zonophone 5379, a traditional comic duo performing Geordie sketches and songs ('Keep Your Feet Still' and 'Blaydon Races'). Zonophone was a British label of long history.AI summary
Zonophone 5379 Music Hall
C.D. Smart performs two music-hall selections on Trusound WF, a small or regional British label, catalogue number suggesting 1930s–40s era.AI summary
Trusound WF413 Music Hall
C. E. Warrington performing two Northumbrian dialect songs — 'Neighbours Doon Belaw' and 'Geordie Haud the Bairn' — on Pathé catalogue 77230. The artist does not appear prominently in standard references; regional dialect recordings on Pathé are a specialist collecting category and may be uncommon outside their home region.AI summary
Pathé 77230 Music Hall
Charles Alexander recorded 'Glory Song/Bootmaker' for Zonophone; likely a British music-hall or popular vocalist of the early-to-mid 1920s.AI summary
Zonophone 44756 Music Hall
Charles Austin performs two comic pieces on Columbia: 'The Adventures of the Cat' and 'The Lucky Black Cat (11)', suggesting this is part of a series. Austin was active in the early 20th century British music hall.AI summary
Columbia is1373 Music Hall
Charles Austin was a British music-hall comedian and singer, active in the early 20th century. 'Parker's Christening' and its B-side are comic sketches or monologues typical of the hall tradition. This Grafton pressing is from an obscure, short-lived British label.AI summary
Grafton 9133 Music Hall
Charles Austin recorded two music-hall comic songs for Hom, an obscure British label of the early 1900s.AI summary
Hom 1002 Music Hall
Charles Austin with I've Only Been Married a Week and I'm Much Better Looking on Homochord H316.AI summary
Hom H316 Music Hall
Charles Austin recorded 'Parker PC' and its Part 2 for Columbia, catalogue 1517; likely a descriptive or novelty piece from the early 1900s, given the catalogue numbering and subject matter.AI summary
Columbia 1517 Music Hall
Charles Austin recorded 'Parker PC' (both sides) for Imperial Records, catalogue 2247. Imperial was a cheap British marque.AI summary
Imperial 2247 Music Hall
Charles Austin, a comic performer, on Winner with novelty numbers; Winner was a minor British pressing label of the 1920s–1930s.AI summary
Winner 2633 Music Hall
Charles Coborn was the music-hall comedian who made 'The Man Who Broke the Bank at Monte Carlo' his signature song from 1891 onwards, and who recorded it for numerous labels over a long career. This Odeon pressing (catalogue 32361) couples that famous number with 'Two Lovely Black Eyes'. Coborn's recordings of his signature song exist in several versions across many labels.AI summary
Odeon 32361 Music Hall
Charles Coborn on two Victorian and Edwardian music-hall standards: "The Man Who Broke the Bank at Monte Carlo" and "Two Lovely Black Eyes", recorded for Aco (Acolian) 15588. Coborn was a music-hall legend and a major star of the Victorian era, and these songs are closely associated with his name.AI summary
Aco 15588 Music Hall
Charles Coborn was a famous British music-hall singer. Beltona 674 records his signature song 'The Man Who Broke the Bank at Monte Carlo' and 'Two Lovely Black Eyes'.AI summary
Beltona 674 Music Hall
Charles Coborn, a celebrated British music-hall comedian and singer, performs an 'Old Time Sing Song' selection on Columbia DX21 — a deluxe pressing format from the mid-1930s.AI summary
Columbia DX21 Music Hall
Charles Coborn, the English music-hall legend, on Zonophone 6264 performing four of his signature comic and sentimental songs including 'The Man Who Broke the Bank at Monte Carlo'.AI summary
Zonophone 6264 Music Hall
Charles Coborn, the music-hall comedian who made 'The Man Who Broke the Bank at Monte Carlo' his signature song, on Winner catalogue 2289, coupling that famous number with 'Two Lovely Black Eyes'. Winner was a popular budget British label; Coborn sides on Winner are among the commoner of his label appearances.AI summary
Winner 2289 Music Hall
Charles Coborn and others performing a music-hall medley on Regal 1053, capturing British variety of the early recording era.AI summary
Regal 1053 Music Hall
Charles Denton with Why Do You Think I Look So Gay? and, credited Miller, All Clear Out of the Park on John Bull 5334.AI summary
John Bull 5334 Music Hall
Charles Denton with Captain Ginjah and, by A. Field, Pat O'Hare on Pick of All 36-4355.AI summary
Pickofall 36-4355 Music Hall
Charles Hill on Decca performing 'Chuck it Priestley', a British music-hall song, on a two-record set (AD3017/3018). Charles Hill was a British character comedian and singer.AI summary
Decca AD3017/3018 Music Hall
Charles Penrose, the British music-hall comedian famous for his laughing songs, recorded two comic novelties for Zonophone in the 1920s.AI summary
Zonophone 1312 Music Hall
Charles Penrose was a British comedian and music-hall singer of the Edwardian era, famous for novelty and comic songs; this Polyphon pressing of 'He'd a Funny Little Way with Him' and 'I Tried to Keep from Laughing' is from his variety repertoire.AI summary
Polyphon 24173 Music Hall
Charles Penrose, the British music-hall and comic performer, recorded 'Jack and the Beanstalk' for Winner. Penrose was known for novelty numbers and comic material, and his recordings are sought by music-hall collectors.AI summary
Winner 3738 Music Hall
Charles Penrose, the British comedian and singer best known for his barnyard novelty 'The Laughing Policeman', singing comic songs on early Zonophone.AI summary
Zonophone 1312 Music Hall
Charles Penrose, a popular British music-hall baritone of the early 1900s, recorded 'Courting Sarah Jane' and 'Jolly Old Jarge' for Zonophone 1364, an early catalogue number suggesting a pre-1920 acoustic recording.AI summary
Zonophone 1364 Music Hall
Charles Penrose, the British comedian famous for 'The Laughing Policeman', on Zonophone performing comic songs 'A Night Out' and 'What Shall I Say to the Wife'.AI summary
Zonophone 1394 Music Hall
Charles Penrose, one of the most prolific and successful British music-hall performers of the early 20th century, recorded comic songs 'Jolly Ploughman' and 'Special Constable' for Zonophone, a major label of that era. Penrose's theatrical fame has made his recordings of enduring interest to collectors.AI summary
Zonophone 1506 Music Hall
Charles Penrose, the British music-hall performer famous for his laugh record 'The Laughing Policeman', recording 'Merry Farm Boy' and 'Laughs' on Zonophone 1522 in the early 1900s.AI summary
Zonophone 1522 Music Hall
Charles Penrose, a music-hall comedian known for 'The Laughing Policeman', recorded comic material for Zonophone early in his career.AI summary
Zonophone 1582 Music Hall
Charles Penrose performing two humorous pieces, 'Laugh and Grow Fat Like Me' and 'Laughing Curate', on Columbia. Penrose was a British music-hall comedian and singer, and his laugh-based novelty records are well documented.AI summary
Columbia 2089 Music Hall
Charles Penrose, the British actor and comedian best known for his novelty signature piece "The Laughing Policeman," performing parts 3 and 4 of "Inkwell Fairy" with the Jungletown Jazz Band on Columbia 3803.AI summary
Columbia 3803 Music Hall