2,703 shellac records · mostly British pressings, 1900s–1950s
2,703 records matching · page 22 of 57
Eugene Stratton was a major British music-hall and vaudeville performer famous for Negro dialect songs and entertainments popular in the 1890s-1910s. 'Lily of Laguna' (marking 1911) and 'I may be crazy' on His Master's Voice (HMV C556) represent his recordings from the early twentieth century, and are historically significant examples of early commercial recording.AI summary
His Master's Voice C556 Music Hall
F. & L. Gilbert, credited as a duo, recorded the comic songs 'Meet Me Tonight in the Cow Shed' and 'He Played His Ukulele as the Ship Went Down' for Broadcast. These are novelty music-hall numbers of the early 1930s.AI summary
Broadcast 3151 Music Hall
F Claremont performing 'Any old Iron' and 'Carroty' on Victor C8. A very early catalogue number on the American Victor label.AI summary
Victor C8 Music Hall
F. Claremont performing 'Carroty' and 'Any old Iron' on Our Flag (OurFlagC), catalogue 8, a small British label of the 1910s–1920s.AI summary
Our Flag C8 Music Hall
F Day and A Riscoe on His Master's Voice B8278 with 'Let's Lay Our Heads Together' and 'I'd Do the Most Extraordinary Things', likely musical-theatre duet numbers or comedy novelties from the 1920s–30s era.AI summary
His Master's Voice B8278 Music Hall
A performance of 'King Wenceslas' credited to F. Desmond, Arthur Askey and others for His Master's Voice, catalogue C3640, issued in two parts. Askey was a major British comedian and entertainer; this is likely a novelty or comic version of the Christmas carol.AI summary
His Master's Voice C3640 Music Hall
F Drummond, likely a British comedian or music-hall artist, performs 'That funny little Bob Tail Coat' and 'She's a Lassie from Lancashire' on Columbia, a D-series acoustic issue.AI summary
Columbia D151 Music Hall
Fred Emney and S. Fairbrother, British comic entertainers, on His Master's Voice C492, performing 'A Sister to Assist 'Er' and 'Mrs. Le Browning', likely 1920s.AI summary
His Master's Voice C492 Music Hall
Frank Forde and Harry Champion with Stanley Holloway performing medley numbers 'Bull & Bush', 'Pack Up Your Troubles', 'Boiled Beef and Carrots' leading into a Holloway finale on HMV C2796, a patriotic and music-hall singalong side from World War I or the interwar era.AI summary
His Master's Voice C2796 Music Hall
F Harvey recorded 'Sticks & Stones' and 'I Do Like a S'Nice S'Mince S'Pie' for Homophone, catalogue 4618. The comic song titles suggest British music hall material.AI summary
Hom 4618 Music Hall
F. Harvey on Homophone 4618, performing 'Sticks & Stones' and the comic novelty 'I do like a s'nice s'mince s'pie'.AI summary
Hom 4618 Music Hall
F Lalor and E Wilson, with a Quintette, performing two novelty songs on Columbia — 'Still We Smile' and 'Ladies Day' — likely from the 1920s.AI summary
Columbia D1400 Music Hall
F Lynne, a British performer, singing the novelty song 'Take Me Down Piccadilly' and the music hall number 'We All Go the Same Way Home' on Lyr 265.AI summary
Lyceum 265 Music Hall
F Marshall on Winner (2235), performing 'You left me for the Limelight' and 'When the Sheep are in the fold Jenny Dear'; a novelty coupling on a cheap British label.AI summary
Winner 2235 Music Hall
F. Mayne performs two novelty songs, 'Robin Redbreast' and 'Boiled Beef & Carrots', on Columbia British 1258 from the early 1910s. This is a very early catalogue number.AI summary
Columbia 1258 Music Hall
F Oldham and T Handley on Zonophone 2912 with novelty songs 'Mamma's Gone, Young Pappa's Gone Old' and 'How'd Ya Like to Meet Me in the Moonlight'. Zonophone was a British label popular in the 1920s–1930s.AI summary
Zonophone 2912 Music Hall
F. Pascal performing 'Wibbly wobbly Walk' and 'Mister Cupid' on Apollo Records, a small British label. These are novelty or music-hall songs.AI summary
Apollo 286 Music Hall
F Williams on Zonophone 221, performing 'He's a Naughty Naughty Boy' and 'The Fireman'.AI summary
Zonophone 221 Music Hall
F. Williams performing the classic British music-hall song 'Miner's Dream of Home' and a Christmas piece on Zonophone 78, an early catalogue number indicating pressing from the 1900s–1910s era.AI summary
Zonophone 78 Music Hall
F. Williams and Miss McCarthy recorded novelty and comedy material for Zonophone 127, an early British label from circa 1910–1920.AI summary
Zonophone 127 Music Hall
Fay Compton recorded 'Kiddies Hour' for Elec Records (0204). Fay Compton was an established British actress and entertainer of stage and early film; Elec (Electrical) was a budget British label of the 1930s.AI summary
Electron 0204 Music Hall
A Regal recording featuring multiple performers—Fields, Laughton, Henson, Burdon, Laye, and others—in what appears to be a theatrical or variety sketch or medley (parts 1 and 2). This is likely a theatrical novelty recording.AI summary
Regal MR1234 Music Hall
Flanagan & Allen, a celebrated British comedy-song duo of the 1930s–1940s, performing 'Shine on Harvest Moon' and 'Don't Believe Everything You Dream' on Decca (catalogue F8487). The duo were major variety and film stars; these are upbeat novelty numbers typical of their style.AI summary
Decca F8487 Music Hall
Flanagan & Allen were the most popular British comic-song duo of the 1930s–40s. This Sterno pressing of 'Little Bit of Chinese Music' and 'At the Races' is from a minor label, making UK copies scarce.AI summary
Sterno 800 Music Hall
Flanagan & Allen were a famous British comedy double-act of the 1920s and 1930s, best known for their topical and comic song-patter routines; this Decca recording captures their style.AI summary
Decca F7297 Music Hall
Flanagan & Allen, a major British music-hall comedy duo, on Decca, performing novelty or comic songs typical of their stage act from the late 1930s-40s.AI summary
Decca F7343 Music Hall
Flanagan & Allen, the British music-hall comedy duo, performing 'There's a Boy coming Home on leave' and 'In a little Rocky Valley' on Decca F7488 during the Second World War.AI summary
Decca F7488 Music Hall
Flanagan & Allen, the British music-hall comedy duo, on Decca performing 'Sierra Sue' and 'I'm Nobody's Baby', likely from the late 1930s.AI summary
Decca F7663 Music Hall
Flanagan and Allen, the celebrated British comedy duo, performing two songs on Decca—'Round the Back of the Arches' (one of their signature numbers) and the Cole Porter song 'Let's Be Buddies'. Flanagan and Allen were major music-hall stars, and their recordings are widely collected.AI summary
Decca F7910 Music Hall
Flanagan & Allen, a celebrated British comedy duo of the 1930s-1940s, recorded for Decca. The pair were known for comic songs and double acts that became classics of British variety.AI summary
Decca F8067 Music Hall
Flanagan & Allen, the British comedy duo of the 1930s-40s, recorded 'Miss You' and 'I Don't Want to Walk Without You' for Decca, catalogue F8138. The pair were famous for their humorous novelty songs and sketches.AI summary
Decca F8138 Music Hall
Flanagan and Allen, the celebrated British variety and comedic duo, recorded for Decca during the Second World War with patriotic and comic material. The pair were stars of pantomime and radio.AI summary
Decca F8222 Music Hall
Flanagan & Allen, the popular British music-hall comedy duo of the 1930s and 1940s, recorded 'Why Don't You Fall in Love with Me' and 'Smiths & the Jones' for Decca F8325.AI summary
Decca F8325 Music Hall
Flanagan & Allen, the famous British comedy duo of the 1930s–40s, recorded 'Shine on Harvest Moon' and 'Don't Believe Everything You Dream' for Decca, catalogue F8487.AI summary
Decca F8487 Music Hall
Flanagan & Allen, the celebrated British music-hall comedy duo, performing 'If a Grey Haired Lady Says How's Your Father' and 'FDR Jones' on Decca, catalogue F7297.AI summary
Decca F7297 Music Hall
A compilation featuring Flanagan & Allen, D Somers and the Carlyle Cousins in 'Song Carnival' parts 1 and 2 on Columbia's DX (special) series, likely from the 1940s.AI summary
Columbia DX432 Music Hall
The Crazy Gang—Flanagan and Allen, Nervo and Knox, Naughton and Gold—were Britain's most celebrated comedy ensemble, and this Columbia two-part side from the 1930s captures their music-hall ensemble comedy in a specially recorded sketch.AI summary
Columbia DX890 Music Hall
Flanagan and Allen, the British music-hall duo, recorded 'Underneath the Arches' and 'Hey Neighbour' for Columbia, their signature and popular songs from the 1930s.AI summary
Columbia CB2725 Music Hall
Flanagan and Allen were a celebrated British comedy double act of the 1930s–50s; this Columbia recording captures their characteristic humour and timing on 'Splitting up'.AI summary
Columbia DB895 Music Hall
Flanagan and Allen performing 'Can't We Meet Again' and 'Do You Recall' on Columbia DB1052. Flanagan and Allen were one of Britain's most popular comedy double acts of the 1930s–40s, best known for wartime morale songs.AI summary
Columbia DB1052 Music Hall
Flanagan and Allen, a popular British variety duo of the 1930s-1950s, performing 'Splitting Up' on Columbia DB895.AI summary
Columbia DB895 Music Hall
Flanagan and Allen, the beloved British music-hall duo, on Columbia FB1131, 'Where the Arches Used to Be'; another of their numerous recordings for Columbia in the 1940s.AI summary
Columbia FB1131 Music Hall
Flanagan and Allen, the celebrated British music-hall duo, recorded 'Digging 'Oi'les' for Columbia in the FB series; the pair were stars of stage and screen, and their Columbia recordings from the 1940s remain sought-after by collectors of British variety.AI summary
Columbia FB1226 Music Hall
Flanagan and Allen, one of Britain's most successful variety comedy duos, perform 'The New MP' on Columbia FB1241. The FB series (late 1930s) represents the peak of their recording career.AI summary
Columbia FB1241 Music Hall
Flanagan and Allen, the British music-hall stars, on 'Ye BBC' for Columbia FB1407; another side from their extensive recording career in the 1940s.AI summary
Columbia FB1407 Music Hall
Flanagan and Allen, one of the most celebrated British comedy double acts of the 1930s–1940s, recorded 'How Do You Do Mister Right' and 'Music Maestro Please' for Columbia FB2046. The duo were prolific recording artists and major music-hall stars.AI summary
Columbia FB2046 Music Hall
Flanagan and Allen, the celebrated British comedy duo, perform 'The Umbrella Man' on Columbia FB2143, a late-1930s recording from the peak of their recording output.AI summary
Columbia FB2143 Music Hall
Flanagan and Allen, the celebrated British comedy-music duo, recorded 'Free isn't that the Way it ought to be' and 'Home Town' for Columbia, catalogue FB1781. Their records remain sought-after by enthusiasts of 1930s British variety.AI summary
Columbia FB1781 Music Hall